How The Sun Was Stolen Analysis

In this paper, I will compare two of my favorite stories from Trickster: Waynaboozhoo and the Geese and How Alligator Got His Brown, Scaly Skin. These two stood out from the others as strong tales with clear and powerful messages. After I compare the two plots, I will discuss the relevant parts of the respective cultures from which these stories originated.

The two stories ‘Totem’ and ‘The Coyote Columbus Story’ written by Thomas King are about the Aboriginal people of North America. Thomas King revisits the history of the Native American people in his stories and tells them in a symbolic and metaphorical manner, with his simple touch of humour. The stories “Totem” and “The Coyote Columbus Story” are based on historical events, where in they describe the real historical events which have occurred, rather than the ones written down otherwise. The story “Totem” illustrates the cultural biased society’s attitude towards the Aboriginal people of North America. The story “Totem” by Thomas King captures several such incidences and tells them in a bit magical and symbolic way. It tells us the story about Aboriginal people and their three centuries of history shared with the European. “The Coyote Columbus Story” by Thomas King talks about the sailors who claimed they had found the land of India and China, which was North America in reality, and corrects their claim in this story by retelling the true events which had actually happened. The events in this story take place at the time when Columbus arrived in North America, unlike in “Totem” where its events take place in a post-Columbus period.

Imagine the world without stories or a world without fire. The world would be a completely different place without them. In the folk tales “How stories came to Earth” and “Coyote Steals Fire” tell you how creatures were able to get what they desire by tricking and fooling other animals and gods. After reading these stories they proved to be similar, but mainly different.

What is a trickster? A trickster typically breaks the creeds of the divine or nature, most of the time this is doomed maliciously, but sometimes with positive results. More frequently than not, the rule-breaking will capture the pattern of tricks, or thievery. Tricksters are generally cunning, foolish, or perhaps both. They are usually very funny even when they are scared. In diverse cultures the trickster and humanizing hero are often merged in one. Tricksters are particular to their own cultures. However, tricksters are naturally bound by undeniable attributes no matter what their religion is or what culture they have come from. It is thought that all of us have some type of trickster within us, whether it may be conscious or

the coyote relies on his own wits. The coyote is always looking for the short

Native Americans have a very interesting culture, so you should take some time and read about what I have to say. The stories “The First False Face”, “The Origin of The Buffalo and the Corn”, and “The Coyote” all have many similarities, but a couple things are different.

Carlyle Sitterson Professor of English, Emerita at the University of North Carolina at Chapel Hill. During 1996-97, she was a resident Fellow at the National Humanities Center. She has written and edited more than a dozen books on African American literature and folklore. In 2005, she received the John Hurt Fisher Award of the South Atlantic Association of Departments of English (SAADE) for the outstanding contributions she has made to the field of English scholarship throughout her career. Tricksters dominate literature over a range of cultures. West African is no exception, and they are key to understanding the views and values of their society. This article is pointed toward all scholars, teachers and students alike, who are interested in the serious meaning behind the humorous folktales of West African literature. Harris knows the amorality captured in most African American literature, and she seems to believe it was the best option with the pressing circumstances and limited choices. She defends both perspectives robustly, but focuses more on the positive of each outcome. Additional sources are listed and are useful for further research. They include primary resources and were created by credible

When we talk about tricksters and heros, we think of people who lie and cheat their way through life. We also think about people who “save people” and is looked up to by everyone. Well, we aren’t entirely wrong. Let’s take the Joker for example. He is considered a trickster to some people because he likes to play games with Batman and the city and citizens of Gothem. He always says he’ll kill a bunch of people, but he never really does unless it’s absolutely necessary. The Joker goes around playing games and tricks, and that makes Batman mad. He plays with people’s minds and that’s the reason we call the Joker a trickster.

Coyote is later punished for his crime against nature, when he flings the dead dogs to the ‘east…south…west…[and] north’, demonstrating a lack of care for his food, a show of great disrespect according to Navajo culture. Eventually, the trickster is reduced to ‘begging but to no avail’ for the food belonging to Shilna’ash, formerly inferior to Coyote throughout the tale. This is an example of a common feature of trickster tales, which ‘can be seen as moral examples re-affirming the rules of society’ (Hynes, W. Doty, W. 7). Beneath the comedy, whether light-hearted or vicious, the punishment or humiliation of the trickster teaches those who are listening to the tale how to behave, and warns them to comply with cultural rules. The Winnebago Trickster Cycle ends in the trickster nearly drowning in his own ‘dung’ (Norton Anthology, 2011, 110), a situation which is surely universally undesirable. So although the tricksters in both these tales entertain themselves and their audiences, they also end up in situations which are not to be taken light-heartedly. This demonstrates the importance of the trickster orally, as moral messages are conveyed whilst interest of the audience is still obtained, this interest being evident partly from the fact that these tales, which are rather unsophisticated and simplistic on the surface, are still being explored and closely examined today.

Deep in the sun's core, nuclear fusion reactions convert hydrogen to helium, which generates energy. Particles of light called photons carry this energy through the sun's spherical shell, called the radiative zone, to the top layer of the solar interior, the convection zone. There, boiling motions of gases (like in a lava lamp) transfer the energy to the surface. This journey takes more than a million years.

I don't see any morally acceptable behaviors in any tricksters in the stories. The hare refused to chip in so they all can provide source of water and not only stole some water but polluted the well that no one was able to drink from it. He deserve to be punished but not to that extreme. I don't blame them for beating him up that bad because at that point, they are all trying to survive. The ant's burden story is another despicable tale of trickery. He murdered a dwarf, tried to trick his son to claim the murder and passed on his punishment to other by means of trickery. He was punished for his offense but somehow found a way to escape from the punishment. Why they name the stories for Anansi is another tale of selfish act that involves trickery

Throughout the documentary, Catching the Sun, the links between the economy and the environment were explored through solar power. The connection between two of America’s most pressing political issues, unemployment and energy, was expressed by activist and writer, Van Jones. He further explained this connection in his book, “The Green Collar Economy”, where he explained that green collar jobs are the new blue-collar jobs and these two issues can easily be solved by using solar energy and employing those who are currently out of work. This was exemplified with the company Solar Richmond, which provides job training and opportunities in the field of renewable energy. The film followed a class of individuals as they trained in solar installation

Solar Storms tells a multi-generational story of a Native American community’s struggle to resist colonial development that has been continuously threatening their environment and culture. Throughout the novel, Linda Hogan uses storytelling to inform the protagonist, Angel, of her ancestry and the narratives of their survival. This paper will analyze native storytelling in Solar Storms as a method of mobilizing indigenous communities against racist development projects. Methods of storytelling that incite mobilization used in Solar Storms include storytelling through song, cartography, and folklore.

It is not a surprise when I read and come across writers who have very different ways in telling a story or poem. But what seemed to interest me when reading the work of two different Native American writers is how similar they are and not as different as one would imagine. The different prospective of writers are their true identities as a writer so it is amazing to see when some writers can see through the same lens. When researching Native American writers, I came across two writers, both women, with a similar back ground and also a very similar was of showing amazing imagery when telling the stories. It was very clear

Edward Albee’s one act play about four couples’ day at the beach and the ensuing clash of personalities never made it to Broadway and thus never received much critical attention. This series of flowing vignettes is undoubtedly a tragicomedy because it “causes strong feelings of sadness or regret” as much as it “is meant to make people laugh” (Merriam-Webster). Finding the Sun discusses topics such as extra-marital affairs, it has a quick and good natured structure, and an ending where each character meets a sense of closure within their given circumstances. The play balances on the line between tragedy and comedy the entire time before delivering an ending that affects each individual character.