Carol Schimpf's Random Love

Immediately revealing the central theme of the poem as well as alluding to the narrator’s apparent self-doubt, the first stanza is an imperative aspect of this piece. The speaker begins by stating that she has “been thinking at random on the universe, or rather, how nothing in the universe is random”. So commences her journey to solve the question:

In conclusion, the poem points the inevitable cycle of natural and emotional events and the power that love has to go beyond that cycle. This is why the speaker assures that the way he has loved is something that

Once more, the poet anticipates his own death when he composes this poem. But in each of these quatrains, the speaker fails to confront the full scope of his problem: winter, in fact, is a part of a cycle; winter follows spring, and spring returns after winter just as surely. Age, on the other hand, is not a cycle; youth will not come again for the speaker. In the third quatrain, the speaker resigns himself to this fact.]

Waverly was going to tell Lindo of her and Rich’s engagement, but whenever she mentioned him, Lindo cut her off and began to talk about something else. Waverly was convinced that her mother did not have any good intentions, and that she never saw good in people. Due to this, she was afraid of what her mother will say when she would meet Rich. According to Waverly, she and Rich shared a “pure love”, which she was afraid her mother would poison. Waverly planned to go to Auntie Suyuan’s house with Rich for dinner, knowing that her mother would then invite the two over for dinner to her house, and this would give her mother a chance to get to know and warm up to Rich. However, when they went for dinner, Rich did everything incorrectly- he didn’t understand Chinese customs and made several mistakes that were seen as

From the beginning of the poem, the reader can tell that the tone of the poem is consistent. There is no shift in tone, it’s simply sad and bitter. The father notices the innocence of his daughter and knows that there is bad luck that is coming for her future. The reader is able to see the father’s concern throughout the poem when he says that the “night’s slow poison” will change her. He knows that this issue cannot be changed, so he is doing what he can to avoid it becoming a bigger dilemma. By the end of the poem, it’s easy to notice that the father has become angry about the situation that is brought upon him. In the last two lines, the father decides that he doesn’t want to have children because of all the things he sees in their future, nothing but pain and suffering. His decision is expressed in the way he says “These speculations sour in the sun. I have

In the final stanza, he makes the reader sad as he assumes the inevitable will happen and she will die. He expresses this through metaphors such as a “black figure in her white cave”, which is a reference to the bright white hospital rooms and although he is the black figure he thinks she just sees a shadow which could be the grim reaper or even death himself, coming to end her journey. No one wants to deal with the sorrow of losing a loved one for good, as

We live in a society that has increasingly stomped on love, depicting it as cruel, superficial and full of complications. Nowadays it is easy for people to claim that they are in love, even when their actions say otherwise, and it is just as easy to claim that they are not when they really are. Real love is difficult to find and keeping it alive is even harder, especially when one must overcome their own anxieties and uncertainties. This is the main theme present in Russell Banks’ short story “Sarah Cole: A Type of Love Story,” as well as in “The Fireman’s Wife,” written by Richard Bausch. These narratives, although similar in some aspects, are completely different types of love stories.

mind. It suggest the poet see it as love or nothing and that he was

In the second stanza, I see that the speaker wonders about what his horse is “thinking” which shows his interests are also in the outside world too, like his horse. He also takes certain pleasure seeing the scene from what he imagines to be his horse’s perspective. I think his horse is practical in nature, he thinks, while the speaker sits there dreaming, watching the snow fill up the woods. He just stands there dreaming, and thinking about his horse's feelings is the one thing that brings him back to reality. Death comes again in the typical image of night, as we’re told this is the “darkest evening of the year.” Also, it can either be taken literally as the most lightless night, or it can be taken as the night of the darkest emotions. I think that it is a combination of the two, a dark moonless winter night in which the speaker experiences some form of depression or loneliness.

A known fact to all is that children are almost always happy, so with the assumption that one of the speakers in the first poem could be a child, it is only natural that the tone of the whole poem is quite positive and upbeat. As the poem progresses, the anticipation builds as every question is answered, giving reassurance to the curious speaker. In the third stanza, the tone shifts to security when the second speaker talks of “those who have gone before,” (Line 10). Knowing that others have survived this uphill journey, is a comfortable idea seeing as there are nerves when moving towards something unknown to the individual. The last tone that stands out is how all of the questions are asking about something to come, meaning that this is the beginning and the journey has not yet commenced. The second poem is a polar opposite of the first seeing as how the whole poem

I think that the poet is trying to tell us to live life to the fullest

Max Shulman’s piece, “Love is a fallacy” expresses many arguments expressed during every day social interactions. In the piece, the author comes into contact with his roommate, Petey Bellows and a possible love interest, Polly Espy. The author makes many unjustified guess pertaining to their wisdom and intelligence, and these false pretenses contribute to his interactions with the two, and he aims to take advantage of the opportunity of manipulating the two into achieving his own selfish desires. His plan backfires, and he is forced to reconsider his actions. In the process, Max Shulman reveals that his piece is both anti-women, anti-men, and Shulman underestimates the intuitive and emotional aspects of love.

Repetition is the repeating of a sentence (or in this case stanza) for emphasis. The first stanza states “Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye Could frame thy fearful symmetry?” The repetition of this stanza shows

Again, the author selects a new set of imagery, such as stars, moon, sun, ocean, and wood to remind of the heaven in which the speaker used to live, and then to sweep it off right away. The last statement “For nothing now can ever come to any good” (16) finally reinforces the speaker’s loss and unhappiness. In loneliness, the speaker’s love becomes fiercer and more truthful. It is the fierceness and truthfulness that lead the speaker to the last stair of hopelessness. The end of the poem is also the hopeless end of the speaker’s life because of “nothing …good.”

The next two lines, “Love alters not with his brief hours and weeks, / But bears it out even to the edge of doom” is an allusion to love standing its ground even in the wake of Doomsday. This quatrain effectively illustrates love as a thing that endures all hardship; reinforcing the extended metaphor of the previous quatrain.