Life’s Certainty Life is impossibly unpredictable. However, one certainty exists in life: death. Even though it is certain, it provokes the deepest and most fearful reaction. Why is death so dreaded? It is something that many find hard to comprehend because of its finality, mystery, and unpredictability. Death surrounds each and every one of us at every stage of life, whether it is the death of a family member or friend or worse, the fear of death of someone close, even ourselves. The confusion and negativity of death can become consuming as people search for meaning and understanding. It is universal, unavoidable, and inevitable. The concept of death leaves us yearning for answers and meaning, ultimately culminating in fear of the unknown and in death itself. Although we may not know the answers, we look for ways to palliate this fear and curiosity through rituals, religion, or simple self-discovery. William Cullen Bryant’s “Thanatopsis” helps us to understand that death must not be feared, rather embraced. Through depictions of nature’s sympathy as well as death’s universality and painlessness, Bryant comforts us about death and portrays it in a reassuring and positive light. Bryant begins the poem by establishing both the deep connection between death and nature in life, as well as the recourse nature offers us in death. He states that when we die we will “[lose] each human trace/To mix for ever with the elements” (24-26). By establishing the underlying harmony between
The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.” (Mark Twain). This quote from the famous American writer is the basis for what became one of the hardest ideas to comprehend, death. Death has always been a complex term, causing one to struggle with what the true definition is. It is also hard to wrap your mind around what does it truly mean to die. These are the questions we long for the answer. Whether we acknowledge it or not, death has always been feared by many. Death remains an impossible question, one that has been unexplained since beginning of time. Even though dying is a natural, we as a human race still fear it. What can be done to defeat this never-ending battle? According to Montaigne’s “To Philosophize is to Learn to Die” and Cory Taylor’s “Questions for Me About Dying” we can overcome this by living to the fullest, living with no regrets, living a legacy, and lastly not fearing the inevitable. If you want to conquer the question of life, live in the moment.
Death is the most inevitable and unknown aspect of life. It is unescapable, and by most of today’s population, it is feared in the utmost regard. Our materialistic views and constant desertion of religious ideals has forced our society to view death as an ultimate end. Socrates and St. Augustine’s views on death differ from many views on the subject in 2017, however, for their time, these men had the power to influence a plethora of individuals with their theories. For Socrates, death should never be feared and should be considered a blessing if our souls were to ascend to heaven, or death could be an extensive slumber without any dreaming whatsoever. With
In “On Natural Death,” Thomas appeals to the readers by contemplating the subject of death with an academic approach that includes facts, data, and information. Thomas successfully transforms death from an awkward, emotional subject to a more comfortable intellectual one. This engages the readers by placing contemplation of death and dying within the confines of a more manageable and rational context. His gradual exhumation of death eases the audience into pondering the subject in the absence of emotional stress. The essay transitions from the death of an elm tree to that of a mouse. This is followed by Thomas giving a significant amount of attention to a scientific explanation of death, and then finally the description of the near death experience of a human. This use of an academic appeal moves the audience to a comfort zone with the subject of death and circumvents the common response of avoidance. The reader is simultaneously desensitized to the gravity of subject matter and given permission to consider death and dying without the normal societal negative stigma associated with the subject.
James Rachels claims that morality is absolute. In his article Mortality is Not Relative, he discusses the fallacies of Cultural Relativism as well as the Cultural Differences Argument. Rachels believes that all cultures have some values in common and that there is way less disagreement between them than it seems. He brings up the example of the Eskimo’s and how they choose to kill the infants that they cannot take care of, “The Eskimo’s values are not all that different from our values. It is only that life forces upon them choices that we do not have to make” (Rachels). Another example of this would be how in some cultures it is wrong to eat cows because they believe that the souls of their ancestors and deceased are reincarnated into the cow. In our culture we would not eat our grandparents either, the only difference is we do not believe that they become cows, thus we would have no problem eating cows. “Now do we want to say that their values are different than ours? No, the difference lies elsewhere. The difference is in our belief systems, not in our values” (Rachels).
Death is inevitable part of human experience, which is often associated with fear of unknown, separation, and spiritual connection. Death is an individual experience, which is based on unique perceptions and beliefs. Fear of death and dying seems to be a universal phenomenon, which is closely associated with apprehension and uneasiness. Death is allied with permanent loss, thus personal experiences of grief are similar in many different cultures. There are different mourning ceremonies, traditions, and behaviors to express grief, but the concept of permanent loss remains unchanged in cross cultural setting. With this paper I will identify cross-cultural perspectives on death and dying, and will analyze
Death is a topic that unites all of humanity. While it can be uncomfortable to think about, confronting death in unavoidable. “Dying” addresses that discomfort and universal unwillingness to consider the inevitability of death. Pinsky’s use of imagery, symbolism, and tone create a poetic experience that is like death, something every reader can relate to. In “Dying,” Pinsky describes how people are oblivious and almost uncaring when it comes to the thought of death. Pinsky is trying to convince the reader that they shouldn’t ignore the concept of death because life is shorter than it seems.
This poem talks about nature and death. William Cullen Bryant shares that nature can make death less painful. He says that when we start to think about death, we should go outside, and look around and listen to the natural earth sounds. This is supposed to remind us that when we die, we will mix back into the earth. The poem tells us that when we die, we will not be alone. We will be with every other person that has ever been buried, In the ground, which in this poem is called the “great tomb of man”. It also tells us that even those that are still living will soon die and join in the great tomb of man. This poem is meant to comfort those that are afraid of dying and death in general. At the end of the poem, we are told to think of death as
Chuck Palahniuk once said, “The first step to eternal life, is you have to die.” In William Cullen Bryant’s poem “Thanatopsis”, he does not mention eternal life or anything religious, but speaks about death. He tells his readers that death is a natural thing and they should not worry about it. William Cullen Bryant, in his poem “Thanatopsis”, portrays a comforting view of death. Throughout the poem, Bryant encourages his readers by explaining that in death they are not alone, that death, like life, is a natural process, and that they will be among some of the finest people who walked the earth.
Death is part of the human life cycle, approximately 151,600 people die each day. Everyone wonders how they will die, if they suffer, if it’s tragic or if it’s just simply peaceful. In each of the three poems the main focus is death. Each poem shows a different feeling about death. “Thanatopsis” by William Bryant, “Don’t Fear the Reaper” by Blue Oyster Cult and “Dust in the Wind” by Kansas, all have different meanings of death.
Death is one of the most avoided topics because of the finality that comes with it and the fear of the unknown after death. However, there are quite a number of authors such as AtulGawande, Elisabeth Kubler-ross and Ira Byock who have attempted to go ahead and deal with death as a topic and other connected topics.Each of these authors have delved into one of the most revered topics that is death including related topics that come with it such as the dying process itself. Ira Byock’s Dying well: Peace and possibilities at the end of life is a book that looks at the moment prior to death when an individual is terminally sick and is at the point of death. A
When people ponder death they wonder about the unknown with trepidation. As a young man, William Cullen Bryant wrote the "Thanatopsis." His thoughts progress from the fear of death to the acceptance of the event. People should not fear death because everyone dies and becomes a part of nature.
By biological logic, we human beings will face death sooner or later in our life and death has its very own ways to approach us - a sudden deadly strike, a critical sickness, a tragic accident, a prolonged endurance of brutal treatment, or just an aging biological end. To deal with the prospect of death come different passive or active reactions; some may be scared and anxious to see death, some try to run away from it, and some by their own choice make death come faster. But Viktor Frankl, through his work Man’s Search for Meaning, and Bryan Doyle; in his essay “His Last Game” show us choices to confront the death, bring it to our deepest feelings, meaningful satisfaction. To me, the spirit of the prisoners at deadly concentration camps, Frankl’s Logotherapy theory of “. . . striving to find a meaning in one’s life is the primary motivational force in man.” (99), as well as the calmness of Doyle’s brother on his last ride, like an awaken bell, remind us of how precious life is, how we should find the significance in every act of living, determine to live a meaningful life at any circumstances; hence, when death comes, we can accept it without anxiety nor regrets.
Staring at the Sun: Overcoming the Terror of Death by Irvin D. Yalcom is a raw and unfiltered look at one of the most difficult challenges everyone faces, death. He takes you through the real-life experiences of his patients, past and present, and shares his thoughts about death. The real-life examples have a way of grasping your attention and pulling you in. He assists his patients in recognizing the reality of death, but not fearing it. Yalcom suggests that people have varying degrees of death anxiety. For some, death is not even a thought, while for others it may consume their thoughts. He also suggests that our everyday anxieties may ultimately originate from our fear of death. He includes observations of approaches used by famous philosophers. While reading, you cannot help but to contemplate your own life and envision your death.
Another technique that Bryant uses in “Thanatopsis” is setting. This entire poem takes place somewhere in nature. However, when both aspects of the poem are looked into, the poem may also take place in the speakers mind. The speaker is using nature as a way to think about death. In a way, it seems as though nature will help make death more understandable. Bryant’s “Thanatopsis” contains specific details: Go forth under the open sky, and list/ To Nature’s teachings, while from all around--/ … /--Comes a still voice”(14-17) There are many key words in this single thought. “Go forth under the open sky” means when one dies and ascends upon heaven. Another key phrase is “Nature’s teachings.” It is what nature has to teach about death to help the speaker understand the concept of death. Also, it sets the theme for the entire poem. In lines 16 and 17 when
Elizabeth Kübler-Ross was a Swiss-born psychiatrist who spent two years of her professional career gathering information from terminally ill patients to create the premise for On Death and Dying. “It is not meant to be a textbook on how to manage dying patients, nor is it intended as a complete study of the psychology of dying.” (Kübler-Ross, 1969). This book was written as a call-to-action; to raise awareness of the voice of the dying. Not only is there stigma surrounding the topic, but also numerous misconceptions concerning the emotional journey of the terminally ill. The Kübler-Ross Model creates a framework for those interacting with dying persons, to help caretakers better understand the transitions that are taking place, resulting in higher-quality care. This model is comprised of five stages, which can be experienced in a variety of combinations. Prior to the first stage, the patient must be delivered the news of their illness or the severity of their illness, which usually results in shock. Denial is the first stage noted by Kübler-Ross. Denial and isolation are normal responses to overwhelming emotions and serve as a temporary response until the individual is ready to accept reality. Although this defense mechanism is normative, it is important to note that it isn’t necessarily healthy, and that some never move past this stage. As reality sets in, pain beings to emerge and manifests itself in the next stage: anger. Rationality takes a