Henry Wadsworth Longfellow, ed. Poems of Places: An Anthology in 31 Volumes.
France: Vols. IX–X. 1876–79.
Chartres
By James Russell Lowell (1819–1891)E
With hope to take my minster unawares
In its grave solitude of memory.
A pretty burgh, and such as Fancy loves
For bygone grandeurs, faintly rumorous now
Upon the mind’s horizon, as of storm
Brooding its dreamy thunders far aloof,
That mingle with our mood, but not disturb.
Its once grim bulwarks, tamed to lovers’ walks,
Look down unwatchful on the sliding Eure,
Whose listless leisure suits the quiet place,
Lisping among his shallows homelike sounds
At Concord and by Bankside heard before.
Chance led me to a public pleasure-ground,
Where I grew kindly with the merry groups,
And blessed the Frenchman for his simple art
Of being domestic in the light of day.
His language has no word, we growl, for Home;
But he can find a fireside in the sun,
Play with his child, make love, and shriek his mind,
By throngs of strangers undisprivacied.
He makes his life a public gallery,
Nor feels himself till what he feels comes back
In manifold reflection from without;
While we, each pore alert with consciousness,
Hide our best selves as we had stolen them,
And each bystander a detective were,
Keen-eyed for every chink of undisguise.
A life wide-windowed, shining all abroad,
Or curtains drawn to shield from sight profane
The rites we pay to the mysterious I,—
With outward senses furloughed and head bowed
I followed some fine instinct in my feet,
Till, to unbend me from the loom of thought,
Looking up suddenly, I found mine eyes
Confronted with the minster’s vast repose.
Silent and gray as forest-leaguered cliff
Left inland by the ocean’s slow retreat,
That hears afar the breeze-borne rote and longs,
Remembering shocks of surf that clomb and fell,
Spume-sliding down the baffled decuman,
It rose before me, patiently remote
From the great tides of life it breasted once,
Hearing the noise of men as in a dream.
I stood before the triple northern port,
Where dedicated shapes of saints and kings,
Stern faces bleared with immemorial watch,
Looked down benignly grave and seemed to say,
“Ye come and go incessant; we remain
Safe in the hallowed quiets of the past;
Be reverent, ye who flit and are forgot,
Of faith so nobly realized as this.”
I seem to have heard it said by learned folk
Who drench you with æsthetics till you feel
As if all beauty were a ghastly bore,
The faucet to let loose a wash of words,
That Gothic is not Grecian, therefore worse;
But, being convinced by much experiment
How little inventiveness there is in man,
Grave copier of copies, I give thanks
For a new relish, careless to inquire
My pleasure’s pedigree, if so it please,
Nobly, I mean, nor renegade to art.
The Grecian gluts me with its perfectness,
Unanswerable as Euclid, self-contained,
The one thing finished in this hasty world,
Forever finished, though the barbarous pit,
Fanatical on hearsay, stamp and shout
As if a miracle could be encored.
But ah! this other, this that never ends,
Still climbing, luring fancy still to climb,
As full of morals half divined as life,
Graceful, grotesque, with ever new surprise
Of hazardous caprices sure to please,
Heavy as nightmare, airy-light as fern,
Imagination’s very self in stone!
With one long sigh of infinite release
From pedantries past, present, or to come,
I looked, and owned myself a happy Goth.
Your blood is mine, ye architects of dream,
Builders of aspiration incomplete,
So more consummate, souls self-confident,
Who felt your own thought worthy of record
In monumental pomp! No Grecian drop
Rebukes these veins that leap with kindred thrill,
After long exile, to the mother-tongue.
Of men invirile and disnatured dames
That poison sucked from the Attic bloom decayed,
Shrank with a shudder from the blue-eyed race
Whose force rough-handed should renew the world,
And from the dregs of Romulus express
Such wine as Dante poured, or he who blew
Roland’s vain blast, or sang the Campeador
In verse that clanks like armor in the charge,—
Homeric juice, if brimmed in Odin’s horn.
And they could build, if not the columned fane
That from the height gleamed seaward many-hued,
Something more friendly with their ruder skies:
The gray spire, molten now in driving mist,
Now lulled with the incommunicable blue;
The carvings touched to meanings new with snow,
Or commented with fleeting grace of shade;
The statues, motley as man’s memory,
Partial as that, so mixed of true and false,
History and legend meeting with a kiss
Across this bound-mark where their realms confine;
The painted windows, freaking gloom with glow,
Dusking the sunshine which they seem to cheer,
Meet symbol of the senses and the soul;
And the whole pile, grim with the Northman’s thought
Of life and death, and doom, life’s equal fee,—
These were before me: and I gazed abashed,
Child of an age that lectures, not creates,
Plastering our swallow-nests on the awful Past,
And twittering round the work of larger men,
As we had builded what we but deface.
Far up the great bells wallowed in delight,
Tossing their clangors o’er the heedless town,
To call the worshippers who never came,
Or women mostly, in loath twos and threes.
I entered, reverent of whatever shrine
Guards piety and solace for my kind
Or gives the soul a moment’s truce of God,
And shared decorous in the ancient rite
My sterner fathers held idolatrous.
The service over, I was tranced in thought:
Solemn the deepening vaults, and most to me,
Fresh from the fragile realm of deal and paint,
Or brick mock-pious with a marble front;
Solemn the lift of high-embowered roof,
The clustered stems that spread in boughs disleaved,
Through which the organ blew a dream of storm,—
Though not more potent to sublime with awe
And shut the heart up in tranquillity,
Than aisles to me familiar that o’erarch
The conscious silences of brooding woods,
Centurial shadows, cloisters of the elk:
Yet here was sense of undefined regret,
Irreparable loss, uncertain what:
Was all this grandeur but anachronism,—
A shell divorced of its informing life,
Where the priest housed him like a hermit-crab,
An alien to that faith of elder days
That gathered round it this fair shape of stone?
Is old Religion but a spectre now,
Haunting the solitude of darkened minds,
Mocked out of memory by the sceptic day?
Is there no corner safe from peeping Doubt,
Since Gutenberg made thought cosmopolite
And stretched electric threads from mind to mind?
Nay, did Faith build this wonder? or did Fear,
(Blockish or metaphysic, matters not),
That makes a fetish and misnames it God
Contrive this coop to shut its tyrant in,
Appeased with playthings, that he might not harm?
I walked forth saddened; for all thought is sad,
And leaves a bitterish savor in the brain,
Tonic, it may be, not delectable,
And turned, reluctant, for a parting look
At those old weather-pitted images
Of bygone struggle, now so sternly calm.
About their shoulders sparrows had built nests,
And fluttered, chirping, from gray perch to perch,
Now on a mitre poising, now a crown,
Irreverently happy. While I thought
How confident they were, what careless hearts
Flew on those lightsome wings and shared the sun,
A larger shadow crossed; and looking up,
I saw where, nesting in the hoary towers,
The sparrow-hawk slid forth on noiseless air,
With sidelong head that watched the joy below,
Grim Norman baron o’er this clan of Kelts.