Cathy Song 3 Poem Analysis

“An Anti-Semitic Demonstration” was the more effective poem by using metaphors to explain the fear one feels during the arrival and anticipation of being sent off to a concentration camp by Nazis. During this time period life as a Jew must have been unbelievably frightening, for one was unsure of when they would be collected and where the would be taken away too. All just because of their religious beliefs or the fact they may be considered “undesirable”. Whereas in “The Family Album” they explained more about how the Jews were before their life changed forever. Neufeld does not go to explain the way they felt during the tough times of the Nazi ruling. However, he instead talks about how life was instantly changed when no one saw it coming.

The different groups of people within the poem represent the different stages of life. At the beginning of the poem it talks about a young boy and his dog and swimmers. Several lines down it talks about “young lovers” and then families.

The children are unnoticed by others and the mother is the only one that is protecting them. This poem shows the hard times that the mother must face because her children have died. However the mother is coping with them while still protecting her children after they have died, This is the mother's way of coping because she is not yet ready to let go of her children and still wants to care for them. This poem shows this through nature by portraying the mother as a bird who is protecting her nest. Also the poem uses nature by describing the harsh times as a winter wind that has caused harm to the mother and her children.

Literally, the persona of the poem is outside when some aspects of the nature around her, like violets and a blackbird, trigger a memory from her childhood. The poem then flashbacks to a childhood memory of the persona as a young girl, which is shown through the indentation of the stanzas, where the girl wakes up in the afternoon thinking it is morning and becomes upset when she

Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.

Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.

Li-Young Lee is a poet who has written numerous amounts of work. He is a writer of Chinese heritage, but he does not classify himself as an Asian American poet. According to an article titled, “Li-Young Lee,” Li-Young Lee refuses to classify himself as an Asian American writer because he strives to be a “global poet.” This statement demonstrates that Li-Young Lee uses poetry as a means of addressing universal concerns. He writes about experiences or lessons that are personal to him; however, these are experiences and lessons that people all around the world can relate to. Li-Young Lee specifically writes about his childhood memories and family. A particular poem that reflects his personal life and poetic writing is, “The Gift.” In “The Gift,” the use of vivid imagery, free verse, and a distinct tone portrays Li-Young Lee’s poetic style.

The poem “The White Porch” by Cathy Song is an illustration of maturity and coming of age. There is an innocent tone to the beginning of the poem with sensual undertones as the writing progress’s. In the poem, a woman is reminiscing about her young womanhood as she sits on her porch awaiting her presumed lover. Song creates the character of the woman to be of a homemaker, describing her duties taking care of laundry, having a cake in the oven and snapping beans in her lap. Through the visualization that Song creates it is assumed that the woman is pregnant, and as she is waiting for her husband she thinks back to the things she herself used to do when she was younger with her own mother. She is reflecting on the way her mother raised her thinking about how she wants to raise her own child. The speaker admits to sneaking in her lover late at night behind her mother’s back, but does not seem to feel remorseful because all her decisions led to where she is in her life now. Cathy Songs poem “The White Porch” portrays the transition of a girl into a woman using symbolism, imagery and simile.

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

Poets have the power to present their perspectives of the human experience through their poetic voice. Gwen Harwood, Judith Wright, and Bruce Dawe, all Australian poets have all expressed common ideas expressed by their unique poetic voice.They also speak for those who have no voice, such as the soldiers in Bruce Dawe’s poem Homecoming and in Gwen Harwood's poem Mother Who Gave Me Life where she gives a voice to the Mothers. A key theme resinating through all of these poets poems would be their common ideas on society and the role of a mother.

‘Up the Wall’ by Bruce Dawe and ‘In the Park’ by Gwen Harwood both utilise the structure of the poem, dialogue and imagery to explore the idea of personal limitation and the loss of identity and love that accompanies maternal and domestic responsibility. Both poems have a third person persona where the use of “She” can indicate the mother’s universal sense of alienation and drudgery, which is further emphasised through the miserable and despairing tones of the poem. The incorporation of a generalised, impersonal pronoun adds to the evident struggle of separating her maternal identity from her identity as an individual. The poem ‘In the Park’ by Gwen Harwood is constructed in the form of a Petrarchan sonnet with an iambic pentameter and a rhyme

The use of language from the author is great for all audiences. He uses the right amount of intellectual words and the right of plain text words. The author used the rhetoric of his poem to draw our attention to the singer and to feel for her. His rhetoric makes us feel like she could be someone that we know, someone who is very dramatic and someone that a lot of people would automatically judge. Then the author very smartly drops the fact that she is only telling experiences of hardship.

Although this poem is centered around an infant, it is in the category of songs of experience. This poem describes the harsh reality of children being born to parents who don’t want them or don’t have the wealth to raise them in a good environment. In the first two lines of this poem, page 752, lines 1-4, Blake begins: “ My mother groand! My father wept. Into the dangerous world I leapt, helpless, naked, piping loud; like a fiend hid in a cloud”.

The next stanza moves on to talk about how Plath's apprehension stops her from bonding with he child with these lines: "I'm no more your mother / Than the cloud that distills a mirror to reflect its own slow / Effacement at the wind's hand." Here Plath (the ‘cloud') is resenting giving birth to her image as it reminds her of her own inevitable mortality. The child is the mirror, which reflects the dissipation of the cloud.

The analysis doesn’t begin with the actual poem but, instead, with the title itself. “From The Nursery” is the first section. It is the beginning of a fight with depression that visits and consumes the speaker when she is the most defenseless. The title is an image that that