Is Frankenstein A Broken Family?

The unwavering desire for knowledge may cause the decay of relationships. This idea is displayed as Victor Frankenstein, the protagonist, continually desires to create human life from inanimate materials, which leads to the destruction of many of his relationships. Frankenstein, by Mary Shelley, exhibits how the constant desire for information may cause the deterioration of relationships through the decayed relationships Victor has with himself, his family, and society.

Father and son relationships are much more complex when observed from a deeper surface. In Cormac McCarthy’s The Road, and Frankenstein by Mary Shelley, two different outlooks on fatherhood can be seen. In some cases, the role of a father-like figure can be unfulfilled, which leaves the child feeling isolated. While on the other hand, there are situations where the father can be seen as being a guide and mentor for the child. McCarthy shows how in a dystopian society; a father provides his son with unconditional love and care. Whereas, Shelley’s work portrays abandonment and lack of care provided by Victor for the creature. Through these two texts the father and son relationship is shown to play a prominent role in them, but two different

In the 19th century piece Frankenstein, author Mary Shelley presents a conflict between two main characters in a way that mirrors a conflict that would arise between father and son. This conflict occurs after Victor Frankenstein, the main character, is completely and utterly disgusted by the monster he has created, despite his initial desire for such a creation, and runs off in a severe state of absolute horror and regret.

When Frankenstein was five years old, his Oedipus complex appeared, he began to show his disobedience to his father unconsciously. He felt jealous about his father’s authority and the possession of his mother, so he was always disobedient with his father to vent his dissatisfaction and hatred of his father. For example, when he had a chance to read a volume of the works of Cornelius Agrippa in the first time, he talked with his father about his discovery. However, he father did not agree with his discovery and said, “Ah! Cornelius Agrippa! My dear Victor, do not waste you time upon this, it is sad trash” (Shelley 36). With an disobedient thought, Frankenstein did not accept his father’s suggestion and still continued reading this kind of books. The disobedience of reading books also represents that Frankenstein actually regarded his father as his rival, to fight against with his father in an unconscious way. Besides, when Frankenstein studied in Ingolstadt, he was indulged in his study. Moreover, he had not contacted with his family or gone back home for two years. The ultimate reason for his distance and unconcern to his family was his unconscious hatred and disobedience upon his father. However, when Frankenstein was young, he was afraid to resist his father. On the basis of Sigmund Freud, a boy

	In Mary Shelly's Frankenstein, families are a very important part of the structure of the novel. Frankenstein's family is critical because the reason why the monster was created lies within the family. Almost every family mentioned in the novel was either incomplete or was dysfunctional. Frankenstein's family in particular was missing a female role. The Frankenstein family had no mother, but they did have Elizabeth who was the only other female in the house and she was adopted when she was just a child. The monster was created because of this absence, not necessarily to fill the role of the mother, but to fill in the role of the missing family member. However, the monster is shunned away when he is animated and the fall of the

In many situations today, the children most common problem can be trace back to their family issue. Without a strong bond of relationship between their parents can consequently cause a destruction of children’s future. Even more, the children grow up unsteadily with aggressive behavior and the sign of depression. This has come to be a controversial issue and as well the depth of the story that is contain in Mary Shelley’s Frankenstein. To many misinterpretations from the movie, the creature itself was to accused to be a villain in the plot. As it show in Mary Shelly’s novel a deeper analysis has reveal that Victor Frankenstein is the real blame for

"We are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves-such a friend ought to be-do not lend his aid to perfectionate our weak and faulty natures,” writes the narrator of Mary Shelley’s novel, Frankenstein, Dr. Frankenstein. Without a companion of some sort, people will only suffer more. However, without the supervision of parents, children altogether are greatly affected for the rest of their lives. An innately good and sympathetic creature, Dr. Frankenstein’s monster struggles to survive in the human world. After creating and abandoning his creature, Dr. Frankenstein is the juxtaposition of a monster, portraying humans as shallow, judgmental, and uncaring. The monster simply wants humans to accept him as one of their own. Facing rejection in different forms, he becomes truly monstrous and evil, giving up hope of companionship as a result of his abandonment. Modern case studies of abandoned children report similar ideas. Children who are abandoned do not learn about morality, yet only people with morality are accepted by others as human. Children who are abandoned are frequently not accepted by others as human ultimately.

	In Mary Shelly’s Frankenstein, families are a very important part of the structure of the novel. Frankenstein’s family is critical because the reason why the monster was created lies within the family. Almost every family mentioned in the novel was either incomplete or was dysfunctional. Frankenstein’s family in particular was missing a female role. The Frankenstein family had no mother, but they did have Elizabeth who was the only other female in the house and she was adopted when she was just a child. The monster was created because of this absence, not necessarily to fill the role of the mother, but to fill in the role of the missing family member. However, the monster is shunned away when he is animated and the fall of the

Mary Shelley, the author of Frankenstein, was raised by a single parent, her father William Godwin. She acknowledges the mentally stimulating role a father plays in the development of a daughter, presumably speaking from personal experience. She declares, "There is a peculiarity in the education of a daughter, brought up by a father only, which tends to develop early a thousand of those portions of mind, which are folded up” (Veeder). Shelley offers in Frankenstein a portrait of how children’s minds are shape, and ultimately their fates sealed, due to influences from their fathers. Alphonse, Victor’s father, made mistakes in his parenting that negatively shaped the development of Victor’s mind and how he treated other living things.

Frankenstein, on the other hand, has lived within society and is expected to have certain morals. Among these should include parental responsibility, an obligation to care for the being to whom he

In Mary Shelley’s “Frankenstein,” Dr. Victor Frankenstein has a fascination with life and death, particularly life, and through his scientific studies he decides to attempt to build a body and restore the lifeless body to animation. He succeeds in this, but once he restores the body to animation he looks in the eyes of his creation and immediately deems the creature a monster. He even, after only a few moments of animation, calls the creature a wretch. He then runs away, and when he returns his creation is nowhere to be found. Many other events occur where the creature comes in contact with humans and they deem him a monster as well. One even goes so far as shooting the creature after the creature has just saved the life of this man’s

A predominant theme throughout the novel Frankenstein is that of a parental figure, poor parenting techniques and furthermore the rearing of the child. The main family that brings this theme to light in the novel is Victor and the monster’s, where there really

Family was important in past and is just as important now. Family dynamics are different from family to family. The Frankenstein and the DeLacey families were from two different sides of the track and lived two different lives. The Frankensteins were wealthy and Victor was sent to private schooling, whereas the DeLaceys were living in poverty and Felix needed to stay at home and work without the ability to go to school. The Frankenstein children were supported by their parents and didn’t need to provide for themselves.

“The apple doesn’t fall far from the tree” is a far-famed expression that fits on several father and son relationships; on the other hand, it isn’t the situation of both Amir and his father. As far as father-son relationships are concerned, the father is a significant role model for his son, and every boy needs a fatherly figure. It was rather ironic that Baba wanted Amir to stand up for what’s right and not be a coward, but he selected to adopt the cowardly route because of his unresolved issues. In Frankenstein, a monster was created by the doctor, but he failed to provide him a conscience. The monster committed murder; however, he was “created” without a conscience and the actions taken happened due to the way he was created.

I hastily fled to my newest place of work. I had inhabited the world with a second creation. This demon, though a woman, was more terrifying and hideous than the first. A monstrous creature created only for longing of a new beginning. A world where I would forget this horrible deed I had bestowed upon the universe. I had only promised my first creation a companion, not a family. His companion would never get the chance to conceive, for no more demons will wreak havoc upon mankind. I fled knowing the creature was close looking for what I had promised him.