Prejudice In The Bluest Eye

Claudia, another character who goes through a similar situation compared to Pecola. She is a young girl who came out from a loving family and is intrusive, yet sensitive.

Besides the inherent self-confident issue, the outside voice from community is also affecting Pecola’s view. For example, in the “accident” when Pecola went into Junior’s house, Junior killed the cat and impute to Pecola. His mother, Geraldine, saw Pecola was holding the dead cat. Without any thought and didn’t even ask for the truth, Geraldine simply called Pecola a “nastylittle black bitch.” This event, again, reinforces Pecola’s view of what beauty means.

In The Bluest Eye, Toni Morrison depicts racism all throughout the novel. Discrimination is very heavy in the 1940s, and the protagonist Pecola Breedlove experiences that. Pecola is a lower-class black girl who is constantly picked on for not only her looks, but her uncontrollable family situation. Maureen Peal is a new girl that arrives at Pecola’s school, and she is an upper-class, wealthy black girl. When Maureen goes out for ice cream with Pecola, Frieda, and Claudia, the girls talk about menstruation, and Maureen accuses Pecola if she has ever seen her father naked. Pecola denies the accusation, and conflict arises between the girls. Maureen shouts, “‘I am cute! And you are ugly! Black and ugly black e mos. I am cute!’” (Morrison 73).

In the aftermath, there is a dialogue presented between Pecola and an imaginary friend. The dialogue includes conflicted feelings of Pecola’s rape, and her deluded thoughts of her wish for blue eyes has been granted. She believes that the changes in behavior of the people around her are because of her new eyes, and not the news of her rape. Claudia speaks for a final time, and describes the recent phenomenon of pecola’s insanity. She also suggests that Cholly, (who had since died), may have shown Pecola the only affection he could by raping her. Claudia believed that the whole community, herself included, have used Pecola as a way to make themselves feel beautiful and happier.

With some background knowledge on Pauline, the mother of Pecola, it’s easier to understand some of Pecola's core traits. There are parallelisms between Pecola and Pauline. They find their reality too harsh to deal with, so they become fixated on one thing that makes them happy, and they ignore everything else. Pecola's desire for blue eyes is more of an inheritance that she received from her mother. One of Pauline’s own obsessions was back when she was fascinated with the world of the big pictures. As long as they can believe in their fantasies, they're willing to sacrifice anything else.

After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater

By contrasting the homes of Claudia and Pecola throughout the entire novel, Morrison stresses the importance of home in defending against a predatory, racist society. In Claudia’s home, her parents truly care for her and her sister. In one instance, her father took out a gun to fend off a tenant that touched Freida’s breast. This completely contrasts with Pecola’s home, where her parents are both hateful and self-hating, and her father actually raped her. Even though both households are

Pecola Breedlove is one of the characters who constantly tries to consume whiteness. She first exhibits this behavior when she drinks three quarts of milk (Morrison 19). By drinking a large quantity of milk, Pecola attempts to absorb the whiteness of the milk, expressing her inner desire to be white. Moreover, she drinks the milk out of a Shirley Temple cup. During the 20th century, Shirley Temple epitomizes the cute, little white girl of the era. Hence, when Pecola drinks milk out of the Shirley Temple cup, Pecola attempts to be like Shirley Temple, a white girl adored by society. Another situation Pecola tries to consume whiteness is when she buys the Mary Jane candies (49). The wrapper of the Mary Jane candy depicts a girl with a “Smiling white face. Blond hair in gentle

Pecola 's admiration of Shirley Temple is an example of internalized racialism. "She was a long time with the milk, and gazed fondly at the silhouette of Shirley Temple 's dimpled face"(19). Freida and Pecola admired Shirley Temple. They had a loving conversation about how cute Shirley Temple was. Pecola is obsessed with the white girl 's physical beauty. This is obvious by the fact that she would drink a lot of milk from the Shirley Temple cup. Her drinking the milk signifies her wanting to consume whiteness. Pecola feels that she would be pretty if she possessed what the racist society considers pretty -

From the day Pecola is introduced to us in the novel, she has been a target for others to dump their “waste” onto her. On page 163, Claudia states, “We were so beautiful when we stood astride her ugliness…”(Morrison

Pecola is constantly labeled as inferior due to her ugliness and copes with her sorrow by conforming to society’s label. Throughout the novel, Pecola’s fascination with white girls is heavily expressed. It is first shown very early on when Pecola admires the Shirley Temple cup. Claudia narrates, “She was a long time with the milk, and gazed fondly at the silhouette of Shirley Temple’s dimpled face” (19).

The Bluest Eye, by Toni Morrison, depicts characters desperately seeking to attain love through a predetermined standard of beauty established and substantiated by society. Morrison intertwines the histories of several characters portraying the delusions of the ‘perfect’ family and what motivates their quest for love and beauty. Ultimately, this pursuit for love and beauty has overwhelming effects on their relationships and their identity.

Throughout the story there is a strong sense of abandonment on Pecola’s part. She is a lonely character that is heavily influenced by society and what it thinks. Pecola is very concerned on meeting the standard in society despite her past life. She is determined but in some respects this is one of the downfalls to her character. "Why, she wonders, do people cal them weeds? She though they were pretty". Mr. Yacobowski humiliates her, and she passes the dandelions and thinks, "They are ugly and they are most definitely weeds". This shows how Pecola can easily be manipulated by others and society. In a sense, Pecola has transferred society’s dislike for her to the dandelions. She cannot accept the fact that she is not wanted. At one point in the story the narrator says, "We tried to see [Pecola] without looking at her, and never went near. Not because she was absurd or repulsive, or because we were frightened, but because we had failed her. Our flowers never grew so we

In another episode in the novel, when Pecola is on her way to buy her Mary Janes, the reader is able to realize the extent of the impact this idealization had (and still has) on African-American as well as many other cultures. Morrison makes a point to emphasize the fact that this affected everyone in the novel, whether the character admired or despised this ideal. Mrs. Breedlove "passed on" to Pecola the insecurity she had "acquired" throughout her life. Her insecurity and self-hate had been in her since her childhood but it was made worse by her emulating the movie actresses.

She drinks several quarts of milk at the home of her friends Claudia and Frieda McTeer just to use their Shirley Temple mug and glaze at young Temple’s blue eyes. One day Pecola is raped by her father, when the child the she conceives dies, Pecola goes mad. She comes to believe that she has the bluest eyes of anyone.