Industrial Design Myth

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

Given the diversity of Australia and the increase in multiculturalism, the definition of the true Australian identity has changed over time. However, I believe the two main characteristics

The concepts of national identity is demonstrated through Felicity Castagna’s novel, ‘No More Boats’ as it conveys Antonio’s national identity as well as through Henry Lawson’s short story, ‘The Drover’s Wife”, as it depicts the concept of national identity in Australia through the Australian bush life. Fiona Allon’s novel, ‘Renovation Nation’, portrays the concepts of national identity through the context of migrant home construction in Australia. Throughout Felicity Castagna’s novel, ‘No More Boats’, it depicts the concept of national identity in Australia. Furthermore, through the quote, “white aluminium siding, aluminium eight-over-eights, yellow fibreboard shutters, high rectangular windows, crisp brown linoleum marking the path to the kitchen.

The pursuit for a national day has been a part of an effort to define our unique national identity and a day that defines it. Australia Day is a subject of debate, reflecting the fact that national identity is unsolidified and difficult to delineate. In this essay I will outline the argument that Australia’s national day should reflect both its present day society and history, with the help of articles from ‘The Conversation’, ’Modern Australia’s defining moment came long after the First Fleet’ and ‘Australia Day nationalism walks in the footsteps of ugly precedents.’ Australia day should be completely unrelated to British colonialism and its catastrophic impacts on Aboriginal people and their culture and encompass the multicultural society it is today. More significantly however, it should quite simply be a day that has significant historical relevance for present day

The identity of Australia as a place comes from both its physical features and the atmosphere, which is often created by its physical appearance. Three artists who have depicted the Australian landscape in different styles are Arthur Streeton, John Olsen and Sally Morgan. Streeton’s works are in a realistic but lively style typical of the Heidelberg school. He was intent on recreating the light and warmth of the land. Olsen and Morgan’s works, on the other hand, offer more abstract interpretations of the land. During the 1960s and 1970s, Olsen captured the essence and the energy of the landscape with his bold and bright brushwork whilst Morgan’s work from the 1980s portrays Australia from an indigenous perspective, which she achieves through her use of Aboriginal symbolism and cultural imagery.

Australia is a young, modern country made up of a diverse and multicultural population, therefore, it’s difficult to say that it has a single national identity. This essay will examine what Australia’s identity may look like, specifically, through art.

There are many diverse interpretations of the words “Australian Identity”. The national anthem, as evidenced in Stand Up, is a primarily white interpretation of Australia and the Australian identity, with many of the lines ignoring the Indigenous people of Australia (Perkins et al, 2012). Another form of the “Australian Identity” was one presented by Prime Minister Paul Keating in his Redfern Address in 1992. He proclaimed that “Australia is a first-rate social democracy…truly the land of the fair go and the better chance”. This idea presented represents an egalitarian society, where every single human has an equal opportunity at life. Yet another, shown in the songs Paul Kelly sang, but especially in “this land is mine” is the difference between the identity of Indigenous Australians and non-Indigenous Australians (Kelly et al, 2001). Each of these texts addressed a major issue. Stand Up compared the relative value of tradition and the right to freedom of expression. Keating’s speech expressed the need for justice and recognition of both the stolen generation and the injustices done to the Indigenous people as a whole. Kelly’s songs represent the importance of the land to Indigenous people and why the “returning of the land” is so important. Although they each mentioned a major issue, the texts all gave solutions to these issues, from reiterating the importance of the basic human right of freedom of speech in Stand Up, to explaining the role and qualities of the Aboriginal

The patterns of change and continuity in Australia at the time of federation influenced Australia to become its own nation through the creation of the Australian identity. At time of Federation, the majority of people living in the Australian colonies were Australian-born. Colonists were also starting to see themselves as Australian, not as British. This meant people wanted their own identity that didn’t link back to Britain. The way of life in Australia helped build the identity, which was shaped by its differences to the typical Britain life. This was affected by the native flora and fauna, the weather and activities, sports and hobbies. There was also a change in the styles of literature and art, becoming more specifically Australian. This contributed to the growing national identity. For example, the popular oil canvas painting named Near Heidelburg by Arthur Streeton (Source 4.41, page 196, Oxford Big Ideas Australian Curriculum History 9) depicts the grasslands of Australia, and shows how people dressed accordingly to the weather. The change of the crops grown in Australia due to the climate, impacted the lifestyle of the people living in the colonies. This is a different landscape to Britain’s, where most of the population had

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

In the study of Australian modern architecture, the term regionalism has constantly been discussed. In an architectural sense, regionalism can be understood as an architecture that is derived from its local setting. In relevance to this, elements of regionalism can be found in the works of Sydney Ancher and Peter Muller, two figures that had significant influence in Australian architecture discourse whose works can be seen as being Australian. Nevertheless, as much as how their works respond to regionalism, the proof of overseas principles being adopted is clear.

This research will only concentrate on the extent of Americanisation in Australia through the influence on television and the film industry as the aspect of Americanisation covers a wide range from fashion to language. To fully understand the topic of the hypothesis, proper exploration of the definitions of ‘identity’ and ‘culture’ are of relevance. ‘Identity’ and ‘culture’ play an integral role in what an Australian represents as well as how the world views Australians. The meaning of ‘identity’ can be summarized as; ‘The collective aspect of the set of

The construction of Aboriginality in Australia has been achieved through a variety of processes, in various places and at various levels of society, giving rise to a complex interaction between the constructions. At the local level, the most striking line of tension may seem to lie between what Aboriginal people say about themselves and what others say about them. But crosscutting this is another field of tension between the ideas of Aboriginality (and non-Aboriginality) that people of all kinds construct and reproduce for themselves, and the constructions produced at the national level by the state in its various manifestations, the mass media, science, the arts and so on (Beckett, 1988).

Modernism transformed life in Australia across five tumultuous decades from 1917 to 1967 , it spans all aspect of Australian culture including art, design, architecture, advertising, film, photography and fashion. The process of modernisation has had a profound affect, changing our perspectives and the course of our everyday living.

The incredible work of these Modernist architects had a strong and distinct influence on up and coming young Australian Architects during the 1950’s – 1970’s.

As Australia well into the twentieth century, an interest in international ideas are engendered when the young nation of 1901 was searching a level of self-definition. To provide the interest of a distinct Australian identity, the federation movement that gained momentum has expressed the national sentiment in art and architecture. It instigated the architecture in Australia to encounter a significant change in taste from the often ponderous Victorian to the aesthetic Edwardian. One of the most influential sources of architectural ideas came through United States, where both of them shared the major feature of developing sense of their own ‘nationality’, differentiating themselves from Britain where they had sprung. New world optimism and technological availability transpiring from America became a constant stimulant tempering perceived obeisance to the Britain. The Australian architects came in contact with the new architectural ideas through various channels including the immigrant architects; imported journals, local