Change In Lamb To The Slaughter

Upon the realization of her husband's death, she rushes to her room and slams and locks the door. As she sat in her room, she realized that she is now on her own. In an odd way, this excited her, but she knew this thought was wrong, as she flashed back to mourning the loss of her husband. However, the joy of

Emotive language and dialogue was a literary technique that Roald Dahl used in order to explore the idea of stereotypical gender roles which was a common societal issue particularly in the 1950s. Lamb to the Slaughter tells of a couple during the 1950s who followed the stereotypical couple concept of having a housewife and a husband working a middle-class job. Through the Maloney’s relationship it can be seen how Mary Maloney fulfilled and had a desire of wanting to provide and care for her husband using her skills of a housewife. This can be perceived in the quote; “I’ll get you cheese and crackers.” This informs readers that her nature and manner of wanting to please and satisfy the needs of her husband is very important to her. In response to Mary her husband replied with “I don’t want it”. The issue of gender roles/gender hierarchy in this particular situation encouraged Mary’s contentment of wanting to murder her husband which may have been initiated because of the imbalance within their relationship. Patrick Maloney’s reply to his wife portrays a disrespectful and inconsiderate attitude which represents the dominance and power that he has within the relationship. His authority within their relationship may have been generated because of his role as a provider for his wife. Another quote by Mr. Maloney states “sit down, just for a minute sit down,” this represents the type of relationship and interaction that the couple reflects. Their relationship shows no negotiation and inequality within the relationship; Patrick who is an educated detective, whereas Mary was just a

Dahl’s use of dramatic irony during the story helps displays the actions of Mary Maloney and other characters. Mary Maloney swings the leg of the lamb to the back of the head of her husband. Dahl says, “ she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head” (Dahl 320). As a result, this quote is effective because the lamb was used as a weapon, instead of food; which shows that Mary could use anything to harm someone without her trying or when it was her attempt to hurt that someone. The story writes, “Probably right under our very noses. What you think, Jack”. In the same way as the first quote, this sets back to Mary because she sabotages the police to eat the lamb. With the police eating the lamb she is getting rid of the evidence so she does not get caught. From the use of dramatic irony in the story, Dahl's builds Mary as a character; he also uses different irony to create her.

Traumatic news can lead to traumatic actions. In Roald Dahl’s ”Lamb to the Slaughter,” main character Mary Maloney is told very shocking new that causes her to overreact and kill her husband Patrick Maloney. Their blissful life turned upside down in a matter of five minutes. Mary was a great wife to Patrick. She loved him very much and is even carrying his child. Mary always catered to Patrick and was very loyal to him. Mary Maloney is a sympathetic character because she was very loving, compliant, and only lied to protect her baby.

Author also surprises readers, when he introduces conflict between a couple that used to love each other deeply. Diverting the story from love to betrayal, author develops an irony. In the story, reader sees two examples of betrayal. Ms. Maloney, while talking with her tired husband, finds out her husband no longer want to keep their marriage. Without giving any kind of reason, Patrick betrays her wife with a decision of breaking marriage. Mary shocks, when her husband, boldly, says, “ This is going to be bit shock of you”(P. Maloney) Author creates a total opposite picture of Patrick by describing him as a husband who used to give her wife surprises; he is now giving her shock in the middle of her pregnancy. Mary, who was previously shown as “anxiety less”(Dahl), with “a slow smiling air”(Dahl) and “curiously tranquil”(Dahl), had began to get upset and now inculcate her eye with a “bewildered look.” After betrayed by her husband, she, without any argue, she goes to the basement to look for frozen food. She decides to have leg of a lamb as a last dinner with her husband, but she smashes the frozen leg in to Patrick’s head with killing him. Mary betrays her husband by killing him and takes revenge of her betrayal. Later, Author confirms her as a murdered with the statement of “I’ve killed him”(Mary) from her own lips. Dahl, in the story,

In Roald Dahl's 1951 short story, "Lamb to the Slaughter," Mary Maloney comes to embody a feminist heroine by escaping her husband's oppression. Her behaviour in the

Throughout the entire story, Mary is a very interesting character. She faces many issues in dealing with her husband’s news that he is leaving her. She reacts based on her instincts and kills her husband and this shows her cold heartedness. In the end she has to create an alibi to cover up her devious crime in which she has to manipulate the police into eating the evidence. Mary is a very unique complex character and she has, through her actions conducted a devious crime in which she will be proven innocent. Through the use of Many Maloney’s character, as well as irony and suspense, the author was able to maintained the interest of the reader throughout the entire short story.

The conflict in “Lamb to the Slaughter” is, that Mary. Maloney, a devoted housewife, six months pregnant, kills her husband with a leg of lamb after he tells her that he is planning on leaving her. In the very beginning, the atmosphere is very calm. Mary Maloney is peacefully sewing in her living room waiting for her husband, a police officer, to come home from work. After his arrival, they silently sit in the living room drinking whisky. Mrs. Maloney watches her husband very carefully but after he swallows his whisky very quickly and gets another stronger drink, the reader notices that something is unusual. Before she wants to fix something for supper, her husband stops her and tells her, even though it isn’t exactly conveyed to the reader, that he

This is a twisted, gripping tale of Mary Maloney, who murders her own husband by hitting him with a frozen leg of lamb and then hiding her crime and disposing of the evidence by feeding the lamb to the policemen who come to investigate the murder.

She grieves for her husband a very short time. She then begins to feel a sense of freedom. This initially makes her feel guilty and

him he was tired. She then asked him if he wanted supper but he said

Roald Dahl’s “Lamb to the Slaughter” utilizes satire and humor to critique domesticity and the life of a housewife. His use of detail and perspective allows us to view the eager, submissive, and anxious housewife, Mary Maloney. These traits are evident when she glanced at the clock again and again, waiting for her husband, “she merely wanted to satisfy herself that each minute that went by made it nearer to the time when he would come home” (Dahl 1). The exaggeration and descriptive imagery humorously depicts Mary Maloney as a submissive housewife, eager to please her husband in any way. The story satirizes domesticity by portraying an obsessive wife, Mary, who sits like a dog waiting to greet her husband at the door, fetching a drink for him like a toy, crying “I’ll get it” as she jumps out of her chair, and gazing at him “all the time with large, puzzled

Dahl’s protagonist in “Lamb to Slaughter”, Mary Maloney, displays her deceitful nature when her husband comes home from a long day of work. Mary kills Patrick with a frozen leg of lamb after he informs her that he wants a divorce. Immediately thereafter, she goes to the store to purchase vegetables. This is the beginning of her deceit. Mary clearly does not need vegetables. Her trek to the store is her way of creating an an alibi. This adds another layer to her deception. Here, she engages in a conversation with a seemingly familiar clerk, Sam. She informs him that Patrick “decided he’s tired and doesn’t want to eat out tonight” (Dahl 3). This gives Sam the impression that her husband is still alive when in all actuality, he is dead. She has added yet another layer to her level of deception. Mary’s deception has no limits. She eventually deceives herself into thinking she did not murder her husband. She convinces herself that she is “not expecting to find

One night when she was visiting her husband she fell asleep and he changed into the murdering personality. She was right there and she woke up to see him with a knife in his hands. Then as soon as he saw the look in her eyes he stopped and crumbled

Mary killed her husband by her hitting him on his head with a frozen leg of lamb. Her being a detective’s wife, knew how to set up her alibi. First, she cooked the murder weapon. She went to the grocer to establish her alibi; she was shopping for the evening dinner and was not home when her husband was killed. Mary called the police and told them her husband is dead. After verifying her alibi, Mary insisted on the detectives eating the murder weapon.