Bluest Eye Extract

Pecola evaluated herself ugly, and wanted to have a pair of blue eyes so that every problem could be solved. Pecola was an African-American and lived in a family with problems. Her father ran away because of crime, her brother left because of their fighting parents, and was discriminated simply because she has dark-skin. Pecola is a passive person. She is almost destroyed because of her violent father, Cholly Breedlove, who raped her own daughter after drinking. Because of this, Pecola kept thinking about her goal- to reach the standard of beauty. However, she was never satisfied with it. Pecola believed once she become beautiful, fighting between her parents would no longer happen, her brother would come back, and her father would no long be a rapist. No problem would exist anymore.

“Again, the hatred mixed with tenderness. The hatred would not let him pick her up, the tenderness forced him to cover her.” [This quote represents the emotions that flood through Pecola’s father’s head after he rapes her. Prior to and during raping Pecola, Pecola’s father is enraged with many emotions. These emotions include anger, tenderness and l0ve towards Pecola. This is a significant quote in the novel because this is one of the few parts of where Pecola’s father, Cholly’s, character is shown. This quote reveals Cholly’s character because it shows that the events that happened in his

Throughout Toni Morrison's novel The Bluest Eye, she captures, with vivid insight, the plight of a young African American girl and what she would be subjected to in a media contrived society that places its ideal of beauty on the e quintessential blue-eyed, blonde woman. The idea of what is beautiful has been stereotyped in the mass media since the beginning and creates a mental and emotional damage to self and soul. This oppression to the soul creates a socio-economic displacement causing a cycle of dysfunction and abuses. Morrison takes us through the agonizing story of just such a young girl, Pecola Breedlove, and her aching desire to have what is considered beautiful - blue eyes. Racial stereotypes of beauty contrived and nourished by

Pecola then starts to disintegrate into her fantasy world in an attempt to make herself feel better. In asking "please God... please make me disappear," she wants to leave this ugly place that is her home and her family (45). Morrison then leads the reader through the process of Pecola's different body parts disappearing, from her "fingers... one by one; then her arms disappeared all the way to the elbow... the legs all at once... her stomach... then her chest, her neck" (45). This succession of "slowly, now with a rush... [and] slowly again" fading body parts illustrates how much effort Pecola is putting into disappearing and how much this effort puts a toll on her body (45). In making herself feel better she is also tiring herself out, for the exertion she puts out does not make her happy and does not fulfill what she wants in the end: to fully disappear.

The Bluest Eye tells a tragic story of a young girl named Pecola who desperately wishes for beautiful blue eyes. Pecola believes that the only way she will ever be beautiful is if she has blue eyes. This story takes place in the 1970’s, a time where African Americans were second class citizens in society. They were often exploited and dehumanized because of the way they looked, and this will leave a long lasting effect. Americans would often think that the only way to be beautiful is to have white characteristics like pale skin, blue eyes, and to be very feminine. Racism in the 1970 and in the setting of the Bluest Eye caused self hatred in the black community. The effects of self hatred and racism in the

No matter how ugly, mean, pitiful one can be, the family is always meant to support, raise, guide, nurture and be a means of inspiration in anyone’s life. In the novel, this isn’t the case for Pecola, which is why she gets mentally unstable as she couldn’t bear the torture of ugliness of not having blue eyes. Blue eyes are the one and only reason she could blame as per to her ability and thought process. In fact, she doesn’t get the real ugliness of how her father rapes her, the ugliness of how the mother choose the white girl over her, the ugliness of the fights between her parents is coming from their unpleasant past. After all, she doesn’t have that mentor in her life to explain what was happening. Everybody in her family is occupied with their own mindset. She is very young to understand and analyze on her own. The narrator Claudia even gets to compare between her and Pecola and starts accepting life and feel blessed for having a supportive family, which she doesn’t feel until Pecola enters in her life. So, this shows how young kids psychology is totally built upon the type of family environment she/he gets. There is a saying that young kids are like a raw clay ready to be shaped into the different form of objects by the potter. Undoubtedly, it stands so true. Indeed, kids shape themselves according to the type of environment they grow up with. By all means, Pecola’s family is the

In this quotation, Morrison uses the Mary Jane candy to represent white beauty. When Pecola explains the sweetness, simplicity, and love that is identified with the Mary Jane candy, she is actually explaining the attributes of the white culture. The quotation also emphasizes Pecola’s desire to be white rather than black when she ends with, “Be Mary Jane”, which highlights the theme of beauty and how it affects the young black girls.

Pecola’s misery is so complete, so deep, that she convinces herself that her only hope for a better life rests in changing her eye color. Even more pathetically, "Each night, without fail, she prayed for blue eyes … Although somewhat discouraged, she was not without hope" (Morrison 46). Pecola was doubly tragic in that she placed all her hope in something which could never really happen and, despite her earnest belief, change nothing if it did.

By contrasting the homes of Claudia and Pecola throughout the entire novel, Morrison stresses the importance of home in defending against a predatory, racist society. In Claudia’s home, her parents truly care for her and her sister. In one instance, her father took out a gun to fend off a tenant that touched Freida’s breast. This completely contrasts with Pecola’s home, where her parents are both hateful and self-hating, and her father actually raped her. Even though both households are

Women berate other women for the loss of their virginity, whether it be by choice or not. When Pecola is raped and impregnated by her father, no one barring Frieda and Claudia are concerned. This upsets Claudia due to the fact that “...our sorrow was more intense because no one would share it. They were disgusted, amused, shocked, outraged or even excited by the story” (Morrison 190). There are no comforting words for a girl violated by her father, only criticism and isolation.

When she hears that Pecola has killed her cat, she calls her a “nasty little black bitch” (92) and throws her out of the house. Geraldine never bothers to get the whole story, so does not know that Junior killed the cat and Pecola was innocent. Despite the injustice, Geraldine does not care about what actually happen, but rather jumps at the opportunity to abuse Pecola. As an ugly, poor, black girl. Pecola epitomizes everything that Geraldine hates about herself. Like Soaphead, Geraldine hates everything about being black and she constantly tries to make herself feel more white. Because of this, she “cleans” herself on Pecola by screaming at her and throwing her out. Geraldine divides the population into people like herself and people like Pecola, then, by putting people like Pecola down, she boosts her ego and feels less like a black person.

Pecola’s ultimate goal is to find someone to love and care for her. This idea is demonstrated in the book when Pauline, who “regarded love as possessive mating, and romance as the goal of the spirit” expresses her values with Pecola (122). She convinces her that she must desire love and introduces her to “probably the most destructive idea in the history of human thought”, physical beauty (122). Feeling as though she cannot fulfill society’s standard of female beauty, Pecola feels hopeless in her search for love. Even the toys she plays with do not resemble her making her feel so much less than adequate or even worthwhile - she clearly believes that valuing the majority culture’s view is best. This is why Pecola becomes infatuated with the adoration the young television star Shirley Temple receives because of her beauty. Unlike Pecola, Claudia rejects the girls adoration for Shirley Temple valuing her own looks and feelings over what she represents. Her self esteem is clearly not as damaged as

Throughout the story there is a strong sense of abandonment on Pecola’s part. She is a lonely character that is heavily influenced by society and what it thinks. Pecola is very concerned on meeting the standard in society despite her past life. She is determined but in some respects this is one of the downfalls to her character. "Why, she wonders, do people cal them weeds? She though they were pretty". Mr. Yacobowski humiliates her, and she passes the dandelions and thinks, "They are ugly and they are most definitely weeds". This shows how Pecola can easily be manipulated by others and society. In a sense, Pecola has transferred society’s dislike for her to the dandelions. She cannot accept the fact that she is not wanted. At one point in the story the narrator says, "We tried to see [Pecola] without looking at her, and never went near. Not because she was absurd or repulsive, or because we were frightened, but because we had failed her. Our flowers never grew so we

Not only is Pecola obsessed with transforming her life, but she is also constantly victimized and humiliated throughout the novel which subconciousy leads to an even stronger desire to change the very essence of who she is, so she can rid herself of her past. Of all the occasions she was victimized, one stands out as the strongest– when Cholly, her own father, rapes her.

The terror of the beginning of her first menstruation is symptomatic of the traumatic experience she has in life. When Pecola has her first periods she is alarmed and screams. Suddenly Pecola bolted straight up, her eyes wide with terror. A whinnying sound came from her mouth. "What's the matter with you?" Frieda stood up too. Then we both looked where Pecola was staring. Blood was running down her legs. Soon drops were on the steps. I leaped up. "Hey, you cut yourself? Look. It's all over your dress". A brownish red stain discolored the back of her dress. She kept whinnying standing with her legs far apart. Frieda said, "Oh Lordy! I know. What that is!".