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Cesar Aira Essay

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In Cesar Aira’s novel El Pequeño Monje Budista, Napoleón Chirac, a French photographer, is led by The Little Buddhist Monk (literally, the littlest Buddhist Monk ever seen), to a not very well known temple in order to photograph its ‘space’. Chirac’s work consisted on, from the center (an arbitrary center) of the space, taking a series of pictures covering the perimeter and then digitally uniting them, which would result in one big horizontal image. This temple, located at the outside of a big Korean city (Seoul, we assume), is particularly empty, is not touristic at all, which is perfect for Chirac. However, after setting up his equipment, he realized how the other monks who were at the temple started to sabotage his shots. He had already explained to them that what he needed was to photograph the empty space, but despite the warning, they still were, as little kids, getting in the way and giggling while running away only in order to do it again. Chirac let them do that; since he was using a long exposure technique …show more content…

To think that we are still not thinking, as Heidegger would say, is something we achieve through the body: “To think is to learn what a non-thinking body is capable of, its capacity, its postures” (189), and I shall add: its ceremonies.
The fact that a Buddhist monk is the protagonist, his slowness and his almost ritualistic movements, connect with what Deleuze calls “The cinema of the body.” This is not a cinema that does not think, as we have seen. There is a cinema of the brain too for Deleuze, but there is as much passion and as much abstraction in one or the other they both are different ways towards the unthough (204). According to Deleuze, a cinema of the body does not just mean to mount a camera on the everyday body; rather, it has to do with making it pass through a ceremony, a liturgy

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