The Man with a Mission, Mitchell Stephens Sometimes there is a situation that one is dragged in to, such as some type of accident. For example, Mitchell Stephens is one of the narrators in “The Sweet Hereafter” by Russell Banks. In his side of the story, he is a lawyer from New York who heard about a bus accident in Sam Dent where ten children died in a bus crash. Mitchell is also the one lawyer representing Risa Walker and her husband in a negligence suit that financially compensated them for the loss of their son Sean. Mitchell is not only just a lawyer like many others but also had more experience. He sympathizes with the parents who lost their children in the accident because like these parents who lost their children he also has a daughter Zoe, who is he can consider dead due to her drug problem. To this reason, Mitchell Stephen has the most to gain by telling his tale to the reader because he seeks to relieve himself from his grief and to help future children riding to school who do not have to come to the same fate as others in the accident. One reason why Mitchell is trying to gain something by telling his tale is that he trying to help the people who lost their children in the accident. Mitchell might a lawyer but he did not come to San Dent just because there was a good case like the bus accident and he it was good pay, no, not Mitchell, he even said it himself that he did not come for the money as Mitchell said “people immediately assume we’re greedy, that it’s money we’re after, people call us ambulance-chasers and so on, like we’re the proctologists of the profession, and, yes, there is lots of those” ((Banks 90). The reason he came to San Dent was that he was angry because he knows this was not just an accident as he Mitchell said “I knew at once that it wasn’t an ‘accident’ at all. There are no accidents.” (Banks 91). Mitchell wanted to help the people from San Dent by making them as angry as he was. To forget about their grief and Point their anger to the one who is the culprit. Other reason to why Mitchell is the one narrator in “The Sweet Hereafter” that is trying to gain something by telling his tale is because of him a man on a mission. Like many other lawyers heard about the accident
Everyday, people are forced to make choices. Some of those choices are fairly easy to make, and others are not. In the short story “The Life You Save May Be Your Own” by Flannery O’Connor, a man by the name of Tom T. Shiftlet stumbles across a farm where an old woman and her daughter, Lucynell Crater, reside. When the author first introduces the readers to Mr. Shiftlet, he is described as “a tramp and no one to be afraid of” (674). What starts as a man accidentally coming across the woman’s farm, becomes a story that follows Tom through his unrealized quest for love and acceptance. With the help of Ms. Crater and Lucynell, Tom learns that his choices have consequences. In “The Life You Save May Be Your Own”, O’Connor creates a world in
“Sonny’s Blues” by James Baldwin and “The Yellow Wallpaper” by Charlotte Perkins Gilman are two stories that reveal the consequences of individual suffering. These consequences include estranging relationships, bitter behavior, and even illness, addiction, or death. Throughout each of these stories, Sonny and John’s wife, known as the narrator of “The Yellow Wallpaper”, continue to suffer due to John’s and Sonny’s brother’s, known as the narrator of “Sonny’s Blues”, failure to meet obligations and familial compassion. Neither the narrator in “Sonny’s Blues” nor the husband, John, in “The Yellow Wallpaper” serve as the villains of the stories, however, I believe we are able to see how both their inabilities to effectively
We lost the ability to be still, our capacity for idleness. They have lost the ability to be alone, their capacity for solitude. (The end of solitude, pg.4)
In his use of characterization, he descriptively talks about the different states his mother undergoes in her illness and the surrounding events and emotions elicited by her continuous downfall, readers experience a feeling of sympathy for Wolff in his circumstance. This also brings light and support to his obscure, perhaps unethical, reasoning that his mother's life, along with those who find
Patricia Bonomi’s Under the Cope of Heaven: Religion, Society, and Politics in Colonial America was not only well written, but also a very interesting read. She kept the writing style easy to comprehend, but not excessively simple while keeping a good grasp on the subject at hand. Bonomi gives us her view on not only religious argumentation, but also the religious events that kindled the flames of the American Revolution. She discredits the past historiography of the eighteenth century, in which there was a theorized religious decline, placing a rationalist century between the seventeenth century ruled by Puritans and the eighteenth century that revolved around Revivalists, which wouldn’t make sense. While Bonomi relies on many local studies
The humanly gift of imagination is a unique power within that subconsciously is a locomotor to both the body and spirit to a person 's individual Elysium. It goes far and beyond our cognition into an exuberant fantasy molded by our wants and desires, reaching untamed worlds. Turning imagination into realism is denounced as an impossible being, but it 's in fact the awakening to our lucid dreaming. Edna Pontellier is a woman with a heart that soared beyond the horizons into a limitless world, forced into cage by the inevitable way of life. Kate Chopin through the beautifully sculpted novel “The Awakening” condemned Edna with a mindset beyond her years, finding meaning through her unsocial actions shunned by the eyes of others. Edna used her
In Laurie Halse Anderson’s Speak, the protagonist, a freshman named Melinda must learn the key to recovery after enduring extreme trauma. She struggled to find someone to speak to, due to the school shunning her for calling the police at the party. Throughout Speak, Melinda seeks to recover from the trauma she experienced, especially the cruel actions from her ex-friends. Through symbolism, Laurie Halse Anderson displays the theme in Melinda's perspective.
Life is filled with tragedies, whether they be subtle or monumental. In society we are constantly surrounded by hardships and situations that test our own individual character, forcing us to react in order to move forward. The main characters in “The Story of an Hour” by Kate Chopin, “A Good Man is Hard to Find” by Flannery O’Connor, and “Where Are You Going, Where Have You Been?” by Joyce Carol Oates each react differently to the various tragedies they encounter, revealing their true identities that lie behind the (facade?)/version of themselves they present to the world. These tragedies that factor into all three works are both presented and interpreted differently in each story: In “The Story of an Hour” by Kate Chopin, Mrs. Mallard rejoices
In this text titled GOD by Simon Blackburn, the protagonist agues of beliefs and other things. I am going to argue that there does not exist a super or godlike being who is all good, all knowing, all powerful. (40 words)
Empathy is fundamental to institute showing sympathy and understanding towards other people. The two stories, “The Lottery” and “The Interlopers”, are centered around solidifying how significant empathy is. The authors in both of the stories use specific literary devices to get their message across. The techniques they use include situational irony, characterization, and pacing. Each of these devices help create the mood of their stories, which aids in your understanding of why empathy is vital in human nature.
The world is a massive place full of endless literature, beginning from ancient scrolls to daily news articles, filled with many secrets, perspectives and surroundings that help connect literature to an individual’s daily life. Some writers use the skills of literary elements to express and discuss an event that has happened to them or what has happened to others. This helps others to comprehend the perspectives of the author’s understanding toward an incident that one might experience. For instance in Flannery O’Connor’s short story, she uses many literary elements to express her views over most of her stories. O’Connor expresses her views in her short story, “A Good Man Is Hard to Find” by using the literary elements of point of view, irony, and setting.
Through our life experiences, we all have a different story or perception of an event that we envision to be the truth. The question is, how do we know what is the truth? In the novel by Russell Banks, "The Sweet Hereafter" tells a handful of stories from different points of view providing contrasting angles and meanings to the same event. As these stories interlock with each other and intertwine together the accounts of how each of these people cope with this tragedy, Banks helps readers explore the complexities of grief. In "Books of The Times; Small-Town Life After a Huge Calamity", Michiko Kakutani feels Banks draws on the school bus accident as a catalyst for enlightening the lives of the
The story's protagonist, Charlie Wales, is less a victim of bad luck than of circumstance, both socio-economic and personal. Charlie does not deserve Marion's continued denial of custody of his daughter, but the story is less about what Charlie does or does not deserve than how easily one's life can spin out of control due to unforeseen circumstance.
Each character in this story is experiencing an emotional battle which they try to find healing but for some it will be too late. The narrator in the story is Sheppard. Sheppard is a widow, his wife died in less than a year before the story began. Sheppard experiences emotional distress by trying hard to change a troubled teen, Rufus, into an honorable young man while teaching his son, Norton, to be selfless. Instead
The tone of this story is one of fear, regret, and guilt. The story first leaves the reader with impression that it may be a recount of the life of a daughter who was lost due to neglect. Soon it is evident