As I Lay Dying Analytical Essay

She badly needed this money since she was only seventeen and unmarried. At that time, this was woefully unacceptable. It would not be surprising if Anse then disowned her after she had the child. She begged and begged him not to take the money. “‘I can’t, I tell you. I tell you it’s not my money’” (Faulkner, 256). And yet, he doesn’t listen to her; he takes her money. And with the stolen money from his desperate daughter, he buys himself a new set of teeth. “Then we see it wasn't the grip that made him look different; it was his face, and Jewel says, ‘He got them teeth’’ (Faulkner,

In As I Lay Dying, by William Faulkner the reader gets to see how hard life is for the Bundren family. The Bundren’s face many obstacles throughout the book and somehow manage to come through most of them okay. The family fulfills their desires along the way to relieve them of these struggles. The main theme in As I Lay Dying is family dysfunction, and this family dysfunction leads to Darl’s insanity.

“The eye is the lamp of the body. If your vision is clear, your whole body will be full of light” (). Ever since the creation of mankind, the eyes exist as the window to the soul. Taking one look into a person's eyes can leave you with more knowledge than ever thought imagined. Love, anger, lust, hatred, sympathy and guilt can all express themselves in just one glance. William Faulkner knew of this interesting trait and applied it to his 19___’s novel “As I Lay Dying”. Each character possesses their own unique traits and personalities which drive them to fulfill their end mission: burying their mother in Jefferson. To express their personalities, Faulkner incorporates a variety of similes and metaphors all relating to the eyes. This technique sheds light of their selfish ways. These selfish qualities, not the love for their mother, cause the Bundren children to succeed in their mother's dying wish.

After Dewey Dell brings out Addie’s will, Anse does not send Jewel to her. Instead, “pa says, ‘him(Jewel) and Darl went to make one more load. They thought there was time. That you would wait for them,’”(Faulkner

William Faulkner’s As I Lay Dying presents a broken family whose members are not all sound of mind. They all present different ways in which their sense of self can be viewed as broken. Even though there is no forefront hero depicted within the novel there is definitely evidence that suggests that some of the heroes are capable of heroic characteristics. Though there is rampant selfishness and immorality some redeeming qualities of the Bundren family shine through.

It would seem that the primary struggle that Darl faces in the novel is the differentiation between “being” and “not-being” and the value, meaning, and importance of his own self. In the same way that Vardaman does not understand mortality, Darl does not understand himself, and this severely clouds his judgment when it comes to coping with the death of his mother. Darl seems to be a rational person at the beginning of the novel, but he plagues himself with questions regarding the fact that, “In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are filled with sleep, you never were. I don’t know what I am. I don’t know if I am or not” (Faulkner 80). Darl cannot navigate his own identity, and it seems that this, combined with his subpar relationship with Addie, leads him to attempt to cope by repressing his despair in multiple failed attempts to understand himself. Butchart notes that “By dissociating himself from his mother and employing dangerous defense mechanisms, Darl’s sanity atrophies” (Butchart 60). The descent to madness that Darl endures is a sympathetic plight to most readers, since Darl is arguably one of the more sympathetic characters in the novel, but this decline is ultimately guided by his inability to come to terms with himself and his actions, especially concerning the fact that he was not present at the death of his mother. Jewel copes with the death of his mother in a way that is similar to the method that Darl utilizes, in that he represses his feelings, despite the fact that his close connection with Addie allows the reader to assume that he is the most hurt by her death. Jewel then uses his grief to fuel his devotion to heroic duty, which is primarily seen in his efforts to save Addie from the burning barn and

    Analyzing character in a Faulkner novel is like trying to reach the bottom of a bottomless pit because Faulkner's characters often lack ration, speak in telegraphed stream-of-consciousness, and rarely if ever lend themselves to ready analysis.  This is particularly true in As I Lay Dying, a novel of a fragmented and dysfunctional family told through fragmented chapters.  Each character reveals their perspective in different chapters, but the perspectives are true to life in that though they all reveal information

1. Which are the most intelligent and sympathetic voices in the novel? With whom do you most and least identify? Is Faulkner controlling your closeness to some characters and not others? How is this done, given the seemingly equal mode of presentation for all voices?

As I Lay Dying covers the story of a family as they journey to bury the mother, Addie, in her hometown after her death. They all go through the same situations but each experience different emotions and thoughts. They express these through the language they use. What each character says as well as how he/she says it lets the reader see the

William Faulkner’s novel, As I Lay Dying, tells the story of a family that journeys cross-country with the intentions to find a proper resting place for their mother, Addie Bundren. After reading for only a short time, it becomes clear that two of her sons, Jewel and Darl, play a much larger role in the story than the other siblings. One could find many good points to support either character being labeled as the protagonist of the story, such as the various tensions that can clearly be seen between them. That being said, Darl is, without a doubt, the best possible choice. He is forced to overcome more obstacles, including alienation from his entire family, than any other character, and is truly a changed person by the end of the novel.

reason that it was her dying wish. He wanted to get those teeth. I highly doubt Anse would have dragged a dead corpse around for two weeks or so if he’d had a full set of teeth in his mouth. When Addie was about to die, he sent his two sons away to load wood for a measly three dollars. Jewel and Darl did not get to say their last

He was a product of Addie's infidelity to Anse, an act that was on Addie's mind until the day she died. The guilt she felt, even to the husband she had no love for, was so overwhelming that she produced both Dewey Dell and Vardaman to "negative" the sin that was Jewel's birth. Her self-worth was then so low that she felt she was ready to die after her recompense to Anse was finished. "And now he has three children that are his and not mine. And then I could get ready to die" (Faulkner 176). Addie had strong opinions on sin, as shown in her one chapter of the novel. She recounts an instance with her neighbor Cora Tull: "She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too" (Faulkner 176). Addie's sin with Jewel seems to perplex other members of the family through their journey to bury her; Darl's inability to mentally communicate with Jewel leads him to question Jewel's origin. Darl also seemed to put his views into the mind of Vardaman, though the poor neglected child was confused enough. Addie and Anse's relationship, as explained in Addie's narrative, has an obvious lack of intimacy, closeness, and meaningfulness. This can be seen as a sin inherited by their daughter, Dewey Dell. Her sexual curiosity and naïveté lead her to an unwanted pregnancy with a father, Lafe, who does not care about her.

Meanwhile Cassandra is left alone to take care of Thomas, Stephen and her father. While she is alone she wonders about Rose’s true feelings towards Simon, is she just marrying for his money or does she really loves him. Stephen tells her that he feels the same way and Cassandra begins to worry. Cassandra also begins to realize her own feelings. She is in love with Simon, but she hadn’t realized it. Of course she can’t tell everybody her true feelings about either of these because it would wreck the newfound wealth of the family.

Although Jewel has always felt very different from his family members he has always had a strong love for his mother, although it is not perceived that way. Barnes points out, “In the episode where he exchanges his horse for the team of mules to replace the team destroyed in the river, Jewel reveals the extent of his active devotion to his mother, which itself meets the needs of the entire family.” (Barnes, “Faulkner’s Jewel: Logos and the Word Made Flesh”). When Addie’s body was in danger Jewel was the child to act although he wanted nothing to do with the rest of the family. Jewel is dealing with his grief for his mother by completely taking it on which is why Jewel is experiencing the most pain. Without Addie, Jewel now feels that he has

On Death and Dying By Elisabeth Kubler-Ross For my book review, I read On Death and Dying, by Elisabeth Kubler-Ross. Dr. Kubler-Ross was the first person in her field to discuss the topic of death. Before 1969, death was considered a taboo. On Death and Dying is one of the most important psychological studies of the late twentieth century. The work grew out of her famous interdisciplinary seminar on death, life, and transition. In this paper, I give a comprehensive book review as well as integrate topics learned in class with Dr. Kubler-Ross' work. Like Piaget's look at developmental stages in children, there are also stages a person experiences on the journey toward death. These five stages are denial/isolation, anger, bargaining,