East Of Eden And The Handmaids Tale Analysis

A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of

Paula Hawkins, a well-known British author, once said, “I have lost control over everything, even the places in my head.” In Margaret Atwood’s futuristic dystopia The Handmaid’s Tale, a woman named Offred feels she is losing control over everything in her life. Offred lives in the Republic of Gilead. A group of fundamentalists create the Republic of Gilead after they murder the President of the United States and members of Congress. The fundamentalists use the power to their advantage and restrict women’s freedom. As a result, each woman is assigned a specific duty to perform in society. Offred’s husband and child are taken away from her and she is now forced to live her life as a Handmaid. Offred’s role in society is to produce a child

The struggle of sibling rivalry over ability and temperament has taken East of Eden in a whole new perspective. Steinbeck’s portrait on sibling rivalry shows the good vs. evil of each character in the story. The nature of good vs. evil as natural selection is also seen in siblings, as a compete for something physical, mental, or something emotional. The sibling rivalry from the biblical characters embraced Steinbeck’s characters throughout every concept in the novel, the good vs. evil confines the characters personality in every idea of Steinbeck’s novel. From the biblical story of Cain and Abel to Adam and Charles to Cal and Aaron the story continues through out every

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

Can human live without love? The answer is evidently no. Love can be defined as: the most spectacular, indescribable, deep euphoric feeling for someone. Margaret Atwood, the author of the outstanding dystopian fiction the handmaid 's tale (1985) had once in her book said: " nobody dies from lack of sex. It 's lack of love we die from.” In this novel, Atwood specifically depicts a society where relationships have been altered, undermined and in many ways forbidden. The key word in the issue of relationships is love. In the Republic of Gilead, a form of theocratic government, women had lost their ability to love. The protagonist Offred is a handmaid whose sole purpose in life is to reproduce a child. Gilead expects its handmaids to have faith in its commandments, but has removed love and hope from them. Women became objects and sex slaves to men. Therefore, the relationships of the protagonist Offred are unhealthy as well as abnormal, yet they are source of hope for Offred to survive from this theocratic form of government. Her relationship with the commander is strained but profitable, her relationship with Serena Joy has lots of tensions and conflicts; and her relationship with Nick is subtle as well as controversial.

When Adam states, “You’ll have to give it back,” these six words were enough to set Cal on fire (507). More so the fifteen thousand dollars he burned after he is enraged that Adam does not accept his gift. In this situation, Cal had two options. He could return the money to the farmers he “robbed,” or he could get rid of it somehow. He, out of

Cal is viewed as a evil character and he is looked down upon due to the fact that his brother, Aron, lives a more successful lifestyle. Cal is the most complex character in the story and struggles with timshel the most. Cal’s jealously has him make evil decisions that lead to negative results including leading his brother to his death. In a writing done by Yehuda bar Ami he states that when Cain and Abel were in the field arguing it was about fighting over Eve. Cal shares this jealousy towards Aron because he lacks attention from his father.

Serena Joy is the most powerful female presence in the hierarchy of Gileadean women; she is the central character in the dystopian novel, signifying the foundation for the Gileadean regime. Atwood uses Serena Joy as a symbol for the present dystopian society, justifying why the society of Gilead arose and how its oppression had infiltrated the lives of unsuspecting people.

Form, Structure and Plot: The novel has 15 parts, 46 chapters, and 378 pages. The novel has a series of flashbacks and dream sequences that take the reader from Offred’s life in the present and her past life with Luke (her husband) and her daughter. The story is hard to follow because you do not always know what will trigger her flashbacks. The novel only covers about two years in the present, but the flashbacks cover the year leading to the present, and the historical notes jumps to 2195.

“Is there, then an evil that is innate, that is the little piece of monster in all of us.” (Cusatis). Every person has two sides, no one is completely good or completely evil. In the East of Eden, John Steinbeck uses a biblical metaphor to illustrate the innate good and evil that humans encounter. The novel includes several characters that are purely evil or do evil deeds. The Trask family is directly correlated to the Garden of Eden and other biblical narratives. “Steinbeck puts more into his stories than Genesis 4” (Fontenrose). Steinbeck illustrates the concepts of good and evil, family, and love to describe the frailties of the human experience.

In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

“I feel thankful to her. She has died that I may live. I will mourn later” (Atwood 286). Many sacrifices and hard decisions are made by unorthodox people to keep what they believe in alive. There would be no rebellions and no change without these nonconforming people. Offred, the main character and a Handmaiden, would have faced eminent death in her strictly orthodox world had it not been for the rebelliousness of those who died before her wanting change. The Republic of Gilead, previously known as the United States, is a theocracy. Environmental events and population decline prompt changes. A caste system is created, and each caste performs specific duties. They are punished if the laws are not followed. The Eyes are at the top of the caste system; they make sure the laws are obeyed. Next are the Commanders and their Wives. The Handmaiden’s main task is to produce a child with their Commander. In Margaret Atwood’s The Handmaid’s Tale, some unorthodox characters challenge the theocracy such as Offred, Ofglen, and Nick.

Freewill and determinism have been a controversial philosophical problem for thousands of years, it is taken into question on whether human beings have an ability to control over their decisions in life or being constrained by the pre-deterministic future, beyond their understanding. The problem began in Ancient Greek and still rumble among modern philosophers and psychologists, but surprisingly, a writer - Margaret Atwood has successfully described if not answer the issue of independence and passivity in The Handmaid’s Tale. A dystopian novel set in the post-apocalyptic America now so-called Republic of Gilead, a totalitarian government. With the critically low reproduction rates due to biological warfare, the Handmaids are allocated to

The Handmaid's Tale is written by Margaret Atwood and was originally published by McClelland and Stewart in 1985. The novel is set in Cambridge, Massachusetts. The Handmaid's Tale explores themes of a new totalitarian theocratic state society that is terrifying and horrific. Its main concentration is on the subjugation of women in Gilead, and it also explores the plethora of means by which the state and agencies gain control and domination against every aspect of these women's lives. Restrictive dress codes also play an important factor as a means of social order and control in this new society.