Verse > Anthologies > Louis Untermeyer, ed. > Modern British Poetry
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Louis Untermeyer, ed. (1885–1977). Modern British Poetry.  1920.
 
Harold Monro. 1879–
 
113. Every Thing
 
SINCE man has been articulate, 
Mechanical, improvidently wise, 
(Servant of Fate), 
He has not understood the little cries 
And foreign conversations of the small         5
Delightful creatures that have followed him 
Not far behind; 
Has failed to hear the sympathetic call 
Of Crockery and Cutlery, those kind 
Reposeful Teraphim  10
Of his domestic happiness; the Stool 
He sat on, or the Door he entered through: 
He has not thanked them, overbearing fool! 
What is he coming to? 
  
But you should listen to the talk of these.  15
Honest they are, and patient they have kept; 
Served him without his Thank you or his Please... 
I often heard 
The gentle Bed, a sigh between each word, 
Murmuring, before I slept.  20
The Candle, as I blew it, cried aloud, 
Then bowed, 
And in a smoky argument 
Into the darkness went. 
  
The Kettle puffed a tentacle of breath:—  25
"Pooh! I have boiled his water, I don't know 
Why; and he always says I boil too slow. 
He never calls me "Sukie, dear," and oh, 
I wonder why I squander my desire 
Sitting submissive on his kitchen fire."  30
  
Now the old Copper Basin suddenly 
Rattled and tumbled from the shelf, 
Bumping and crying: "I can fall by myself; 
Without a woman's hand 
To patronize and coax and flatter me,  35
I understand 
The lean and poise of gravitable land." 
It gave a raucous and tumultuous shout, 
Twisted itself convulsively about, 
Rested upon the floor, and, while I stare,  40
It stares and grins at me. 
  
The old impetuous Gas above my head 
Begins irascibly to flare and fret, 
Wheezing into its epileptic jet, 
Reminding me I ought to go to bed.  45
  
The Rafters creak; an Empty-Cupboard door 
Swings open; now a wild Plank of the floor 
Breaks from its joist, and leaps behind my foot. 
Down from the chimney, half a pound of Soot 
Tumbles and lies, and shakes itself again.  50
The Putty cracks against the window-pane. 
  
A piece of Paper in the basket shoves 
Another piece, and toward the bottom moves. 
My independent Pencil, while I write, 
Breaks at the point: the ruminating Clock  55
Stirs all its body and begins to rock, 
Warning the waiting presence of the Night, 
Strikes the dead hour, and tumbles to the plain 
Ticking of ordinary work again. 
  
You do well to remind me, and I praise  60
Your strangely individual foreign ways. 
You call me from myself to recognize 
Companionship in your unselfish eyes. 
I want your dear acquaintances, although 
I pass you arrogantly over, throw  65
Your lovely sounds, and squander them along 
My busy days. I'll do you no more wrong. 
  
Purr for me, Sukie, like a faithful cat. 
You, my well trampled Boots, and you, my Hat, 
Remain my friends: I feel, though I don't speak,  70
Your touch grow kindlier from week to week. 
It well becomes our mutual happiness 
To go toward the same end more or less. 
There is not much dissimilarity, 
Not much to choose, I know it well, in fine,  75
Between the purposes of you and me, 
And your eventual Rubbish Heap, and mine. 
 
 
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