Foreshadowing In Kate Chopin's The Story Of An Hour

The doubt and misconstruction placed upon the women in the stories is a huge factor in the way their characters develop. Mrs. Mallard's sickness was misdiagnosed by both her family and doctor. They believed she suffered from heart problems but no evidence of this was produced during the story. When Mrs. Mallard was up in her room, her sister, Josephine, was worried that Mrs. Mallard would make herself ill because she was alone and suffering from her husband's death. Chopin gives the reader an insight as to Mrs. Mallard's thoughts by using a third person limited omniscient narrator, and by doing so, allows the reader to understand that Mrs. Mallard's family's ideas of her health were false. Near the end of the story the doctors and Mrs. Mallard's family believe that she has had a heart attack because she was happy to see that her husband was alive, while in actuality, she died because didn't want to live if she had to live with him.

Mallard’s heart trouble, after she goes to her room, “we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself’.”(Hicks) With the news of her husband’s death Mrs. Mallard has now been reborn. She is now free, free from the shadow of her husband. Although the author gave little details about the marriage between Mr. and Mrs. Mallard, the story suggests it had not been unhappy but Mrs. Mallard had felt repressed. “She knew she would cry when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead.”(Chopin) She knew her husband loved her and she said she loved him sometimes. However, after his death, “there would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers..."(Chopin) Mrs. Mallard felt it was a crime to impose one person's will on another person. The thoughts of her freedom brought out a joy from within her. This she describes as a "monstrous joy" because it comes from her husband's death but allows her complete happiness to be free. As Berkove says,” The monstrous surge of joy she experiences is both the cause and first sign of a fatal overload to her feeble heart. Physically, her heart is weak, and emotionally, it had no room for anyone else.

Mallard after her sister tells her the news of her husband is not the common reaction expected when someone suddenly dies. Her reaction quotes, “She did hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment” (Chopin 653). This quote indicates the fact that she does not react the way that a spouse would when he or she’s spouse has passed and having the utter feeling of denial. Though uncertain of her own feelings, Chopin begins to describe Mrs. Mallard’s decaying thoughts of her former lifestyle into something more

Setting in a story can create certain moods, influence the way we feel about a character, and change the reader's perceptions. “The Story of An Hour” by Kate Chopin is a short story about a woman named Mrs. Mallard, who learns of her husband’s death. This tragic news causes a range of emotions and internal conflict for the main character. The century, season, and room, in which the story takes place, prepares readers for the overflowing emotions and gives clarity to the character’s frame of mind. Kate Chopin uses the setting to help set the structure of the story.

Effectively using foreshadowing in a piece of literature enhances the reader's curiosity. One clear example of such usage is seen in Kate Chopin's writing. Her use of foreshadowing in the short story  "The Storm" adds an element of intrigue, holding the reader's interest throughout. In this story a father and son, Bobinôt and Bibi, are forced to remain in the store where they were shopping, waiting for an approaching storm to pass. Meanwhile, the wife and mother, Calixta, remaining at home, receives an unexpected visit from a former lover of hers, Alcée. The two lovers ultimately consummate their relationship. Alcée then departs once the storm subsides, at

Mrs. Mallard is, outwardly, a typical woman in the 19th century with a husband, family, and home. It is first apparent that Mrs. Mallard is not satisfied with her role as a wife when she receives the news of her husband’s death and begins to feel a sensation of joy that overcomes her. The wife’s unhappiness with her married life is enhanced when the narrator states, “She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Chopin 16) The reader infers that Mrs. Mallard was figuratively suffocating under the duties and stereotypes a 19th century woman was subjected to, such as caring for a house and family instead of pursuing a career outside of the home. Mrs. Mallard views her husband’s death as an escape from her role and a chance to have control over her life and choices, showed when she whispers “Free! Body and soul free!” (Chopin 16) In the final portion of the story Mrs. Mallard’s husband returns home, having never been in an accident, and she dies of what doctors determine is an overwhelming joy for seeing her husband alive. The reader infers that Mrs. Mallard has lost her chance of a new start and freedom from her role and dies of grief over her loss of freedom. The author contrasts Mrs. Mallard’s lack of control and freedom in her life to

When it is revealed that she has “heart trouble”, her sister uses extreme caution when breaking the news about the death of Mrs. Mallard’s husband. Chopin makes use of certain things in the short story where things can be taken literally and figuratively. Mrs. Mallard’s heart condition can be looked at literally and figuratively because Chopin incorporates it as both a physical and symbolic problem. Mrs. Mallard did have mixed feeling about her marriage and the lack of freedom that she had. When Mrs. Mallard realizes that she has this

Mrs. Mallard’s heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks “in broken sentences; veiled hints” (Chopin, “The Story”), so that the news of Brently’s death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband’s death actually brings a new life to Mrs. Mallard: “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin, “The Story”). Mrs. Mallard’s marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found independence upon seeing Brently walk through the front door. Chopin shares: “When the doctors came they said she had died of heart disease – of joy that kills” (“The Story”). The window in Mrs. Mallard’s bedroom also serves as an important symbol in the story, representing Mrs. Mallard’s freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is full of countless possibilities (Rosenblum,

Mrs. Mallard learns that her husband really didnt die in the train accident and she herself ends up dying of shock. Chopin leads the readers to think that she would rather die then be forced to live under the bond of marriage. " when the doctors came they said she had died of heart disease-of joy that kills" ( Chopin, 1894, 61).

Mallard dies of heart disease. We find out that Mr. Mallard isn’t dead when Chopin states, “Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one” (2).We do not know whether she died of excitement that her husband is alive or because her feeling of being free has caused her to die. All that we hear from the doctor is when Chopin says, “When the doctors came they said she had died of heart disease--of the joy that kills” (2).

Mrs Mallard's awkward attitude after learning of her husband's death establishes an irony- somebody who is really happy in marriage will not enjoy nature in peace and have mixed emotions; the person will feel genuine grief upon hearing of the death of her husband. Here, Mrs Mallard's reaction portrays the extent to which her thirst for freedom was strong. Kate Chopin allows us to visualise the moment that Mrs Mallard is able to shed the bondage of marriage: "free, free, free!." She feels liberated through her husband's death. Much emphasis is laid on her joy upon finding freedom- "there would be no one to live for." The author also points out that "she knew that she would weep again.....folded in death." This only highlights the fact that it is not an expression of love but seems more like a duty that

“The story of an hour” by Kate Chopin is described as a story of great irony having many unexpected twists and turns. Situational and dramatic irony is used throughout the story. This is a story of a woman who finds out her husband’s death in a train accident and reacts with sadness in the beginning, but then realizes a freedom and relief from her repressive life. She experiences a complete joy over the death of her husband and dies from the shock of discovering that he is still alive. The first type of irony encountered is a situational irony, where there is a contrast between what is expected to happen and what actually happens. Mrs. Mallard’s discovery of her lost freedom and regaining her

Chopin also uses foreshadowing as a tool to describe to the reader what ?The Story of an Hour? truly represents. The most vivid example of foreshadowing is at the beginning of the story, where Chopin wrote, ?Knowing that Mrs. Mallard was afflicted with heart trouble, great care was taken to break to her as gently as possible the news of her husband?s death?(653). The reader is given a large clue that Mrs. Mallard has heart trouble which is a slight foreshadowing of her impending death at the end of the story. Chopin uses hints throughout the story that foreshadow upcoming events, but each hint is deceptive and often hard to comprehend at first sight, adding a bit of mystery to the story.

In her piece “The Story of an Hour,” Kate Chopin uses several symbols to bring Louise Mallard’s dramatic hour to life, as well as the themes of freedom and disillusionment that come with marriage and life. Chopin used Mrs. Mallard’s heart trouble, the open window and spring life, and her final descent down the stairs that led to her death to show that Louise’s marriage to Brently was suffocating her free spirit and decreasing her quality of life. These main symbols make the reader feel not only that they are in the room with Mrs. Mallard, but are inside her head and can understand all of her thoughts. The frequent use of symbolism enhances the themes of the story and brings out the emotion and deeper meanings that took place in one life changing hour.

Kate Chopin's short story, "The Story of an Hour" is largely about the forms of repression that women were forced to endure during the epoch in which the story was written (1894) and during much of the time that preceded it. During this time period, women quite frequently had to subjugate themselves to the will of their husbands, or to some other man who had a significant amount of control over their lives. Chopin chooses to address this phenomenon in an indirect manner with this particular short story, although she does so in a thematic manner which, of course, is the ""¦idea that lies behind the story. Every story narrows a broad underlying idea, shapes it in a unique way, and makes the underlying idea concrete" (Clugston 2010, 7.1) The theme that "The Story of an Hour" is based upon is the notion of the liberation of women from the overbearing influence of men. Chopin chooses to illustrate this theme quite dramatically through literary devices of symbolism and metaphor.