For centuries, women in England and the Americans were seen as objects. Women were looked at as the weaker sex and as inferior (less than) to men. Men have always been perceived as the stronger sex, having the superiority and power over women. Traditionally, men were the authoritarians and the heads of the household. However, the roles for women have changed in both America and England. As time progresses, women have gain control of their rights and attained some gender equality in society such as working outside their homes and having an education. One way of examining this change is in Gothic fiction by looking at how women have evolved themselves from the patriarchal culture. Women were able to live their own lives and not in a men’s world. …show more content…
Mina is intelligent, educated, independent and self-supporting. She does not need a man to support financially. She got everything going on for herself with or without a man’s help. Mina exercised autonomy over her life, she works outside the house: she is a school teacher. She travels and she has social freedom. She was allowed to leave the home to visit friends. She learns how to do shorthand so that she can work alongside with her husband …show more content…
She attends to the male characters wishes. Throughout in the Dracula book, Mina was becoming the modern woman, she was willing to learn like for instead learning short hand to help alongside with her fierce Johnathan with his work, she can put one on one together to make things work but she was still look upon as a weaker sex and less than compare to the men. The men see Mina and treat her as a fragile object that needs to be protected as to compare how Jane was treated by the same way with John. However, the problem of gender role arise at the end in Dracula because there are times when Mina wants to go along with the men to pursue Dracula but the men refuse to allow her to do so, stating that it is a manly job: “And now for you , Madam Mina, this night is the end until all be well. You are too precious to us to have such a risk. When we part tonight, you no more question. We shall tell you all in good time. We are men, and are able to bear” (Stoker 281). The men cannot decide to whether or not they should allow Mina on board to take down Dracula because of the suspected telepathic link between her and Dracula. There were also at times when Mina was treated as a child, she was sent to her room to rest because she seem pale and weak and was also called a “little girl” (Stoker 351). Most of the men were surprise of what Mina was capable of doing. She was told that she has a “man
The Victorian Era was a period from the early 1800’s to the very early 1900’s. During this time period the role of men and women became very distinct. Women had to hold perfect expectations so that they could get married in their early 20’s, however not focusing too much on this because they couldn’t show their sexuality (Hughes). Women showing their sexuality during this time period was thought of as vulgar and unnatural. Men however, were allowed to do pretty much whatever they wanted until married, even participate in prostitution (Hughes). Dracula portrays this idea of women being less superior then man and having more social standards in which they need to maintain.
“‘Ah, the wonderful Madam Mina! She has man’s brain- a brain that a man should have were he much gifted-and woman’s heart. The good God fashioned her for purpose, believe me when He made that so good combination. Friend John, up to now fortune has made that woman of help us; after to-night she must not have to do with this so terrible affair’” (Stoker, 218).
In the novel, Dracula, by Bram Stoker, we are introduced to two specific ladies that are essential to the essence of this gothic, horror novel. These two women are Mina Harker and Lucy Westenra. The purpose for these two women was for Stoke to clearly depict the two types of women: the innocent and the contaminated. In the beginning, the women were both examples of the stereotypical flawless women of this time period. However, as the novel seems to progress, major differences are bound to arise. Although both women, Lucy and Mina, share the same innocent characteristics, it’s more ascertain that with naïve and inability of self control, Lucy creates a boundary that shows the difference between these two ladies and ultimately causes her
The normal Victorian representation of a woman would be that of a weak character, who would faint at the sight of blood; a character who would only discuss weather and art. In this novel, the stereotype of an ideal Victorian woman is broken as it is contrasted with the modern woman. The two best friends, Lucy and Mina, are each a representation of each. While Lucy is shown as all weak and someone who gives in easily, Mina stays on the “good side” even after she has been bitten by a vampire and her conversion has started. She is presented a hero, who plays an important role in bringing Dracula down through her intelligence and resourcefulness. Hence, by representing Mina as such a powerful character, Stroker breaks the stereotypical idea of a
Mina Murray is the fiancée of Jonathan Harker. She is portrayed as a good character in the book because she is shown as a really kind hearted and vivacious school mistress that always seems and is innocent and helps in anyway that she is able too. Mina is Lucy Westerna’s best friend and she is a very intelligent and resourceful young woman who eventually leads Dr. Van Helsing’s men to Castle Dracula.
This passage characterizes Mina’s obedience to her spouse Johnathan, and introduces her as the modest woman. Lucy Westenra represents the sexual woman. In her second letter to Mina, she tells of the three marriage proposals that have come to her in one day, and the results of each. She has turned down two men, and accepted the last, but feels badly about having to turn down two of her suitors. She proclaims, “Why can’t they let a girl marry three men, or as many as want her, and save all this trouble?” (61). From this passage, it can be assumed that Lucy desires sexual relationship with all three men, as that is the result of marriage. Here lies the main difference between the two women. In the end Mina benefits from her domesticity and life of service to men. Lucy, on the other hand, is deviate from social norms, and in turn suffers the consequences for her own sexual aptitude. Dracula’s deadly bite does not harm Mina due to her morals dictating that she continues to live as a human. Dracula soon disappears from the scene, and Mina enjoys her marriage and bears a child. However, Lucy is not as lucky. She is described as a sexual monster after her death. It is believed her sexuality that sealed her fate. It is clear that this is a statement about not only the roles of women in society, but also about the fears of society. The good Victorian woman, represses her sexual desires and will lead a respectable life.
Stoker incorporates different allusions to various parts of the religious supernatural throughout Dracula to continue his propagation of the Christian faith. During Mina's retelling of her encounter with Dracula she pleads, "Look down on a poor soul in worse than mortal peril; and in mercy pity those to whom she is dear!"(252). The word "mercy" in his dialog draws attention to the fact that Mina fears she may be coming to a bitter end. Mina turns away from logical thought and prays helplessly to the heavens for any sort of assistance it may provide to her. Throughout the story, Mina uses a typewriter to collect each of the characters personal documentation in hopes of catching Dracula. This use of new technology is symbolically shunned by making
In Dracula, Stoker portrays the typical women: The new woman, the femme fatale and the damsel in distress, all common concepts in gothic literature. There are three predominant female roles within Dracula: Mina Murray, Lucy Westenra and the three vampire brides, all of which possess different attributes and play different roles within the novel. It is apparent that the feminine portrayal within this novel, especially the sexual nature, is an un-doubtable strong, reoccurring theme.
Bram Stoker’s “Dracula” is a story about a Vampire named Count Dracula and his journey to satisfy his lust for blood. The story is told through a series of individuals’ journal entries and a letters sent back and forth between characters. Bram Stoker shows the roll in which a certain gender plays in the Victorian era through the works of Dracula. This discussion not only consists of the roll a certain gender takes, but will be discussing how a certain gender fits into the culture of that time period as well as how males and females interact among each other. The Victorian era was extremely conservative when it came to the female, however there are signs of the changing into the New Woman inside of Dracula. Essentially the woman was to be assistance to a man and stay pure inside of their ways.
Dracula is a novel written by Bram Stoker during the late 1800’s. The book starts out with Jonathan Harker, who is a smart young business man, who wants to travel to Count Dracula for a business ordeal. Many locals from the European area warned Jonathan about Count Dracula, and would offer him crosses and other trinkets to help fend against him. Mina, who is at the time Jonathans soon to be wife, visits to catch up with an old friend named Lucy Westenra. Lucy gives Mina an update on her love life telling her how she’s been proposed to by three different men. The men are introduced as Dr. Seward, Arthur Holmwood, and Quincey Morris. Unfortunately for her she will need to reject two of the men, and Lucy ends up choosing to marry Holmwood. Later on after Mina visits Lucy, Lucy starts to sleep walk, becomes sick, and then finds out she has bite marks on her throat. Due to this incident, another new character is introduced who happens to be Van Helsing. As the novel progresses, lady vampires are introduced and Lucy is eventually turned into one of the lady vampires as well. With the introduction of female vampires, the novel Dracula turns into a sexual and sensational novel by Bram Stoker. The female characters in the book are overly sexualized to where we can compare it to how women are viewed from back then in history to today’s world.
It is very interesting to see that even though Mina is not hyper-sexualized like the other women in the book, she is the one that Count does not try to control but much rather make his partner. Mina shows bravery when it came to the Count that not even the rest of the men did. She realizes the changes that are happening to her but does not wait to be taken care of by the men. A morning after she realizes that the Count has visited her during the night she tells Jonathan to go call Van Helsing, saying: “ ‘I have an idea. I supposed it must have come in the night, and matured without my knowing it. He must hypnotize me before the dawn, and then I shall be able to speak. Go quick, dearest; the time is getting close’” (Stoker, 289). Mina knows
In the late 19th century, when Dracula by Bram Stoker is written, women were only perceived as conservative housewives, only tending to their family’s needs and being solely dependent of their husbands to provide for them. This novel portrays that completely in accordance to Mina Harker, but Lucy Westenra is the complete opposite. Lucy parades around in just her demeanor as a promiscuous and sexual person. While Mina only cares about learning new things in order to assist her soon-to-be husband Jonathan Harker. Lucy and Mina both become victims of vampirism in the novel. Mina is fortunate but Lucy is not. Overall, the assumption of women as the weaker specimen is greatly immense in the late 19th century. There are also many underlying
Dracula uses his supernatural powers to feed his fascination with youth and innocence. In the beginning of the novel, when Dracula is first encountered, he is described as old, although “His face was strong… [his] lips, whose ruddiness showed astonishing vitality in a man of his years… The general effect was one of extraordinary pallor.” (27). This description of the Count shows that while he is old, he still possess some attributes and features of the young. Once Dracula finds that the men have made a bond against him, he makes a bond to take all of their women. He succeeds in transforming Lucy and scaring her mother to death, although Mina is stronger and the men save her by killing Dracula. Also, the three women vampires in his home are past conquests of beautiful, young women. Dracula only sucks the blood of young women in the novel reflecting his hunger for youth and innocence. As the
Throughout the Victorian period in which Dracula was written, there was great concern over the roles of women, and the place they held in society. The two central female characters in Dracula are Mina Murray, later Mina Harker, and Lucy Westenra, though arguably Dracula’s three daughters also hold a strong place in terms of female characters in the novel also.
Consider as well how the four men in the story risk their lives for that of Mina's. Bram Stoker reveals his attitude towards the nature of Victorian society by making the evil side in this novel very seductive. Even though the side of good is well aware of the harm the evil side can cause, the seductiveness of the evil side tempts our protagonists on many occasions. For example when Van Helsing has trouble bringing himself to stake the three women because of their physical beauty and when Jonathan Harker nearly allows himself to be bitten by one of the women because of how physically attracted he is to her. "I felt in my heart some wicked, burning desire that they would kiss me with those red lips."# Stoker comments on the nature of Victorian society by showing how unacceptable it was to give in to those primal desires. This relates to the struggle between good and evil between our heroes of Victorian society and the devilish vampires. Vampires are in control of those evil, primal desires in the story and good people like Jonathan Harker and Van Helsing must fight off these desires lest they lose their clean and pure Victorian existences.