Response 1 Nosferatu
My experience watching a feature length silent film was very interesting, to say the least. I found it amazing that they were able to tell a complete story on only visual elements. Nosferatu had many similarities to "A trip to the Moon" by George Melies. Comparatively it had more storytelling elements character development purely due to film length. I feel it would be very challenging to produce such a complex story under the constraints of such a short film. I believe my experience to be very typical of someone who has never watched a full-length silent film, I was gripped with curiosity on how this film would tell the great story of Dracula without the stereotypical screams and jump scares that horror movies today bring to the screen. I feel like the film did a fantastic job of telling the story with the limitations of being able to use sound. I will be very interested in watching another full-length silent film from that era to see the difference in writing and filming styles. I would also be interested in re-watching Nosferatu during the night time to see if that elevates the experience of watching a horror in the
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Nosferatu, however, focused heavily on the character's fear and and silent screams to set the tone of the film. I did not feel that same level of terror among the gentlemen on the moon when the aliens arrived.
“The girl and her trust” by D.W. Griffith felt like it achieved that sense of fear by using a choppy film style to capture the desperate feeling the characters were having in their situation. The same approach was used to develop the fear Hutter was having towards Nosferatu.
Overall, I found the experience a positive one and I greatly enjoyed being able to compare the difference in film style to the current style of modern cinema. I will definitely be watching another silent film in the
Throughout the novel Dracula, the text prominently features the ‘uncanny.’ In literature and other texts, the uncanny refers to an unfamiliarity that is frightening familiar. It’s presence in Dracula is obvious as we and the novel characters see Dracula as uncanny. Both appropriations of Dracula, Nosferatu (1922) and Bram Stoker’s Dracula (1992), reflect their context and hence reflect the values, idea and themes prominent in their context. Nosferatu resembles its isolated German Expressionist Cinema context through its jewish propaganda portrayed by many techniques, most notably its heavy use of dramatic lighting. Bram Stoker’s Dracula’s contrasting themes include its romanticisation of Dracula which expresses the romantic notions prominent
Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story. Stoker goes to great lengths in order to create an
Distinctively visual representations allow the audience to envisage different purposes crafting emotions which stay with us forever. Graphic depiction is a fundamental characteristic within distinctively visual, thus the audience is able to be exposed to the intense illustrations exemplified by composers. Spudvilla’s portrayal of “Woolvs in the sitee” demonstrates the child’s inability to reconcile with himself. Contrasting to this notion; the playwright “Shoe-horn Sonata” to expose the brutal reality of POW camps during WWII. Therefore, distinctively visual forces the audience to succumb to the barriers society creates.
In literature there are many different genres, one of the older and more established genre is the horror genre. This genre has been known for beyond centuries. Since humanity has existed we have always had an urge to be scared. It has always been exciting to get a so called “adrenaline shock”. In today’s society there are a lot more options to get the adrenalin pumping such as skydiving or bungee-jumping etc. Before all this technology came in hand people told horror stories to each other. One of the most mentioned horror stories is probably Dracula. The original story is written by Bram Stoker and has been adapted for the screen as an American romantic horror film directed and produced by Francis Ford Coppola. On the following pages, I have analyzed the horror film “Dracula”.
I peered around through the rain, desperately searching for some shelter, I was drowning out here. The trouble was, I wasn’t in the best part of town, and in fact it was more than a little dodgy. I know this is my home turf but even I had to be careful. At least I seemed to be the only one out here on such an awful night. The rain was so powerfully loud I couldn’t hear should anyone try and creep up on me. I also couldn’t see very far with the rain so heavy and of course there were no street lights, they’d been broken long ago. The one place I knew I could safely enter was the church, so I dashed.
All of us have formed habits in our daily life. Even though some of these habits only exist in our subconscious and we cannot actually make sure whether they are real or only the conjectures. But it is undoubted that all of our behaviors are influenced by our desires on specific objectives. In the book, the power of habit, Charles Duhigg explained the definition of a habit as an effort-saving instinct. “When a habit emerges, the brain stops fully participating in decision making” (20). To support his opinions on habits, he introduced the three-step model of a habit loop, the theory of golden rule of habit, and the role of a craving brain and belief in the process of a habit changing. Through learning
FW Murnau’s 1921 film Nosferatu is an appropriation of Bram Stoker’s 1897 novel Dracula. Despite it being an appropriation, explicit gothic conventions remain evident, which explore societal fears and values. These fears and values differ from Dracula, due to distinct contextual influences of different time periods.
Matt Lamkin’s “A Ban On Brain-Boosting Drugs is Not the Answer” first appeared in Chronicle of Higher Education in 2011. In this essay Lamkin aims to convince his reader not to deter improper conduct with threats, but to encourage students to engage in the practice of education. Lamkin tells us “If colleges believe that enhancing cognition with drugs deprives students of the true value of education, they must encourage students to adapt that value as their own” (642). Appeal to logic, consistency, and compare/contrast are techniques Lamkin skillfully uses to create a strong effective essay.
The world of copyright was just as convoluted in the 1920’s as it is in our world today. The film studio Prana Film, which produced the 1922 German Expressionist film Nosferatu, was sued for copyright infringement by the estate of Bram Stoker, the author of the 1897 Gothic Horror novel Dracula, and ended up filing for bankruptcy after only distributing one film. While this may seem like an immense failure for the studio behind the silent film, it ended up influencing almost a century of vampires, in novels, television, and other films, and made the name ‘Nosferatu’ synonymous with the equally influential novel that it was based upon. On the surface, Nosferatu is a blatant copy of Dracula, from it’s plot, to the characters (besides the change in names), to the portrayal of vampires in general; in reality, many aspects of both bodies of work differ immensely from one another, providing both Stoker and director F. W. Murnau pieces that have influenced generations of vampire media. The structure, characterization and overall tone of Nosferatu is developed differently than Dracula in order to differentiate itself from it’s source material and provide an alternate adaptation of an iconic tale.
The Tropfest films Road Rage (2006) and Lemonade Stand (2012) both represent Australian stories and Australian voices. Both of the films explore the representation of Australians and show many different aspects of Australian culture. The film Road Rage expounds a different more emotional side to the typical stereotype of Australian men. Lemonade Stand also represents Australian culture, through the use of themes such as mateship and the Aussie Battler. Both of the films through the use of mis-en-scene and a variety of different visual and oral techniques show key aspects of Australian culture,
Senator Thompson said that the past few months have been successful and that he enjoyed the move in process, even with the challenge that naturally accompanied the task. Similarly to Senator Summers, he was eager to share the accomplishments that have been made with the CAB and ASGCU partnership in allowing them to survey at commuter events. He is also working on the survey in regards to adding additional lockers for commuter students around campus. Senator Thompson wrote the bill for the PASA club that was passed during September. Andrew spoke highly of the legislative hangout and also mentioned that he would like to have more activities at Pablo’s house. Additional responsibilities for Senator Thompson have included being a member of
The movies describes a major theme of “The Departed” as one of the oldest in drama—the concept of identity—and how it "affects one's actions, emotions, self-assurance, and even dreams.” Many years later, an older Sullivan, now in his mid twenties, (Matt Damon) is finishing his training for the Massachusetts State Police with classmates, including fellow cadet Barrigan (James Badge Dale). In another class are Cadet Brown (Anthony Anderson) and Billy Costigan (Leonardo DiCaprio). All four men graduate to become state troopers. Sullivan is a sergeant, and has just passed the state trooper detective test. He goes in to meet with the calm and collected Captain Queenan (Martin Sheen), and the aggressive and
The novel had a lot of detail and stoker really knew how to get the audience attention. This was a well written book that I believe that many young upperclassmen would enjoy reading. If you're thinking about reading Dracula you are surly in for a lot of horror and suspense. I understand why Stoker would turn such a great story into a novel. I think that back then people were really into the supernatural. I would even say that many people including stoker himself believed in the supernatural. The novel also wouldn't just of been written for getting a good scare but for those upper class people. My reason for that was because of the high use of vocabulary in the novel. I was also clearly able to see who the good guy was in the story as well as the bad. It was obvious that Dracula was the evil one in the Novel. At first it was hard to tell who was the protagonist because the story starts of with Jonathan Harker which automatically made me think that he would be the good one in the story. Once we were introduced to Van Helsing my opinion completely changed on who the protagonist would be because once we were introduced to Van Helsing he was the one with the most knowledge on vampires. He seemed to have experience with vampires on how to cure wounds from vampires and how to kill them. The whole novel over all was a great novel that I would recommend to many of my friends who enjoy the thrill of
Bram Stoker’s frightening tale of Count Dracula has struck horror into the hearts of many since it was originally penned. In 1987, Bram Stoker wrote the revolutionary tale Dracula that played off the fears of the people of the era. The plot and characters that make the novel great also translate nearly perfectly to cinematic adaptations. Starting in the early 1900’s, directors have done their best to portray the terror that the original novel inspired. Francis Ford Coppola’s Bram Stoker’s Dracula was released in 1992 and follows the book’s storyline very closely. However, to appeal to his generations ideals on relationships and sex, Coppola made some changes to the plot; however, many of the characters and themes are kept intact. He also
The doctor-patient relationship always has been and will remain an essential basis of care, in which high quality information is gathered and procedures are made as well as provided. This relationship is a critical foundation to medical ethics that all doctors should attempt to follow and live by. Patients must also have confidence in their physicians to trust the solutions and work around created to counter act certain illnesses and disease. Doctor-patient relationships can directly be observed in both the stories and poems of Dr. William Carlos Williams as well as in the clinical tales of Dr. Oliver Sacks. Both of these doctors have very similar and diverse relationships with multiple patients