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Sir James George Frazer (1854–1941). The Golden Bough. 1922.

Page 542

line after him. The confession of sins is thrice repeated. “By a conventional mode of expression, the sum total of sins a man may do is said to be thirteen hundred. Admitting that the deceased has committed them all, the performer cries aloud, ‘Stay not their flight to God’s pure feet.’ As he closes, the whole assembly chants aloud ‘Stay not their flight.’ Again the performer enters into details, and cries, ‘He killed the crawling snake. It is a sin.’ In a moment the last word is caught up, and all the people cry ‘It is a sin.’ As they shout, the performer lays his hand upon the calf. The sin is transferred to the calf. Thus the whole catalogue is gone through in this impressive way. But this is not enough. As the last shout ‘Let all be well’ dies away, the performer gives place to another, and again confession is made, and all the people shout ‘It is a sin.’ A third time it is done. Then, still in solemn silence, the calf is let loose. Like the Jewish scapegoat, it may never be used for secular work.” At a Badaga funeral witnessed by the Rev. A. C. Clayton the buffalo calf was led thrice round the bier, and the dead man’s hand was laid on its head. “By this act, the calf was supposed to receive all the sins of the deceased. It was then driven away to a great distance, that it might contaminate no one, and it was said that it would never be sold, but looked on as a dedicated sacred animal.” The idea of this ceremony is, that the sins of the deceased enter the calf, or that the task of his absolution is laid on it. They say that the calf very soon disappears, and that it is never heard of.”
3. The Transference to Men
 
  AGAIN, men sometimes play the part of scapegoat by diverting to themselves the evils that threaten others. When a Cingalese is dangerously ill, and the physicians can do nothing, a devil-dancer is called in, who by making offerings to the devils, and dancing in the masks appropriate to them, conjures these demons of disease, one after the other, out of the sick man’s body and into his own. Having thus successfully extracted the cause of the malady, the artful dancer lies down on a bier, and shamming death is carried to an open place outside the village. Here, being left to himself, he soon comes to life again, and hastens back to claim his reward. In 1590 a Scotch which of the name of Agnes Sampson was convicted of curing a certain Robert Kers of a disease “laid upon him by a westland warlock when he was at Dumfries, whilk sickness she took upon herself, and kept the same with great groaning and torment till the morn, at whilk time there was a great din heard in the house.” The noise was made by the witch in her efforts to shift the disease, by means of clothes, from herself to a cat or dog. Unfortunately the attempt partly miscarried. The disease missed the animal and hit Alexander Douglas of Dalkeith, who dwined and died of it, while the original patient, Robert Kers, was made whole.
   “In one part of New Zealand an expiation for sin was felt to be necessary; a service was performed over an individual, by which all the sins of the tribe were supposed to be transferred to him, a fern stalk was previously tied to his person, with which he jumped into