Beauty in The Picture of Dorian Gray

Dorian Gray is notorious for his breathtaking good looks so much that his beauty was desired by all men throughout his entire life. "I know, now, that when one loses one's good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself" (Wilde, 28).This is a great example of foreshadowing because Dorian does become so upset with his life and aging that he kills himself. It shows how dependant he was on beauty even until the very end of his life. It is ironic that he traded his soul for eternal beauty and in the end the only thing he wanted was his soul and no beauty. Since Dorian is beautiful he starts to think the only thing that matters in life is beauty, he only sees the importance of

He admits to Lord Henry that he goes nightly to her plays but does not truly love Sibyl, he loves the feeling of pleasure he gets from his obsession. He idolized her and calls her sacred but does not value her as a person. When asked by Harry, “When is she Sibyl Vane?” Dorian replies, “Never” (Wilde,54). This is the beginnings of Dorian’s ability to place his own pleasure above others and Dorian has immediately lost himself in this pleasure. “What there was in it of purely sensuous instinct of boyhood had been transformed by the workings of the imagination, changed into something that seemed to the lad himself dangerous. It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us” (Wilde,58). The danger of Dorian’s blind obsession is shown with Sibyl’s suicide. His obsession led to the death of one person as well as the first signs of his own worsening soul. After this experience pleasure is no longer a form of love for Dorian, but rather a detachment from reality. While talking with Basil over breakfast Dorian shows he does not place the same value in emotions as he had done before. “A man who is the master of himself can end a sorrow as easily as he can invent a pleasure. I don’t want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them” (Wilde,105). In contrast to the emotional obsession with Sibyl, Dorian next becomes obsessed with his portrait and a book. Both are means to

Wilde also was famous for his leading of the aesthetic movement and his imprisonment for propagating homosexuality. The Picture of Dorian Gray tells a story about a degradation of a young man Dorian Gray. At the beginning, an artist Basil Hallward paints a portrait of the kind and innocent Dorian Gray and, after seeing the artwork, Lord Henry Wotton - a vain and snobbish class man - requests to meet him. Influenced by eccentric Henry Wotton’s philosophy, Dorian begins to become vain and cruel but while his external appearance remains unchanged, his appearance on the painting alters every time he commits a sin. The novel explores many issues, one of them is aestheticism - exaltation of art and beauty, leading to the eternal question - can a beautiful person be moral and a moral person be beautiful, which always have and will stir society’s curiosity. Oscar Wilde once said that "All art is quite useless" and in The Picture of Dorian Gray, he tends to juxtapose various expressions of art with the routine of Dorian Gray and a shallow life in the nineteenth century. As a tool to reveal the concept of a life at the end of the 19th century Wilde uses art of pretty - but meaningless - things used to please one’s vanity and create a mundane environment. This raises the question: what did Oscar Wilde want to imply by and how does he use art to develop the theme of morality in The Picture of Dorian Gray? It was impossible to avoid art in any of its expressions (parties, theatre, clothes, etc.) in even the most regular lives in the 19th century and of course it influenced the way of thinking, created the social status and the image of oneself, so, after all, art had a huge impact on the individuals of the 19th century. And, as often beauty does, art encourages greed and vanity, which Oscar Wilde demonstrates through the usage of art in the novel.

Furthermore, Dorian’s moral principles get progressively worse, eventually leading to the murder of Dorian’s longtime friend, Basil Hallward. Dorian acts impulsively and erratically while showing Basil the mutilated portrait, “and suddenly an uncontrollable hatred for Basil Hallward came over him” (115) spurring Dorian to stab Basil repeatedly. Due to his impulsive nature and devotion to seeking pleasure, the moment his anger took over, Dorian chose to ignore his conscience. He retains his childish behavior because he never

looks, whatever they may be, one loses everything,” (Wilde 20). This is when Dorian’s narcissistic behavior begins to show as he believes that beauty is the key to everything. He gives up one of the most important aspects of life, being an individual. In reality, one should find acceptance with themselves regardless of their own beauty, rather than “sell [themselves] to the devil for a pretty face,” (Wilde 107). Instead, Dorian embraces the pride of beauty and with this mindset, commits many

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

Basil begins to notice this corruption in Dorian's face right after Dorian meets Henry. When Basil is painting Dorian, he notices a change. Basil "...deep in his work, and conscious only that a look had come into the lad's face that he had never seen there before" (Wilde 13). Dorian is loosing his innocence and purity due to Henry's influence and Basil can detect

As a whole, this opening confrontation between Lord Henry and Dorian’s initial character proves several points: one, Dorian does have his own passions and soul before meeting Lord Henry, and two, Lord Henry’s teachings initially echo Dorian’s own feelings, which are what draw him to Lord Henry over the two-dimensional Basil Hallward. Later, ironically, it is Lord Henry’s own teachings which leads to Dorian’s struggle to repress his "true self" and ultimately bring about his downfall.

Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian's beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton, a friend of Basil's, and becomes enslaved by Lord Henry's world view. He shows him a new hedonism, and suggests the only things worth following in life are beauty and fulfillment of the senses. When he realizes that one day his beauty will fade, Dorian feels a desire to sell his soul to ensure the portrait that Basil has painted would age instead of him. Dorian's wish

He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.

Nothing provides for a more complex and interesting story than having one or more complex and interesting character(s) at the center. Having a character that is not static, or goes through some sort of change or multiple changes throughout a novel can not only make it harder to put down, but can help the reader to understand better the message or theme that the author is attempting to reveal. Often times, said complicated character is faced with two or more opposing forces, is continually plagued by them and eventually gives in to one or the other. In Oscar Wilde’s novel The Picture of Dorian Gray, the main character Dorian faces two conflicting forces in the symbolic form of two of his dearest friends, which ties

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

In The Picture of Dorian Gray the main character Dorian gray was first an innocent man and role model to artist Basil Howard who represented humanity. Overtime influences, interactions, and beauty got the best of him. In The Picture of Dorian Gray Basil says “He has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him. Don't try to influence him. Your influence would be bad” this shows how even at the very beginning Basil knew how Lord Henry would influence him in a negative way. As we read on we can see how lord Henry teaches him to only care about beauty which causes Dorian to believe beauty is the only thing that matters in life. Lord Henry was the main cause of the corruption of Dorian's soul. In the novel another quote Lord Henry says is Oh, she is better than good – she is beautiful,". This demonstrates how from the very get go he told Dorian that beauty is better than goodness. The poisonous book was another way Dorian was overtaken by the evil. In the novel it says “It was a poisonous book. The heavy odor of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows.” This quote proves how the evil has already taken over him and now the book is taking over his soul. A clear piece of evidence that shows readers how the evil has really won in The Picture of Dorian Gray is the

In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)

     Dorian Gray meets artist Basil Hallward in his aunt’s, Lady Brandon, estate. Basil was immediately inspired by the striking beauty of young Dorian Gray. Basil has Dorian sit for many portraits, quite a few of which depicted him as a hero from ancient Greece or a mythological figure. At the beginning of the novel Basil is finishing a portrait of Dorian in his true likeness. Basil shares with his friend, Lord Henry Wotton, his reluctance to show his painting because he was worried he had revealed too much about the way he felt for Dorian in painting it. Lord Wotton was known for causing scandals by his irreverent worshipping of youth and beauty and his selfish pursuit of pleasure. Lord Wotton, in true character, tells Basil that the portrait is his greatest masterpiece, admiring the beauty of the young man in portrayed in the painting. While Lord Wotton and Basil were discussing the painting, Dorian arrived at Basil’s studio. Basil did not want Dorian to meet Lord Henry Wotton because he was afraid the Lord Wotton would have a negative influence on Dorian.