Dracula Essay Rough Copy
The setting of Bram Stoker’s Dracula is in the late nineteenth-century London, where the flourishing of technology is replacing people’s belief of the old superstitious ways. The characters in this novel experience contacts with the supernatural beings that is unable to be proven even by the most advanced technology at the time, which leads them to doubt their own sanity. However, the progression of the novel proves that peace is restored into the characters’ lives after their doubts and confusions about what is reality and who is really mad. Ultimately, the categorization of the sane against the mad is unnecessary since the distinguishing factors shown in the novel are ambiguous. Subsequently, no characters can
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Lastly, the character Van Helsing, who is the wisest among the pack of friends, also “[gives] away to a regular fit of hysterics” (Stoker 186) when staying calm and logical is not satisfying enough to express his current situation. If even the wisest man can act unstable, then it shows that the average, sane, citizens habiting in Britain can also lose self-control, and act insane at times.
At the same time, the less mentally stable characters are able to demonstrate philosophical thoughts and reasoning, very similar to the other educated and non-institutionalized characters. This is most notable for the character Renfield, who is a patient at the mental asylum operated by Jack Seward. Renfield is able to speak with proper reasoning when he chooses to, and descriptions regarding Renfield often results in the use of paradox or other forms of contrast.
When Renfield feels there is the need, he will engage in proper conversations regarding theories and historical allusions. During the time that he is persuading his doctor, Seward, to release him from the asylum because he feels that he is a endangering them, he uses proper persuasive strategy to express his goal. He first recognizes that his target audience is not Seward alone, since his friends Morris, Lord Godalming, and Van Helsing are also present. He immediate decides to appeal to his audiences’ pathos by praising their honour and
A horror classic by Abraham Stocker, Dracula, may be one of the most notorious villain stories of all time. Bram Stocker is a Irish writer who changed the view of what to read in his time. He shows dark and twisted situations and metaphors throughout Dracula and many other of his horror novels. This novel was released in the Victorian era, which saw his type of writing as equivalent to the devil. This era was a long time of peace and bright minded people. Stockers style surprised many readers, because he always has you thinking it can’t get any darker than it is but it always exceeds the previous twisted situation or event. Bram Stocker shows Dracula as an iconic creature, with many reasons to be feared, but displayed in the wrong time era.
Are there still connections between Bram Stokers famous novel Dracula and modern day society? In Dracula, Stoker expands on many themes that indeed exist today. Not only does he touch on the most obvious theme, sex. He expands on gender division and good versus evil. Some say since times have changed the themes I introduced have changed as well, leaving connections between then and now irrelevant. However, I feel that although times have changed they still have roots from the time of the novel to now. In this essay I will expand on the themes of this novel while connecting them to modern day society, the critical texts I have chosen and will mention later on in the essay are a good representation of the commonalities between the chill, dark Victorian days in which the era that Dracula was written in and modern day.
Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due to a very simple theme that lies beneath the other, more convoluted interpretations. This theme is the universal concept of identity: us versus them. This criticism sets aside outside disciplines and focuses on the literary motif of identity. John
Unremarkable though it may seem, to affirm the obvious truism that Bram Stoker’s Dracula originates from a century that historians often describe as the most significant in terms of revolutionary ideology, whilst wishing to avoid the clichéd view held, it is undeniable that the more one delves into the depths of this novel the greater wealth of meaning demonstrates significant correlation with Marxist ideology. The 19th Century saw the emergence of revolutionary socialist Karl Marx, who himself used the vampire metaphor to describe the capitalist system as ‘dead labour which, vampire like, lives only by sucking living labour’. Through Stoker’s opulent use of narrative structure, use of setting and imagery, this novel presents a multiple
In Dracula written by Bram Stoker there is a constant battle between reason using superstition and rationality. Jonathan and Seward are both British men and subsequently express a more rational mindset. As the text continues and Dracula plays a larger role, the characters are forced to use a superstition to describe his role. By the end of the text, Jonathan and Seward use spiritual reasoning to defeat Dracula. Yet these characters use spiritual reasoning, scientific reason becomes the successor because throughout England, rationality is the more adopted method. Stoker uses these characters suggest that even though rationality is the greater successor, the spiritual ideas are still maintained. Rationality and superstition maintain
Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.
The play-script book “Dracula”, adapted by David Calcutt, is a captivating reword of the iconic epistolary horror novel of a same name which was written by Bram Stoker, The author outlines the power struggle between good and evil in the text through messages and symbols. The author focuses on Dracula and a group of friend’s actions and emotions in which he uses narrative conventions to convey key messages in the book. The messages I found that were prominent were “evilness is an infection”, “greed is consuming” and “good always prevail”.
Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be
Randal McMurphy is portrayed as having many various personalities throughout Ken Kesey’s One Flew Over the Cuckoo’s Nest. McMurphy stumbles into the insane asylum as a boisterous new acute. From the start, he openly asserts his strong rebellious personality. McMurphy is a Savior to the other ward patients; rather than someone who brings them down.
A key element of the fantasy / horror / gothic genres is to fascinate and intrigue readers through stories that pose the “what if” questions, thereby teaching us something new about the society we live in. Sometimes these stories are helpful in explaining difficult concepts of good and evil, science and religion. In Bram Stoker’s Dracula and Richard Matheson’s I Am Legend, the mythical horror creatures, the vampires, have many differences in their mythical abilities, functionality and origin; however, they both serve to underline themes that remind the reader of what makes us human and what defines us as ultimately good or evil. Stoker’s Count Dracula is the product of a religious strike against the antagonist whereas the vampires in I Am
Deviance from what is “normal,” from what society deems as acceptable, cannot exist unchallenged. There is no room for difference, no allowances for nonconformity to the norm. When there are deviations from this norm, society immediately rejects them, as they upset the careful, stagnant balance that society has worked so hard to maintain. This was the reality of Victorian society, but the coming of the fin de siècle brought about “a time of growing social uncertainty” and therefore anxieties about these social changes (Warwick). Bram Stoker’s Dracula also reflects this reality, but utilizes the metaphor of a monster, Count Dracula, to illustrate society’s concerns about specific changes and uncertainty. In Stoker’s Dracula, Dracula represents
“Vampire Religion” is an article written about Bram Stoker’s “Dracula.” The article is one that was found very useful in reading and understanding the story. Christopher Herbert, the author, argues of the importance that religion and events of the world played on the writing of “Dracula.” There are two parts to the article, one is “Religion/Superstition” and the second part is “The Vampire in the Church.” Both parts are vital to the article.
Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.
Seward is a talented young doctor, who now works at an insane asylum with his new patient Renfield. Throughout the novel Seward conducts many interviews with Renfield to help him better understand his view on eating life-consuming psychosis. Seward conducts his interviews on the basis of science; Van Helsing on the other hand uses religion and superstition to do
Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.