What Did Holden Think Of The Show At Radio City?

He couldn’t give a single, solid answer to the question. All he said was Allie. But Allie is gone, and Holden is holding on the the past, a place where he feels, or felt, safe and wants to go back to his times with Allie, who he misses very much. This conversation with Phoebe made Holden really think about what he was been doing for the past years, pushing everyone to the side, not caring about anyone or anything; no friends, failing school, and he comes to recognize that childhood was good, not adulthood or this awful in-between that he is stuck in.

Holden allows the reader to hypothesize that he is attracted to a girl named Jane Gallagher, by constantly telling of his fond memories of her, but when push comes to shove his tendency to alienation himself from society, to "protect himself from losing his innocence", takes him over. On page 116 of the novel, Holden tells the reader that after he got his sister a record he went to a phone booth and called Jane's house. But when her mother picked up the phone he hung up. Holden tells the reader that he "didn't feel like getting into a long conversation with her mother" so he hung up but in reality Holden's personal preference of alienating himself frightened him and prevented him of making any contact with Jane.

Holden's younger sister Phoebe, is also in need of Holden's protection. He must protect her because he failed to protect his brother Allie from death. Holden feels that it is his responsibility to protect Phoebe from whatever may put her in danger, even himself: "I was glad. All of a sudden I wanted her to cry till her eyes practically dropped out. I almost hated her. I think I hated her most because she wouldn't be in that play any more if she went away with me." (207) He does not want Phoebe to turn out like himself. He wants

Holden is the biggest hater of phonies, and at the same time, he is the biggest phony in the novel. In this novel, being phony is somewhat equivalent to being an adult. Holden wants to be seen like an adult. For this reason, he smokes and drinks heavily, and goes as far as being involved with prostitution. For people like Stradlater and adults, these are rather normal from their perspective. However, for Holden, they become paradoxes, as he absolutely loathes phoniness. Nearly all aspects of society, including movies, matinees, people’s behaviors, and even simple social interactions like conversations, are criticized by Holden for being phony. For example, during his date with Sally, Sally’s conversation with a guy they met at the matinee “killed [Holden]…it was the phoniest conversation you ever heard in your life” (Salinger 127). In a hope to make Sally understand his views on phonies, Holden says, “‘Take cars,’… ‘I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake’” (Salinger 130). Then again, Holden becomes the phoniest person shortly after. He asks Carl Luce,

    Holden is a very dramatic character. Holden took this girl Sally out on a date. They were having a very good time. He took her to an ice skating ring. After a while Holden started to complain about his life and says something disturbing. He stated, “here’s my idea. I know this guy down Greenwich Village that we can borrow his car for a couple of weeks. We could drive up to Massachusetts and Vermont, and all around there see. I have about one hundred and eighty dollars in the bank. I can take it out when the bank opens. Well stay in these cabin camps and stuff like that till the dough runs out. I could get a job or somewhere and we can live somewhere with a brook and, and later on, we can get married or something.” He is only 16 years old saying he wants to run

In terms of the hunting hat, Holden put it on his head and claimed “I didn’t give a damn how I looked” yet when he entered the train car, he took the hat off. Possibly, because he somehow felt foolish with it on. If he truly didn't care how he looked with the hat on then he wouldn’t have felt the need to exclaim it. The hat seems to have some significance to Holden. I assumed it represented Allie because Allie’s hair was red and the hunting hat was also red. The themes of lying and deception are evinced when he lies to the lady on the train about his identity claiming his name was Rudolf Schmidt and that he had a brain tumor. Holden seems to struggle between adulthood and childhood. In this instance, he portrays himself as someone older when he asks the lady if she would “care for a cocktail” and when he invites her to go clubbing. His interaction with the lady shows that maybe he isn’t as socially awkward as he’s

After about three days of drifting, Holden gets very excited fantasizing about how he will go out west and start life anew. However, before he leaves, he must say goodbye to Phoebe. This shows how Holden prioritizes Phoebe over himself, valuing her innocence. Holden writes a note telling Phoebe to meet him at the museum because he is planning to run away. Then Phoebe arrives at the museum with a suitcase and begs to run away with him. Holden responds harshly that she cannot go with him and she begins to cry. Then after a few moments Holden says, “I’m not going away anywhere. I changed my mind. So stop crying and shut up” (Salinger 207). Presumably he told Phoebe that he would not leave to make her stop crying, but he notes that Phoebe was

Holden’s date with Sally Hayes exhibited his difficulty at cooperating with others. At first he gives us a dire impression of Sally, “I wasn’t too crazy about her, but I’d known her for years.” (p. 105) Later, he wants to marry Sally and says he is in love with her. The biggest mystery of all when it comes to women is with Jane Gallagher. Constantly mentioning Jane, Holden recalls playing checkers with her before he got sent to boarding school. When his roommate, Stradlater, has a date with Jane, Holden asks him a peculiar question, “Did you ask her if she still keeps all her kings in the back row?” (p. 42) Holden, jealous of Stradlater’s date with Jane, longs to see Jane but never has the courage to call her. Interactions with other people especially women perplex and overwhelm Holden. He therefore resorts to isolation, illustrating a characteristic of his mental state.

Yet another issue Holden endures throughout this novel is loneliness . There are many reasons that he is very lonely all throughout the novel. The biggest reason he doesn't talk to anybody is because he is afraid he is going to get hurt emotionally. For example he is scared to call Jane and is scared to let her in his heart because he doesn't want to loose another person he loves, like his deceased brother Allie. Another example of his loneliness is when he meets the prostitute in the hotel. Holden knows that he can have the comfort of another human for a little while, but he doesn't want to do anything with her because he knows she will just leave after they are done having sex. In a way he is looking for something that will last longer, like a relationship, but he is too scared of being hurt . Although, “loneliness is difficult to fess up

After Holden badgers Luce about his sex life despite Luce’s obvious reluctance to talk about the subject, Luce being to get fed up with Holden. Throughout the book, Holden seems to have a knack for annoying others he interacts with. This may be due to a lack of refined social skills. I can relate to Luce this time because I have also had experiences with people that won’t take a hint in a conversation or simply can’t pick up on them.

Holden hates those magazines that the steward sells on the train. Holden cites, "I can usually even read one of those dumb stories in a magazine without puking. You know. One of those stories with a lot of phony, lean-jawed guys named David in it, and a lot of phony girls named Linda or Marcia that are always lighting all the goddam Davids' pipes for them" (53). Holden cannot stand that all the stupid same old stories. The ones where there is always a hero and saves someone that is in trouble. After that Holden felt a little down so he decided to pass the time. Holden knows this girl named Sally Hayes. They used to send a lot of time together when they were younger. Holden is bored and decides to give her a call. He calls her and her father answers and then gives the phone to Sally. Sally Hayes picked up the phone and asks, "yes--who is this?" Holden goes on to state, "she was quite a little phony. I'd already told her father who it was" (106). Holden cannot believe that she knows who is calling but asks for no reason. Sally is just trying to play a stupid game that Holden would rather not want to play at any time.

At the time, they were talking about sex, and Holden acted very childish by frequently asking questions, and by becoming obnoxious. He even commented on how his own sex life is lousy. Luce then commented, “ Naturally. Your mind is immature (Salinger 147).

Holden is deathly afraid of conforming, growing up, and having to assimilate into the phony adult world. As a result he comes off as hypocritical as he is the most prominent phony in the novel. He constantly lies, refuses to connect with others and overlooks his own pain, letting it deeply impact his life. Holden is a compulsive liar; he does not have one honest conversation with anyone except his sister and Jane for the duration of the novel. When he is on the train with Mrs. Morrow, for instance, he claims his name is Rudolf Schmidt and preaches about what an amazing guy her son is, even though he is “the biggest bastard that ever went to Pencey, in the whole crumby history of the school.” (61) This shows that Holden falls victim to the same social conventions as everyone else. He says exactly what Mrs. Morrow wants to hear, despite the fact that he

Holden has an uncanny resemblance to his perception of a “phony”. This presumption referring to Holden is shown by his train ride home. Ernest’s mom observed on his luggage a conspicuous Pencey sticker and strikes conversation, which ultimately led to the topic of Ernest, one of Holden’s acquaintances at his old school. “‘I must tell Ernest we met,” she said. “May I ask your name, dear?”

“I don’t like any shows very much, if you want to know the truth. They’re not as bad as movies, but they’re certainly nothing to rave about. In the first place, I hate actors. They never act like people. They just think they do. Some of the good ones do, in a very slight way, but not in a way that’s fun to watch. And if any actor’s good, you can always tell he knows he’s good, and that spoils it…If an actor acts it out, I hardly listen. I keep worrying about whether he’s going to do something phony every minute.” He finds the theater phony because instead of demonstrating reality as it is, the emphasis is placed on polishing it theatrically. Holden feels anger towards his brother because “he’s out in Hollywood, D.B., being a prostitute.” He considered that D.B. was selling himself to Hollywood, which is why he called D.B. a prostitute. He considers the movies phony and hates them so much that “… I don’t think I could ever do it with somebody that sits in a stupid movie all day long” when Sunny the prostitute was in his room. When he dances with Bernice Crabs/Krebs, he considers her a moron partially because she was on the lookout for actors at the bar because she had seen an actor the previous night. Also, it depressed him that they were planning on waking up early the next day to see the first show at Radio City Music Hall. Holden’s criticism towards the phony things in society is the most important part of his personality because it shows that