Reference > Cambridge History > Colonial and Revolutionary Literature; Early National Literature, Part I > Fiction I > Cooper’s Rank as a Romancer
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The Cambridge History of English and American Literature in 18 Volumes (1907–21).
VOLUME XV. Colonial and Revolutionary Literature; Early National Literature, Part I.

VI. Fiction I.

§ 27. Cooper’s Rank as a Romancer.


This might be somewhat strange, since Cooper was lavish of intrusions into his novels, were it not that he wrote himself down, when he spoke in his own person, not only a powerful and independent man, but a scolding, angry man, and thus made his most revealing novels his least read ones. One thinks of Scott, who, when he shows himself most, wins most love. The difference further characterizes the two men. In breadth of sympathies, humanity, geniality, humour, Cooper is less than Scott. He himself, in his review of Lockhart, said that Scott’s great ability lay in taking a legend or historical episode, which Scotland furnished in splendid profusion, and reproducing it with marvellous grace and tact. “This faculty of creating a vraisemblance, is next to that of a high invention, in a novelist.” It is clear that Cooper felt his own inferiority to Scott in “creating a vraisemblance” and that he was always conscious of the relative barrenness of American life; it is also tolerably clear that he himself aimed at what he thought the higher quality of invention. Cooper’s invention, indeed, was not without a solid basis; he is not to be neglected as an historian. No man better sums up in literature the spirit of that idealistic, irascible, pugnacious, somewhat crude, and half aristocratic older democracy which established the United States. No one fixed the current heroic traditions of his day more firmly to actual places. No one else supplied so many facts to the great legend of the frontier. Fact no less than fiction underlies the character which, for all time, Cooper gave to the defeated race of red men, who, no longer a menace as they had been to the first settlers, could now take their place in the world of the imagination, sometimes idealized, as in Uncas and Hard-Heart, but more often credibly imperfect and uncivilized. It was his technical knowledge of ships and sailors which led Cooper to write sea tales, a province of romance in which he still takes rank, among many followers, as teacher and master of them all. True, Cooper had not Scott’s resources of historical learning to fall back upon when his invention flagged, any more than he had Scott’s resources of good-nature when he became involved in argument; but when, as in the Leather-Stocking tales, his invention could move most freely, it did unaided what Scott, with all his subsidiary qualities, could not outdo. This is to credit Cooper with an invention almost supreme among romancers. Certainly it is difficult to explain why, with all his faults of clumsiness, prolixity, conventional characterization, and ill temper, he has been the most widely read American author, unless he is to be called one of the most impressive and original.   33

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