Poetry Analysis: "Ode On a Grecian Urn" Essay

The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.

The literary transcendence of John Keats’ works far surpasses the malevolent criticism of the Tory Journals. The beauty of Keats’ poems and letters, have held him in regard as the quintessential Romantic poet, whose short life was ultimately consumed by his struggle for acceptance in the dominant literary community. In the opening lines of Endymion, Keats writes ‘A thing of beauty is a joy forever’; an assertion that anything beautiful will give unending pleasure - a belief that is carried throughout not only in Endymion but also Ode on a Grecian Urn. It is commonplace for Keats’ poems to explore the different forms of beauty most typically through nature, romance and the ideal. Keats’ work exemplifies the paradoxical tensions between the passage of time, the permanence of beauty and the disappointment of reality. Though beauty is arguably subjective thus rooted in opinion and perception, beauty for Keats is a transcendent aesthetic found in every aspect of the human existence and beyond.

Poetry is used to express several different mediums through: structure, tone, imagery and rhyme schemes. John Keats’s ode “To Autumn” and Samuel Taylor Coleridge’s poem “Kubla Khan” or, a Vision in a Dream” will be critically analyzed, compared and contrasted to each throughout this paper to further dissected the meaning of each poem.

The four last lines of the second stanza, as I mentioned earlier, describes Autumn in pure action, "Steady thy laden head across a brook; /Or by a cider-press, with patient look," by bringing out the true active lifestyle of what nature truly is. Again, through his imagination Keats is able to embark upon what he is really seeing. The purpose of the poem becomes clear in the final stanza, and in the warmth of the second line, "Where are the songs of spring? Ay, where are they? /Think not of them, Thou hast thy music too," where Keats sheds light on the idea that that everything has a purpose. It would appear that Autumn, the season which robs us of the warmth of summer, where the leaves come tumbling from the trees, the season that prepares the world for a dark and cold winter ahead, has its purpose too. What would spring be without death, light without dark, but indeed it appears that Keats is thinking of life without death. In this poem, Keats is able to focus in on the beauty and splendid ness of autumn in order to demonstrate that everything will change according

Michael O’Neil claims that Keats greatest poetry thrives on its knowledge of contrast, its feeling for light and shade. The contrast that these two poems provide for each other allow the reader to appreciate their similarities, and likewise analyze their differences. The greatest contrast between the two is in the type of beauty they describe. In Ode to a Nightingale, the beauty is in the birds song, which lasts eternally beyond the lifetime of the bird. Thus depicting the eternal glory of nature, and the persistence of creation. The latter poem is displaying the beauty of the urn, a figure in a permanent reality–unchanging and existing beyond

Multiple Perspectives of Neruda’s “Song of Despair” Pablo Neruda is known as one of the greatest Spanish-American writers of all time. He is a Chilean poet whose words have impacted many and will continue to impact many more. Through his powerful romanticism, Neruda can express misery or passion in a single line. One of his pieces in particular, “Poema 20,” “Tonight I Can Write,” or “Song of Despair” expresses hidden emotions in the deepest way possible.

Lastly, another one of keats’ more famous poems is titled Urn. This poem, as now you probably have already guessed, is about an urn. Keats admired this urn from ancient greece and spent hours looking at it. It was beautiful and had all these different pictures and carvings on it. However, the one things that stood out to keats was that it was thousands of years old and it was still here. And I believe that his message was, when all mankind is dead, this pot will still be standing. But I believe that he meant that mankind won't be here forever, and he wanted people to remember that.

Keats's contrast of permanence and change becomes especially evident in the last stanza. The urn is a "cold pastoral," callous to the intense longing that it draws forth from its beholder, who is painfully mortal and insignificant in its presence and, furthermore, bewildered, for the urn "dost tease us out of thought" as we attempt to grasp its eternality. The notorious closing lines express the wisdom that the urn imparts to its beholder, and they tell us exactly what we can take for granted: ""Beauty is truth, truth beauty,--that is all / Ye know on earth, and all ye need to know."" Hence, everything else in the world is shifting, inconsistent; but the urn, an ideal specimen of beauty, is immutable and immortal.

Composed during the most creative period in Keats’s brief poetic career, “Ode to a Nightingale” has long been regarded as one of the most refined works of his poetry. Previous criticism has comprehensively explored its themes of nature, beauty and mortality, as well as its demonstration of Keats’s notion of Negative Capability. But based on my research, few critical reviews have touched upon the point which I find clearly suggest itself in this poem: that the poet’s experience here depicted is not merely an escape into the realm of ideal beauty, but also an intoxication with the Romantic sublime. Between the sublime and

John Keats’s “Ode on a Grecian Urn” is written through the power of eternity, beauty and truth regardless of existence, as Wordsworth showed likewise. Keats illustrated his poem through love in its sublime. For example, in the first stanza he says, “What wild ecstasy?” (Keats 930). If ecstasy is a huge feeling of

Of all the great poets of the early nineteenth century, John Keats (1795-1821) was the last to be born and first to die. Born in London, England, on October 31, 1795, to a poor stable keeper, John Keats devoted his short life to the perfection of poetry marked by intense imagery, great sensuous appeal and an attempt to express a philosophy through classical legend. Although he was brought up amid surroundings and influences by no means calculated to awaken poetic genius. Rendered an orphan at the tender age of eight, his father’s death had a deep rooted effect on the young boy’s life. In a more metaphysical sense, it shaped his understanding of the human condition, both its suffering and its loss. This tragedy and others helped Keats’ later

John Keats was known as the perfectionist of English Poetry. He was born in London on October 31, 1795. John Keats dedicated his short life to the flawlessness of verse checked by clear symbolism, incredible erotic offer and an endeavor to express a rationality through established legend.in 1818 he went on a mobile visit in the Lake District. He had a very painful childhood.His introduction and overexertion on that trek brought on the first side effects of the tuberculosis, which finished his life.Keats' involved mother nature straight into their poetry. This individual does not commonly talk about mother nature, however he makes use of it as a product to generate their poetry romantic and gentle.John Keats is a writer of 'energy

Keats’ “Ode to a Nightingale,” can be classified as one of those most well-known Odes to ever be written. Although the poem is a tough lyrical poem to understand, it is as if the poet feels the pain and bleakness from the day to day repetitiveness of life; therefore, seeks to disappear into the make-believe world of the Nightingale to find relief which eventually leads him to acknowledgment. While listening to the Nightingale sing, the poet describes Greek and Roman figures to enhance the feelings he is portraying. The poet described an inconsistent life of contradictory using the concept of life and death. As well as, representing the struggle of reality and fantasy achieved through a transformed state of mind. One can see the poet’s feelings are described by words that show the mood of the situation while his thoughts change throughout the poem.

Keats, on the other hand, uses the “Ode on a Grecian Urn” to express his perspective on art by examining the characters on the urn from either an ideal or realistic perspective. In the beginning, Keats asks questions regarding the “mad pursuit” (9, p.1847) of the people on the Grecian urn. As the Grecian urn exists outside of time, Keats creates a paradox for the human figures on the urn because they do not confront aging but neither experience time; Keats then further discusses the paradox in the preceding stanzas of the poem. In the second and third stanza, Keats examines the picture of the piper playing to his lover “beneath the trees” (15, p.1847) and expresses that their love is “far above” (28, p.1848) all human passion. Even though

m, and to try to understand its significance, then he/she will be left behind it, none-the-wiser. In Ode on a Grecian Urn, Keats states “heard melodies are sweet, but those unheard are sweeter .” The elements are that tangible and noticeable are important, but it is the unseen or unnoticed elements that hold a greater meaning. The noticeable elements, such as the people, the towns, and the material possessions only last for a short time, so they are sweet while they last, but the unseen elements, such as love, happiness, messages, cultures, and beliefs, are sweeter because they accompany time as it changes from one event to the next, as they do through the urn, delivered by its art to Keats. He additionally states “soft pipes, play