Beneatha Character Essay

Having an older sibling is rough already, but having a brother that you have to worry about him breaking in and stealing valuables of your own, that's tough and the main character Gordie Jessup has to deal with the betrayal of his older brother, Chase Jessup everyday throughout Katherine Holubitskys’s novel “Tweaked”. Gordie’s efforts trying to fix his family are overwhelmed by Chase’s drug addiction and money debts he has with his dealers. There are many themes throughout the book.

Beneatha met two different guys in the story and these two gentlemen represent something and who she choose over. The first guy she met is a man name George Murchinson, he represent rich, spoil, and ungrateful to beneatha. The second guy she met is a man name Asagai and he represent culture, and a african heritage to his kind. The difference between these two guys is the one is rich and the other in college and being a doctor as well. Beneatha was talking to these to guys and didn’t know who to date until towards the end when Asagai told beneatha to marry him and going to africa. She considering going and why she choose to go is because when she is with Asagai she feels more happy. When she go on a date with George she don’t feel as happy when

She goes on dates with George but finds him boring and is offended that he finds her dreams of being a doctor stupid. She is a strong independent woman who is at the brink of being a full thrown feminist and is not at any time giving into the pressures of society to marry the richest man she can find. George is an African-American who shows no interest in his African roots, he does not like talking about Africa or talking to those who advocate it. George has completely assimilated into the American culture to gain the respect of the white people being one of the African-American families who cracked on the pressures of society assimilate. George’s wealth was not something that swayed Beneatha, his wealth sure could assist her in pursuing a medical career but she did not want to be tied by any boundaries. Asagai was different from George because he did not want to marry Beneatha to tie her down, he wants to marry her to set her free.

In scene two Beneatha is portrayed as this strong, confident, now it all young women. She feels that if she lets anyone in her life they will harm her or they aren’t worthy of her time. Especially throught pages 60-65 when Beneatha talks about Asagai it shows clearly that both have feelings for each other but she is trying not to show it to him when she says, “I’m not interested in being someone’s little episode or one of them!” She tells him that she won’t be defined by her man but has ambitions and dreams she wants to achieve. I absolutely agree with that logic but I think currently she is starting to be a different person and is trying to hide her identity or her place of heritage. What I mean by that is that she doesn’t want to be known

Through her education, she gets to stand to own her own and a bold feminist in the society. He embraces politics in the family and advocates for civil rights. Towards the end of the play, Beneatha completely embraces Asagai and takes George out of her choices. She even considers studying medicine in Africa, and that transforms her from thinking of being a white to the recognition of her real identity as a real African lady. In Fences, she can be compared to Cory who was dedicated to being a footballer and worked in a Grocery during his free times (Wilson).

Beneatha Younger, the younger sister of Walter Lee, was considered an assimilationist during Act one Scene two of, “A Raisin in the Sun.” Joseph Asagai, an African student from Nigeria that Beneatha fancied, had several thoughts on assimilation, including how Beneatha was an assimilationist. As said by Asagai, “You wear it well. . . very well. . . mutilated hair and all.” (Page 28) He is referring to her hairstyle with the robes a Nigerian woman would wear that he brought her. Asagai is saying to Beneatha that her hair looks destroyed and unnatural because it

First of all, Beneatha stands up to George. Standing up to George is an example of her challenging personality. According to the text, "I'm trying to talk to you. '(Hansberry 60)"'. Critics may argue that it is rude to speak to George this way, but really she is being honest and upfront with him. Beneatha's persistence is as solid as a rock because she doesn't change her mind.  Beneatha This is provocative because it starts an argument and Beneatha doesn't change her mind.

Every since I was young, you told Beneatha and I to have dreams, dreams that were later changed, or broken by you. So I am asking, begging for you to please honor your promises. For as long as I can remember, you have always told Beneatha to be different, to be herself. Now you're telling her to abandon her dream and just settle with someone she doesn’t even love, just because he’s rich. You’ve seen every time Beneatha hangs out with George she never has a good time. The one time she’s with Agasi, her eyes light up, but to you, all it comes down to it if the man allows her to settle.

Even though, Joseph Asagai is deeply stereotyped, he has a certain way with words. The nigerian man had used his extensive knowledge about his culture to reel Beneatha into questioning the type of woman she’s submerging into American society. For most of the play, her family was trying to fit into the normality in Chicago and she was desperately

In the play, we are introduced to George Murchison and Joseph Asagai who both want different but same things for and from Beneatha through the topic of assimilation, the ideas of realism and idealism, and their views on women. George Murchinson is a rich African American who comes from a different background

☼ [ Appearance ] ☼ Most would remember Alfred as the guy with the mega-watt smile that could light up the whole entire room. Studies suggest that smiling regularly (or in Al's case, excessively) can make one look even more attractive, approachable and trustworthy so those are some other reasons why he smiles a lot. And hey, he's just really an optimistic and positive person in general so expect lots of stunning smiles from this dude. Another recognized trait of his is his short and shiny golden-blond hair that has a stubborn strand that refuses to be tamed so he just lets it be.

The mental status of Beneatha was much like the beginning of the play, confused. She was still using her family’s income to pursue her changing hobbies such as guitar and acting. Mama complained about this saying, “Why you got to flit so from one thing to another?” (p. 47). Mama said this quote in frustration because the family was already strapped for cash. Beneatha was not even working to help make more money for the Younger household. Also, Beneatha had two boyfriends, Joseph Asagai and George Murchison, who were ready to get into a physical relationship when she only wanted to have an

Beneatha’s character show both a modern and postmodern theme. Beneatha reflects a modernist theme because she desires to be a doctor and stand out from everyone else, which is not something that many women did in the years before her. She is also well educated and intelligent which was uncommon in the past. The author says in the play, “Her speech is a mixture of many things; it is different from the rest of the family’s insofar as education has permeated her sense of English.”(Hansberry 11) Due to her ambitions and intellect, Beneatha seems as if she is modern. On the other hand, Beneatha reflects a postmodernist theme because she respects her culture. In the play, the author says that Beneatha was “emerging grandly from a doorway so that

effects it can have on a womans sense of being and this is seen in the character Beneatha. She knows that she does not want to conform to the societal norms that are set in place but because she does not have a strong female leader with the same intent in her life the readers see a strong push back from the other characters. This, in turn, causes Beneatha to feel isolated from the other women in her life and leads to depression and her constant search for an identity.

Joyce Johnson’s memoir Minor Characters chronicles her life and experiences during the late 1940s through 50s in connection with the subculture known as the Beat generation most famously headed by Jack Kerouac. Though the memoir shares Johnson’s story during this time frame, chapters are also dedicated to Kerouac’s and the Beats movements as well prior to her involvement with them. On her own, however, Johnson’s life was one that pushed against the typical lives of women during the 40s and 50s. Starting as a young girl in 1945 living with her parents and attempting to live up to their expectations, she slowly starts to push outside of the boundaries of the acceptable life by sneaking off to Greenwich village to hang out