While Hamlet’s “mad” behavior starts out as an “antic disposition,” his mental state deteriorates. Does Hamlet truly go “mad,” or is all of his wackiness an act? When someone refers to madness in Hamlet, most would think of just Hamlet’s madness, not everyone in the story. “O, that this too too sullied flesh would melt, thaw and resolve itself into a dew, or that the Everlasting had not fixed. His canon 'gainst self-slaughter! O God, God, how weary, stale, flat, and unprofitable. Seem to me all the uses of this world!” (I.II. 133-138). Hamlet is complaining about how depressed he is over his father's death and his mom remarrying, and wishing that his "flesh would melt,” wishing that he’d die. Hamlet sees betrayal from Gertrude, and he has no idea how to handle it correctly, without his madness kicking in. Ophelia also sees Hamlet twisting around. “My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbraced; no hat upon his head, his stockings fouled, ungartered, and down-gyvèd to his ankle, pale as his shirt, his knees knocking each other, and with a look so piteous in purport, as if he had been loosèd out of hell to speak of horrors—he comes before me… He took me by the wrist and held me hard. Then goes he to the length of all his arm, and, with his other hand thus o'er his brow, he falls to such perusal of my face as he would draw it. Long stay'd he so. At last, a little shaking of mine arm, and thrice his head thus waving up and down, he raised a
There is a distinct division of opinion among the other characters of the play about Hamlet's sanity and the split is along gender lines. Ophelia and Gertrude both state that Hamlet has gone mad, but the major male characters, on the other hand, like Polonius think that there is "method" in Hamlet's "madness," that his insanity is a surface mask to shield him as he plans the darker purpose of revenge. Since Hamlet is disturbed by the sudden death of his father and his mother's marriage to his uncle, King Claudius, the abnormality of his behavior to some extent is also understandable. Hamlet is naturally withdrawn, dark, and passive in the wake of those traumatic events. He also shows this when he constantly releases his anger with lines like "How (weary), stale, flat, and unprofitable seems to me all the uses of this world!" His self-exile and his self-reproach are essentially normal reactions to a series of events that he must avenge at his dead father's command but without further direction against a powerful chain of power within the guilty King.
Hamlet, by William Shakespeare, is about a young prince who wants revenge when he learns about the murder of his father. As the play begins, Hamlet’s character appears to be a normal, sane person. Moving through the acts Hamlet’s personality changes from normal to depressed. There are hints of insanity that try to convince people Hamlet is “mad”. Others might say that Hamlet is faking madness to pursue his goal of revenge. First, he sees a “ghost” that tells Hamlet who killed his father and married his mother. Was this a dream or was this real? Second, Hamlet kills more than one person to avenge his father’s death. Where these accidents or intentional? “Insanity: a legal term for mental illness of such degree
Is Hamlet Mad? Not Likely. Madness is a condition of the mind which eliminates all rational thought leaving an individual with no proper conception of what is happening around him/her. Madness typically occurs in the minds of individuals that have experienced an event or series of events that their mind simply cannot cope with and, thus, to avoid their harsh reality, they fall into a state of madness. In William Shakespeare’s masterpiece Hamlet, there is much debate around the protagonist, Hamlet, and whether or not his madness in the play was real or feigned. It was a disastrous time in the prince, Hamlet’s life as his father had just passed away, his uncle then took the kingship and wed Hamlet’s mother, then the
When reading Shakespeare’s Hamlet as a class, the first thing that most teachers or professors point out is the argument/idea of sanity, specifically Hamlet's sanity. I believe that Hamlet is, in fact, feigning his madness. What I do not know is if I believe this because it is what I was taught or if I came up with the idea myself based on my own interpretation. When I was taught Hamlet there was no argument it was just fact that he was faking his madness. Because of my confusion, I came to find that it may be interesting take out of the play any moment in which Hamlet makes the audience aware that he is only pretending that to be mad. I want to take out any proof that his madness isn’t real. The argument for legitimate madness is always
While it is true that Hamlet was merely playing the role of someone who had gone mad, many people may say that Hamlet’s madness was brought upon himself simply by the fact that he was trying to fulfill the orders from his dead father yet couldn’t because of his lack of acting upon a plan. It is strongly possible that Hamlet became extremely frustrated because every chance he got to expose Claudius and capture him in this enormous secret, he failed to do so. Therefore, Hamlet’s madness could be judged as reasonable but most likely for different reasons than one may think. Rather than going mad over the concrete facts that his father died and his mother remarried his uncle less than two months afterwards, he drove himself mad over his own flaws. Hamlet’s tragic flaw absolutely led to his tragic downfall as a
When one refers to madness in Hamlet, most would think of Hamlet's madness, or at least that that he was pretending to possess. Although Ophelia does go insane and ultimately commits suicide, the central lunacy of the play revolves around Hamlet himself. Hamlet's plan to act mad is completely unexplained. It is safe to
His madness was argued to be an act to confuse Claudius. He acted crazy to cover his plans of seeking revenge on Claudius, when talking to Polonius he acted completely mad, “For in the sun breed maggots in a dead dog, being a good kissing carrion-Have you a daughter?”(Hamlet 2.2.95) Hamlet used much blabber, such as this, when talking to anyone close to Claudius. As the play went on his madness was more and more liable. He started becoming very irrational and distracted by his plans. When Ophelia gives Hamlets letters back he goes into a rage, yelling “Get thee to a nunnery.”(Hamlet (3.1.131) The most well known action Hamlet committed was when he stabbed Polonius in a rash decision, hoping it was Claudius, “O, what a rash and bloody deed is this!“(Hamlet 3.4.171) One thing that brought him one step closer to going mad was Ophelia’s death. Hamlet may have been acting in the beginning but by the end of his devious plan to avenge his father, he lost himself and actually caused himself to go mad.
Over the course of Shakespeare’s play, Hamlet, Hamlet begins to act strange. He not only acts strange, but he begins to act like a madman. Therefore, many question his sanity after reading the play. There are many examples and hints throughout the play that leads one to believe that Hamlet has slowly gone mad after losing his father. It is noticeable that Hamlet is mad when he enters Ophelia’s room, sees the Ghost, and talks to Rosencrantz and Guildenstern.
Hamlet is a young man who has become crazy from his trials and tribulations in life. He lost his father due to his uncle murdering them and then had to watch his mother marry the killer. Hamlets insanity can be demonstrated by his crude language and disregard for the well being of his mother. It can also be shown by his depression, which causes him to second guess everything including his life and finally his love, Ophelia helps to justify his absurdness by acting as a mirror. His foolish behavior worries many in the kingdom and creates a hostile and paranoid environment for those around. While some in the castle may believe that Hamlet is putting on an act, he proves that he is mad through his violet actions, his mental health and Ophelia.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his
Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”. As the progress of the play foreshadows a significant end to his insanity that he acts upon. As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my
Shakespeare's Hamlet is a master of deception. Hamlet decides to make Claudius believe that he is insane, but the scheme backfires when everyone, except Claudius, falls for it. Ophelia is one of those who believes Hamlet lost his mind, and when he does not return her love, she is so brokenhearted that she commits suicide. Near the end of the tragedy, Hamlet plays the part so well, that he convinces himself he is insane. Clearly, Hamlet's plan to put on an antic disposition is a tragic error.
In Shakespeare's play Hamlet, there are several questions that come to the reader's mind regarding the emotional state of Hamlet. Was Hamlet really suffering from madness, as many of his friends and family thought? Was he mad or just pretending to be mad? Did Hamlet start out pretending to be mad, and his obsession drove him to madness? The reader gets insight into Hamlet's mental status through other characters and through Hamlet himself. If the characters had the information that Hamlet had about the murder of his father, would they have thought differently of his actions and his sanity?
In conclusion, Hamlet is not mad; everything he does has a purpose. He is out to avenge his father’s murder. He proves this by telling Horatio that he is going to fake madness, and admitting to his mother that he is not crazy. He also only acts mad in front of Polonius, Claudius, Gertrude, Ophelia, Rosencrantz and Guildenstern. When Hamlet is with a trusted friend he is rational and symptom free, however when someone he wants to
Hamlet portrayed extreme madness that recurred throughout the book. It started off with simply acting to be crazy, but eventually leads to true madness. Hamlet tells the queen “a beast… would have mourned longer, married with my uncle my father’s brother, but no more like my father” (1.2). Hamlet refers to his mother as a beast implying she is not human. Problems with Hamlet’s mother are not a huge contributing factor to his madness, but still fuel the problem. It also leads readers to believe Claudius could be a problem later on. This turns out to be true as he is one of the main sources to Hamlet’s madness. Another tremendous source is the ghost driving Hamlet to get revenge on Claudius. When the Ghost of Hamlet’s father comes back, he tells Hamlet “so art thou to revenge, when thou shalt hear”(1.5). The Ghost explains what really happened to try to convince Hamlet to avenge his death. This drives him to insanity with the stress and pressure of should he, or should he not kill