Sherman Alexie, An Na, and Nick Hornby, through their own different versions of the novel, introduce to readers, respectively, prominent male characters of varying ethnicities. Despite differences in background, personality, and ethnicity, we see commonalities in how each character represents masculinity; throughout these three unique stories we see one common story of toxic masculinity coming from both marginalized and prevalent ethnicities. These manifestations of masculinity are expressed by the characters of these novels in detrimental ways, negatively affecting both the characters themselves and the women around them. According to a study by Chua and Fujino, white men ascribe themselves a greater variety of characteristics - from ‘masculine’ to ‘sensitive to feelings’ - than other men of different ethnicity, suggesting that there is greater room for variances among white men’s expression of masculinity (400). In About a Boy, Hornby introduces readers to Will - a well-to-do, selfish, and carefree Caucasian male living in London, England. Despite this expanded freedom of masculine expression afforded to white men, Will still expresses his masculinity in similar ways to men of other ethnicities with greater leniency in maintenance. In a survey of Asian-American gender expectations and attitudes towards masculinity, researchers found that “Because of their subordinated position, some Asian-American men try to counter the effeminate image of Asian-American men by emulating
The United States is made up of an astounding assortment of people of all different types, boasting one of the most diverse populations compared to anywhere around the world. Of these different peoples, toxic masculinity affects each group differently, with an especially profound effect to be found when studying those who identify as Latin- or Hispanic-American. While attempting to homogenize the many unique and beautiful facets of various Latin and Hispanic cultures is a disservice, they tend to share many traits which can be simplified, including their ideas on gender roles. In many Hispanic cultures, there are strong gender roles and ideas about gender that are traditionally built into every aspect of the culture, especially in the form of “machismo”, or the Hispanic ideas of masculinity. In some cultures, “…women are supposedly submissive… men are characterized by verbal and bodily aggression… and sexual dominance,” (Cantú 150). When combined with the gendered expectations and stereotypes that are increasingly prevalent in American culture, young Hispanic-American boys are growing up with an overwhelming volume of standards being impressed upon them from all sides. This same phenomenon can be seen again in African-American communities and cultures, with the already painfully present standards of white American masculinity being taken to another level by a culture which serves to pile on an even stricter set of standards on to its men. As with the Latin American ideas of
Society faces an issue that is not usually addressed because it is seen as the norm in today’s American culture. It is the crisis of masculinity. The notion of how men should be portrayed is not usually identified as a problem; today’s society views men’s apathetic and exasperated exterior as the orthodox behavior of everyday life. Boys at a young age are taught by the popular culture that they need to be a “real man” - strong physically and emotionally. The mask many men put up is based on the extreme idea of masculinity that emphasizes toughness, physical strength and gaining the respect of others through violence or the explicit threat of it. This front is put up by men because they do not want to stray from what is accepted, for men who
Matthew Jones declares that black masculinity is defined in three overarching categories: perception, expectation, and representation (Jones). The stories, Fences, by August Wilson and A Lesson Before Dying, by Ernest Gains, the main characters are forced to live with many hardships. Yet only a few of them can declare value of their lives, and redeem themselves, despite these hardships. The stories both of the main characters are unhappy angry men the only difference is that one of the characters progressed while the other stays the same. This paper will compare and contrast them both.
As a woman I have always thought that all men were superior to women in a society viewpoint. Black men superior to black women, Hispanic men superior to Hispanic women, and of course, white men superior to, well, all women, especially women of color, and men of color. However, when reading the article “All Men Are Not Created Equal” I had realized that Asian men are significantly inferior to Asian women in western society. I never really thought about the imbalance until just today, reading the article despite having always seen it in my day-to-day life. I really enjoyed how the author, Yen Le Espiritu, focused on the historical reason as to why Asian women are seen as more valuable in western society than Asian men. I, of course, had learned about Chinese and Japanese immigration and the Japanese internment in my high school history class, but I was never taught the societal and family issues that these events had sparked.
Masculinity, the attributes applied to the male gender, has continuously manifested itself within the matrices of literature, with many writers using narrative fiction as a vehicle to explore ideas of the historical underpinnings of manhood, and more generally, alternative constructions of the male ontology and modality. Transcendental notions of masculinity have inevitably constrained the contemporary man within set ideologies and values — those which often enforce unrealistic and toxic expectations. This conundrum is especially relevant in Australian society given the stereotypical and diffused archetype of the ‘Aussie Man’; which characteristics such as apathy, nobility and strength forming the bedrock of the national identity. Tim Winton, a prominent Australian author, has recognised and highlighted this issue in his collection of short stories The Turning, effectively challenging timeless stereotypes and portraying distinctive
In one scene of the memoir, Allison describes her uncles and their need to be depicted as masculine and to act “hard” to the world around them. She also remembers her cousins as young boys and how quickly they seemed to turn into men. The time came for them to act as the world expected them to. This action shows how gender may oppress some males when they feel the pressures of the world to act a certain way. Otherwise, they are at risk for being seen as different and abnormal. Men who do not portray masculinity well are often seen as feminine and weak. When Allison describes her uncles she states, “If you didn’t look close, you might miss the sharp glint of pain in their eyes, the restless angry way they gave themselves up to fate,” (Allison, 28). These men already had their futures planned for them though the society and gender norms. Acting against these norms was seen as unusual, radical, and
To understand how femininity and masculinity is aligned in Asian countries, it is important to understand the political events of the time and how this influences the domains of men and women. Each evolvement of a country, through a political sphere, seeks a new identity and thus helps correlates the understanding of the changing definition of femininity and masculinity. This interrelation is illustrated in countries such as China and Japan, where both adheres to the notion of Confucian teaching and both countries undergo rapid ramifications, ideals of masculinity stems from the same concept ‘wen-wu’
The movie surveyed a wide array of the troubles faced by boys and men as they try to navigate the realm of masculinity. A common theme was the command “be a man” and the cultural baggage that comes with living up to that ideal. To “be a man” means to not cry, to not be sensitive, to not let people mess with you, to respond with violence, to be angry, to drink, to womanize.
In today’s society, masculinity has changed throughout time. Fast forward one hundred years ago, masculinity is defined as being strong and having a good paying job. But as the world is changing so is the representation of manliness. You don’t have to show your dominance over men or women today, but you should support your family nowadays and we have all been brainwashed by the thought of masculinity from our ancestors. As men our reputation is always being valued but now it isn’t so much about our reputation but about caring for one another and especially for our families. Perspective of manhood is also a significant factor in portraying what masculinity is in the eyes of other people. Masculinity has been shown through money, appearance, and providing protection for your family members but as we shift into the modern world, masculinity is not seen as displaying the most discipline but caring for one another by taking out some of your time to help one another. Throughout the paper, I will be writing about my interviews from a broad spectrum of ages from one of my younger sisters to my dad with not friends not at Seb’s in between so I can get what it really means to be a man from all ages.
Asian stereotypes are a product of prevailing myths propagated by various media, from books, plays, movies, television, to even historical propaganda. Generally speaking, the stereotyping of Asian women often swing to extreme types: the docile, subservient sexual object, or the dragon lady. Asian Americans only make up a small percentage of the United States population and live mostly on the west and east coasts of mainland United States and Hawaii. Consequently, the rest of the American population will most likely get their exposures to Asian Americans through television and movies. Popular media exposure to Asian Americans lacks one-on-one acquaintance with Asian Americans. It hinders the process
In the predominantly patriarchal history of the world masculinity and what it means to be a man have differed from culture to culture. When it comes to African American history and culture, particularly what it has meant to be a man has no clear set of universal rules or guidelines. There are a few different sources such as hip hop and television many young black men across America draw their sense of masculinity from. On the other hand, there are role models in black communities that many young black men also draw their sense of masculinity from. With so many different sources to draw a sense of what it means to be a black man in today’s society from what is the true definition of black masculinity.
The notion of hegemonic masculinity has altered the field of gender studies and many academic arenas. An idea popularized by R.W. Connell, hegemonic masculinity has played an integral role in the emotional development of American men, articulating the impact that this societal construction has had on the concept of American masculinity. It is a contested topic, yet the impacts that it has in terms of sexuality, struggles for power and political leadership, and gender identities are valid (Connell 830). Although difficult to fully achieve, it acts as a guiding force for the stereotypically masculine. Hegemonic masculinity assumes the subordination of all other forms of masculinity, placing it at the top of the social hierarchy. At the same time, the idea of hegemonic masculinity has served as a bridge between the growing field of men’s’ studies and female studies (Connell 829). Several authors share the premise that men in American society conform to the standards of the social construct of hegemonic masculinity.
One of the main comments a Korean pop listener receives when showing a music video that consists of men dancing in dramatic clothing, dyed hair, and intense eyeliner is "they look gay" or "they look like girls", said with a negative tone. These remarks can also be heard when a man shows actions that are typically labeled as feminine. But why does society ridicule feminine qualities in men when these qualities can be used for both genders? Western society shames masculinity standards in South Korea not only because of different cultural norms, but also because of traditional Western gender roles and the fear that subverting these gender roles will result in a low social status, an idea that has been unconsciously disciplined into their minds since birth. One of the main differences between American culture and South Korean masculine standards is the feminine characteristics in South Korean culture that Western society shame.
Meanwhile, Connell (1995) states that men who rigorously conform with the mentioned hegemonic rules may only account for a small proportion. With regard to today’s Hong Kong society, more and more males deviate from the rules but are not penalized as severely as in 1990s U.S. Seemingly, males can no longer hold onto a single interpretation of masculinities. Meanwhile, there is a modification of the hegemonic idealized norms under the popular acceptance of metrosexuality (Simpson, 2002).
The definition of masculinity is socially and culturally dynamic, that is to say that through society and culture, ones interpretation of masculinity may not be the same as another. With media and popular culture at the forefront, they are constantly (re)creating and (re)defining what masculinity is and what it should be. As the East and West are very culturally diverse, it is evident and also expected that the differences in their societies and cultures will also influence the perceptions of masculinity in those countries. It is arguable that in modern society, Asian males compared to Western males have been perceived as being weaker and feminine due to the different values enforced and emphasised along with the influence of certain entities