Analyzing John Harrell's 'Twelfth Night'

My group and I chose to perform Act 3 scene 3 from Twelfth Night, a relatively short scene involving Antonio and Sebastian. We chose the scene because it would require us to “gender-bend” because we would be playing men. The scene provides insight into Antonio’s dark past. When they walk into town, Sebastian is excited and thrilled to simply be alive, but Antonio does not want to be seen in the town. Antonio used to be a pirate at one point in his life, and it seems that he is on many a hit-list, especially Orsino’s. Earlier, Sebastian had gotten in a shipwreck, and Antonio saved him from the raging depths of the sea. Ultimately, they wash up in Illyria. Finally, it shows a different side of both characters that may not necessarily be shown in the rest of the play.

    It is not unusual that the fool should be a prominent figure and make an important contribution in forming the confusion and the humor in an Elizabethan drama. In William Shakespeare's comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery. He and many other characters combine their silly acts and wits to invade other characters that either escape reality or live a dream. In Twelfth Night, Feste, Maria and Sir Toby are the fools that make the comedy work in many senses.

She’s the Man is a modern adaptation and interpretation of The Twelfth Night but the

William Shakespeare wrote plays that covered the breadth of human experience, which seem to have transcended the restraints of age because they contain universal themes. His body of his work is comprised of genres of plays, which varied from tragedies to comedies.

The only reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2, 1602. A law student named John Manningham wrote in his diary about a feast he attended at the Middle Temple in London where he was a law student and where “we had a play called Twelfth Night; Or, What You Will." This was likely to have been an early performance since it is generally agreed that the play was probably written in 1601. In 1954 Sir Leslie Hotson’s book, The First Night of Twelfth Night, sought to identify the exact date of the first performance of Twelfth Night. He used the evidence of old records to suggest that Queen Elizabeth asked for a new play for the last night of the Christmas 1600-01 season, the Feast of the

Trevor Nunn’s (1996) adaptation of Twelfth Night illustrates the complexity of Feste’s character and how important he is to the overall play. Ben Kingsley, the actor, presents Feste as sympathetic and gentle choric figure. It is Feste who allows the audience to see the films respect for the original play, and the existing issues within it. This includes the defencelessness of women, and the attractive, but dangerous, qualities of altering one’s true sexual identity. Interestingly, unlike the original script, Nunn opens his first scene with Feste observing Viola struggle to shore after the shipwreck she has experienced. In this context, Kingsley’s Feste is revealed for the first time. He is shown as a mysterious and isolated individual, who

In the kingdom of Illyria (fantasy world), Twelfth Night was supposedly originally written for the entertainment of Queen Elizabeth I. William Shakespeare’s comedy associates with the Feast of Epiphany (January 6th) and was means for entertainment in the seventeenth century. It contains some aspects that can be thought of as a successful comedy when compared to the standards of today’s society. The play incorporates some of the very same devices that are used in modern comedies today, such as topsy-turvy romance, foolery, and mistaken identities. Twelfth Night also involves many cultural aspects that would be tough for an audience today to relate with. Some of these ideas are social class, dialect, and lack of modern technology that affect

through his vanity is easily fooled into thinking it is he who she loves although

There is a certain degree of expectation with the genre of comedy that despite whatever difficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The “Twelfth Night” is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they “have learned enough about their own foolishness to accept it wisely, and their reward, as it should be, is marriage.”(Schwartz 5140). There is a resolution of harmony to a certain extent and an endorsement of romantic love yet despite the happiness evident in the last scene, there are many elements in the play

Laughter is the medicine of life. Regardless of any bad day, laughter can lighten a mood consid-erably. There are different types of humor expressed in literary works; some humor is crude, some is dry, and some is lighthearted. George Meredith mentions a “thoughtful” laughter or humor. Oscar Wilde’s The Importance of Being Earnest and William Shakespeare’s Twelfth Night are both satirical literary works that stir up “thoughtful” laughter in the audience or readers of the plays.

In the play Twelfth Night, Shakespeare uses dramatic irony to develop the comedic effect in the characters relationships. The use of dramatic irony produces most of the comedic effect by revealing situations and relationships to the audience, but not the cast. Developing the plot with this literary device provides comedic and ironic situations while engaging the audience.

In this section, we reviewed and learned a lot of things that will help better prepare me in the future. We learned about different reading, writing, listening and speaking strategies. In U1A3 we learned about both listening and speaking strategies which I feel go hand in hand. This is because to be able to communicate effectively you need to be able to here exactly what the person is saying to respond back to them appropriately. In assignment U1A3 we watched a video titled Ricks Rants. In this assignment, I analyzed the video and made commentary based on how I felt he portrayed the learned speaking strategies. In assignment U1A3 you can see the process of this, and how my understanding of the speaking strategies helped me

Twelfth Night by William Shakespeare is a romantic comedy, and romantic love is the play’s main focus. The play starts by following Viola, a girl who has been shipwrecked. Viola and the many other characters face many obstacles due to who they love. Despite the fact that the play offers a happy ending, in which the various characters find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. Throughout the play, many of the characters seem to view love as a kind of curse, a feeling that attacks its victims suddenly and disruptively. In Twelfth Night, Shakespeare shows that the theme is that strong and abrupt emotions, like love and hate, can be the cause of suffering.

himself just to suit his outlook on the situation. For example, the play he twists Olivia's words around to make it seem like she likes his yellow cross-gartered tights when in reality she dislikes them. Sir Toby just considers himself and no one else, not even his companions. He ignores Maria's notification about drinking into the night, and he continues to push Sir Andrew and Olivia to court. Even though he believes that Sir Andrew doesn't have a chance. Olivia considers the all-inclusive community around her, yet she furthermore assumes that no man is meriting her brilliance. She assumes that she is "all that," and that no one can organize her. For Shakespeare to incorporate this sort of just a single was most likely to demonstrate that Malvolio who thinks excessively of himself isn't right about Olivia cherishing him.

After we establish who would do what task—everyone held up their own job. As to my job (modern criticisms), it was a little difficult to find a peer reviewed article from the last ten years in order to read the criticisms of modern day critics. I finally tackled the task of finding two formal modern day criticisms, but one of my sources was written by a student who had written a thirty page paper on the twelfth night as a requirement for his Bachelors of Arts Degree, which was not a peer reviewed source but his paper reflected a large quantity of valid points. All three sources identified a few of the same characteristics of each other like gender roles, analyzation of the characters’ disguises. On the night of our presentation I was burdened with a feeling of nervousness when it was time to deliver. Although I was nervous, and I was used as an example of what not to do when picking sources (even though I know about peer reviewed sources), I fully understood why I had to be the one who would be the sacrificed as an example of this for the students who followed.