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Bless Me Ultima Analysis

Decent Essays

One consistent theme throughout Bless Me, Ultima is the influence of others’ expectations on identity. Antonio is under constant pressure from both his parents to conform to their respective family’s philosophies and beliefs—even Ultima, who appears to try to be impartial, does clearly contribute to this pressure. The Luna and Márez families clearly have different beliefs and hold different things to be important in their lives, as evidenced by the tensions between the two families in Antonio’s dream (6). The Luna are farmers, religious, and believe firmly in education, while the Márez are people of “unbounded freedom” (25) and explorers. Antonio’s mother desires that her son become a priest and receive a good education, and is diligently religious …show more content…

Gabriel is adamant about his dream and is truly “angry” when he comes home to his family praying to the Virgin because of Antonio’s grade promotion—both of which fit with the Luna philosophy, not that of the Márez (82). Antonio is subject to both of his parents’ expectations and desires for almost the entirety of the book, and this shapes who he is as he questions the philosophies of both the Luna and the Márez before finally deciding that he is “Márez first, then Luna,” as his uncle describes him (250), despite Ultima’s declaration that Antonio will be a “man of learning” (56). In a sense, Antonio is a “man of learning” as well as Márez—he seems to adopt portions of both philosophies in his efforts to discover who he truly is. However, it does show that he is trying to fit the expectations set forth by his parents, consciously or not, and this struggle to meet expectations is so prominent in the novel that this theme is one of the most consequential in Bless Me, …show more content…

As Antonio is forced to develop into a more independent and well-informed young man, he must come to terms with the harsh realities in the outside world from which he was shielded during his early childhood. He encounters the truth behind what happens at Rosie’s—while he has always been told that Rosie is “evil, not evil like a witch, but evil in other ways” (34), he does not learn of the nature of that “evil”—and that his brother is partaking in it (165); Antonio even begins to have dreams that are far more “intense” than any he has previously experienced (70). Antonio must also confront the reality of the hardships of loss, as the people around him with whom he is acquainted—and even those he loves—die at the hands of others. This is particularly important in Antonio’s exploration of religion, as he begins to question why an all-powerful God would allow his loved ones to die, and why such a deity would not sentence those who killed them to hell (186). Antonio’s loss of innocence is finally and forcefully demonstrated at the end of the novel, when he speaks to his mother “as a man,” commanding her to take the younger (and still “innocent”) children inside (269). This is doubly important, as it demonstrates not only that Antonio has lost enough of his innocence to be speaking “as a man,” but also that he recognizes innocence in others and strives to protect them from what he has

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