One consistent theme throughout Bless Me, Ultima is the influence of others’ expectations on identity. Antonio is under constant pressure from both his parents to conform to their respective family’s philosophies and beliefs—even Ultima, who appears to try to be impartial, does clearly contribute to this pressure. The Luna and Márez families clearly have different beliefs and hold different things to be important in their lives, as evidenced by the tensions between the two families in Antonio’s dream (6). The Luna are farmers, religious, and believe firmly in education, while the Márez are people of “unbounded freedom” (25) and explorers. Antonio’s mother desires that her son become a priest and receive a good education, and is diligently religious …show more content…
Gabriel is adamant about his dream and is truly “angry” when he comes home to his family praying to the Virgin because of Antonio’s grade promotion—both of which fit with the Luna philosophy, not that of the Márez (82). Antonio is subject to both of his parents’ expectations and desires for almost the entirety of the book, and this shapes who he is as he questions the philosophies of both the Luna and the Márez before finally deciding that he is “Márez first, then Luna,” as his uncle describes him (250), despite Ultima’s declaration that Antonio will be a “man of learning” (56). In a sense, Antonio is a “man of learning” as well as Márez—he seems to adopt portions of both philosophies in his efforts to discover who he truly is. However, it does show that he is trying to fit the expectations set forth by his parents, consciously or not, and this struggle to meet expectations is so prominent in the novel that this theme is one of the most consequential in Bless Me, …show more content…
As Antonio is forced to develop into a more independent and well-informed young man, he must come to terms with the harsh realities in the outside world from which he was shielded during his early childhood. He encounters the truth behind what happens at Rosie’s—while he has always been told that Rosie is “evil, not evil like a witch, but evil in other ways” (34), he does not learn of the nature of that “evil”—and that his brother is partaking in it (165); Antonio even begins to have dreams that are far more “intense” than any he has previously experienced (70). Antonio must also confront the reality of the hardships of loss, as the people around him with whom he is acquainted—and even those he loves—die at the hands of others. This is particularly important in Antonio’s exploration of religion, as he begins to question why an all-powerful God would allow his loved ones to die, and why such a deity would not sentence those who killed them to hell (186). Antonio’s loss of innocence is finally and forcefully demonstrated at the end of the novel, when he speaks to his mother “as a man,” commanding her to take the younger (and still “innocent”) children inside (269). This is doubly important, as it demonstrates not only that Antonio has lost enough of his innocence to be speaking “as a man,” but also that he recognizes innocence in others and strives to protect them from what he has
Ultima goes to stay with Antonio Marez, a young boy who lives in the llano with his parents, two sister, and three brothers. This is because
Have you ever not been sure of what kind of person you wanted to be because of the pressure of your parents traditions? Well in the book Bless Me Ultima by Rudolfo Anaya , It talks about how Antonio is unsure if he wants to be a Luna or a Marez the story takes place during world war two in New Mexico . In the story Anaya uses literary elements such as symbolism to reveal Antonios true identity. Some symbolism used is the luna and marez name, the owl of ultima, and the golden carp.
Narciso and Antonio do not have many direct encounters in the novel, yet Narciso has a profound effect on Antonio’s religious maturation. Narciso, who is considered the town drunk, is present in many important conflicts as a mediator figure. He goes to great lengths to help his friends, which is shown when he attempts to convince the townsmen not to rashly kill Lupito after he had shot the sheriff. Once Lupito is killed Antonio worries about the fate of the men on the bridge who shot him, including his own father. Antonio wonders "Did God listen? Would he hear? Had he seen my father on the bridge? And where was Lupito 's soul winging to, or was it washing down the
While his brothers are at war, a man named Lupito returned from that same war and Antonio witnesses his insanity drive other men’s hands to kill him. This sparked a turmoil inside of Antonio to question the world, forgiveness, and the grace of his God. As the story goes on Antonio sees more and more deaths like that of Narciso by the hands of Tenorio, it brought about wondering of hell and the sins that condemn a man to go there. Antonio’s classmate tells him about a golden carp who chose to protect his people by swimming with him. The golden carp is symbolic of morality and being one with god, but it contradicts his religion and beliefs. Antonio feels that it is wrong to believe the story because he thinks that he is abandoning his God by even believing in the golden carp because his religion calls for only one god and it is a sin to worship any other
Ultima’s role as demonstrates how Chicano culture is a mixture of multiple, conflicting influences. When Spanish Catholics arrived, they claimed curanderismo is a form of witchcraft. Thus, they killed those that practiced the act. But their interaction brought about a mixed culture where curanderismo existed in harmony with Catholicism. Anaya shows this religious blend by describing Antonio’s mother as a devout Catholic who also respects the Ultima’s powers. While as, Mora also portrays the mysterious woman with a deep faith as she, “lights candles before/her sacred status” (104).
Antonio’s introduction to the golden carp presents a problem for him because of the Catholic view of pagan gods, yet Antonio feels a strong connection to it. When he first witnesses the golden carp he is overcome by “a sudden illumination of beauty and understanding” he had “expected God to do at [his] first holy communion” (Anaya 114). When Antonio’s questions to God are not answered during his first communion, he believes God has abandoned him. However, with continued pressure from his mother to become a priest and from Cico to choose between Catholicism and the golden carp, he struggles to decide what he believes. As Antonio’s doubt deepens, he questions God’s definition of good and evil and His plan concerning who receives forgiveness and who receives condemnation. In a dream, God speaks to Antonio saying, “You would have a God that forgives all, but when it comes to your personal whims you seek punishment for your vengeance” (173). For example, Antonio believes Florence should be forgiven, regardless of his disbelief in God, but Tenorio should receive punishment. When the Church cannot answer his questions, Antonio turns to the Golden Carp, and even considers that the Virgin should be a god. Antonio is lost in his faith identity,
As haunting as Antonio finds the owl, it is Lupito’s death that shows him his first horror in life. He sees the blood in the river, the blood on Lupito, and throughout the whole scene he hears the ever-present “lapping of the river” (20), as if the river was lapping up Lupito’s blood and his life like a thirsty dog. He is faced with, again, the difficult division between two identities: man and
Lucas enters the forest where he sees the Trementina sisters dancing as fireballs and casting evil spells. This shows that the Trementina sisters and Tenorio are the truly the ones that are evil. Besides all the good and evil mentioned in this novel Antonio learns about all this with the guidance of Ultima leading him through it.
In the book “Bless Me Ultima,” by Rodolfo Anaya, the role of duality goes very into depth with its many controversial topics. Some of these topics include the contrast between Catholicism and indigenous mysticism, good witchcraft and evil witchcraft, and men and women. Since Antonio must struggle to find his own identity and place he must battle between his family, beliefs, and self. This can be seen between his parents, who’s frequently conflicting views make it difficult for Antonio to accept either of their belief systems, his struggles between the English and Spanish language, and how evil and good affected his innocence.
An important motif in “Bless Me, Ultima” are Antonio’s dreams. His dreams foreshadow major events and make him question his beliefs, especially revolving around
Experiencing death can sometimes be the best event someone can go through. Death is more than just someone stopping from existing, it’s a concept that can be perceived as a new beginning. Being able to take the death of someone and turning their philosophy into consideration can be beautiful. In the novel “Bless Me Ultima” by Rudolfo Anaya Antonio gets his faith put to the test when the arrival of Ultima brings him the beginning of the end.
Ultima is an old curandera, which means healer in spanish, who comes to El Puerto to live with the Marez family after she is left alone in the town of Las Pasturas. When she arrives and turns to greet him, Antonio feels awestruck. According to Antonio, he “felt the power of a whirlwind sweep around me (Anaya 12).” A series of events occur throughout the story which makes Antonio overprotective of La Ultima. For instance, when Antonio and Ultima go to his grandfather’s house to cure his uncle, “Some women bowed their heads, other made the sign of the cross (Anaya 104).” Crossing your forehead in front of someone who is helping your family is a sign of disrespect. I feel that if I were Antonio, I would feel very offended because Ultima is my friend and nobody should be disrespected in front of the people you care for the most. As Antonio grows, he finds himself questioning his religion and comes to accept that everything is not what it seems. For example, Antonio realizes that the people of the town can be very judgemental and will blindly follow anyone because they fear the unknown. Antonio has to deal with is brothers who are led astray by the prostitutes of the town and their unrealistic dreams. After the war ended, his brothers came back, but with different plans for themselves. They leave because they want to be free, but I believe that they chain
Only a few books dare to discuss the confusion surrounded by a religious awakening. In Bless Me Ultima, Rudolfo Anaya, Premio Quinto Sol national Chicano literary award recipient, challenges standard religion and brings in different ideas through the perspective of a young and confused boy. Due to the new ideas that he is introduced to, the events that occurs especially deaths, and his eagerness for knowledge all leads Antonio to question his religious beliefs. At the end of his struggle to understand, the boy reaches the peace of mind he was seeking.
Bless Me, Ultima is a Chicano novel written by Rudolfo Anaya in 1972, which includes a magical realism plot. Chicano literature is especially significant in this novel because it helps create a cultural identity for the main character and his community. The novel talks about a petite boy named Antonio; throughout the book Antonio makes his best efforts to try and find the path to which he belongs, he wants to find answers about who he is and wants to learn a lot more about his religion which included getting his questions answered about god. The novel talks about the importance in Chicano literature and what impacts it has on the characters. Although Bless Me, Ultima focuses on Chicano literature and the magical
Ultima teaches Antonio of this magical strength as she tries to help him understand the murder of Narciso. The townspeople do not seek justice because Narciso had been the town drunk and his life seemed worthless, “Because Narciso was the town drunk, nobody cared much”. Ultima explains that Narciso had died trying to help a friend and that was honorable. Once Narciso had been a respectable young man but hard times had fallen upon him after the death of his young wife. Narciso had turned to alcohol to ease the pain but had remained forever indebted to Ultima for trying to save his wife. Ultima uses the death of Narciso to teach Antonio the ways of his ancestors. She explains, “The old people…always helped each other; through good or bad they stuck together, and the friendships that were formed in that desolate llano were bonds for life”. It was through Ultima that Antonio discovers life is not what is always seems. Narciso had died trying to warn Ultima but few remembered anything good about him. Narciso had an inner goodness that had been hidden by his use of alcohol. Ultima taught Antonio to see the magic in Narciso, just as she had thought him to see the magic in the river and all that surrounded it.