In the film 'Million Dollar Baby',directed by Clint Eastwood is mainly based around the theme of how the important characters as vehicles to convey the theme familial love and support. This is shown when the theme is set up through Maggie and Frankie having broken relationship with their families, but it was resolved when they came together.
Having familial love and support is important to an individual’s wellbeing. Without love, humans become isolated and unsatisfied. Therefore, by coming together, they express a similar familial love although they are not biologically related and experiences this fulfillment in life. The characters from the film demonstrated the beauty of this relationship.
Eastwood successfully conveyed the idea
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In Frankie’s situation, he was alienated from his daughter for an unexplained reason. This is shown when Frankie’s letters along with his pain comes back to him with‘ Return to
Sender’ written on them. Frankie expresses the pain of rejection through his facial expressions. Lighting was used in the film to portray this. Dim lighting was used whenever
Frankie appears. His face was made barely visible with many shadows, one side being darker than the other. This technique of the different shades on the character’s face symbolized the two sides of Frankie’s life. The darker side symbolizes the terrible past of his life while the brighter side symbolizes the bright future Frankie will share with Maggie.
Dim lighting on the returned letters is also used to express the sad mood in the scene. The letters are on the ground forcing Frankie to bend down to pick them up, which symbolizes his daughter’s rejection and his distant relationship with her. When Frankie says to Maggie
“ I made many mistakes in my life. I just want to prevent you from doing the same” it demonstrates his regret. This shows the relationship progress between Frankie and
Maggie. He wanted to redeem himself by finding a ‘replacement’ daughter-Maggie.
In “Million Dollar Baby”, Frankie’s life changed because of Maggie’s entrance. They each had personal needs due to the lack of familial love so personal fulfillments developed to satisfy each other. Both Frankie
Another symbol that Baldwin uses throughout the story is the symbol of lightness and darkness. Lightness and darkness usually symbolize good and evil. One example of darkness that Baldwin uses in “Sonny’s Blues” is when Mama, the narrator’s mother, was telling him about the death of his and Sonny’s uncle. After Mama told the story of the brothers’ uncle being run over and killed by a car full of white men, she said, “Your Daddy says he never in his life seen anything as dark as that road after the lights of that car had gone away” (58). In this example, Baldwin uses the darkness of the road to create a deeper meaning behind the uncle’s death and the father’s sadness. The reason the father felt as if nothing could ever be as dark as that road is because he experiences his only brother dying in front of him. Death, especially murder, is considered to be a very “dark” subject. When there is a funeral, mostly every person is wearing black or dark clothing because he is mourning over the death of a loved one. Another example is when the narrator reminisces on the days when all of the ‘old folks’ would sit around in the living room after church. “They would all sit in the chairs while the night is creeping up outside, but no one knows it yet…everyone is looking at something a child cannot see” (56). Baldwin uses the darkness of night as a symbol of death in this
The movie Parenthood (1989) revolves around the psychological stresses that are faced by families. From the name of the movie, the main theme is coined, involving the issues that are faced by parents while raising up their children. The movie is centered in the family of Gil and Karen, and their extended family. Set in a middle-class white society, the anxieties and pains of raising children are presented in the movie. Gil Buckman is a parent and businessman. His wife, Karen, comes out as a nearly perfect parent, and always stays at home. Gil and Karen have three children. The oldest child is Kevin, a nine-year old boy with emotional problems. The emotional problems that are experienced by Kevin form a very significant aspect of the movie,
The movie Parenthood cover’s many of the topics we have discussed this semester in class. But it obviously focused very strongly on parenting and marriage. During the course of the movie we see the four Buckman children’s very different style of parenting. Although all four were raised by the same parents the culture of their individual families are all look very different. Gil Buckman felt abandoned and ignored by his father and therefore responded, with his wife Karen, by being a very active and attentive parent. Gil and Karen are on the authoritative end of the parenting spectrum, and their families’ culture revolves around activities such as baseball games, Kevin’s baseball game, Birthday parties, school plays and basically having fun together (Lecture, 4/22). On the opposite end of the parenting spectrum are Nathan and Susan. They are very authoritarian and reminded me of the “tiger Mom’s” of China. The culture of their family means that they don’t have their daughter in preschool, they are waiting a prescribed amount of time to have a second child and Nathan is continuously drilling facts into their daughter. Susan feels like she should be playing with children her own age but Nathan’s feelings have taken over their family’s culture.
The main protagonist is conflicted between being true to himself or being what Raffy wants him to be and do. There are several examples of symbolism throughout the story including Ollie’s favorite constellation-the Gemini Twins. When Ollie’s twin sister Molly, realizes he has been hanging around Raffy, Molly proceeds to call him a “faker” and “phony”. She points out how much a friend Raffy is if he does not even know Ollie’s favorite
The author utilizes opposite ends of the light spectrum to signify beginnings and endings by painting a vivid picture for the reader: “There comes a time when the sun is defiant. Just
In the film Babies Thomas Balmès elegantly and wordlessly captures the first year of life through the eyes of four unique cultures. This film follows four babies Panijao from Namibia, Mari from Japan, Hattie from the United States, and Bayarjargal from Mongolia. The main purpose of the film is to show how the four cultures differ in their behaviors with infants. One of the striking differences is the role the parents play in the documentary and how they interact with their newborn infants. In contrast, the film also shows the similarities in infancy even in vastly different environments and cultures.
The Parenthood film depicts average family that are changing life course which is the building block of many families. We have the father and mother with marital disfigurations of attachments, and lack of attachment between themselves and the relationships involving their four adult children and grandchildren. Furthermore, in this paper a description of accepting the shift generational roles and Structural Theory is analyzed and discussed in an article moreover, the Buckman’s family members accept financial responsibility for self and their families. Lastly, the subsystem chosen for the analysis, speculation is Larry.
Brick, Maggie’s alcoholic husband, is an uncaring man who has no good feelings toward his wife. For example, when Maggie buys a gift for Brick to give to Big Daddy on his birthday and Maggie wants Brick to sign the card, he says “No… I don’t have to do anything I don’t want to do”(28). Even on Big
Every time that Bobby would walk by Just Frank on the street, Just Frank would ask if Bobby was "being a man" (Johnson 7). A true man would give up his wants to help someone in need. When Just Frank died trying to save a girl in an ally, he was symbolizing a hero. Just Frank could have had a feeling that Bobby's immaturity would lead him down a path where he would end up having to make some tough choices. Just Frank could have been trying to get Bobby to try to mature so that he could be a hero to Feather, his daughter, who was a result of his poor choices. Bobby never really did know what Just Frank meant when he asked him this, but he eventually understood when he finally matured fully into a man. Bobby finally felt like a man when he took on the challenge of raising his daughter alone. After Bobby finalized his decision, he said ,"I think I see Just Frank standing at the end of the hall" (Johnson 126). By quitting his immature actions, and keeping the baby, Bobby finally felt like he was "being a man" (Johnson 126). Having a vision of Just Frank made Bobby realize why he had always asked him that same question over and over again. He realized that Just Frank knew that Bobby would finally have to grow up so that he could be Feather's hero. When Bobby finally grew up and matured, he felt vastly satisfied with
For instance, in the intro of Edward Scissorhands when Kim was telling her granddaughter the story of Edward, they were in a room filled with warm light from the fireplace. This technique gave the audience the effect to become suspicious and watch more. Just like in The Big Fish when his Edward was telling the story of how he “caught” his wife with the fish swimming in the water. The lighting of the water made the viewer wonder if something good or bad is going to happen. Some of the viewers may not have noticed it but the camera framing plays a big role in establishing the mood.
He continues to live separately from his family living in the basement of the home. Frankie reports that his mother appears to have come to terms with his sexual offense and has made noticeable effort in trying to include him in the family mileu, since the last reporting period.
One symbol that represents the theme is the light in Mr.Batacky’s home. As Matt Kaiser is striding down the hallway in Mr.Batacky’s house the narrator notices a painting on which “the sun [shines] on the stag with the antlers.’ (Avi 43.) This foreshadows that Mr.Battacky will help Matt become righteous or Matt will be the radiance to Mr.Battacky. Light is also a symbol of Matt’s future benevolence. Mr.Battacky sees something in Matt that is like the “gold light streamed in from the window” (Avi 43.).
He is quiet and his face is full of numb shock. He does not seem to trust anyone now and is smothered with feelings of helplessness and inadequacy. When Cora and her lawyer join him, Frank is further alienated. Cora walks circles around Frank as she scolds him as a liar and a “so-called man.”
Another symbol is certainly the way that Faulkner uses dark and light in the story. For Nancy "that evening sun'' represents the danger that her absent lover presents to her. Jesus whose name is likely an ironic joke on Faulkner's part represents danger and violence to Nancy, and he will wait until night has come to fall upon her. When it is light she feels safer, but once the darkness hits, danger is represented. The title of "That Evening Sun" refers to a popular black spiritual that begins, "Lordy, how I hate to see that evening sun go down," which implies that once the sun sets, death is sure to follow.
Before I get to the main story line, let me explain the symbolism behind the