Punk And Hip Hop Music

Even though, hip-hop is viewed as primarily of promoting negative message, however, it has reveled the pain behind the lyrics. “Hip hop music, had for over three and half decades, delivered a resounding message of freedom of expression, unity, peace, and protest against social injustices”. (Anderson & Jackson) As hip-hop continues to grow it has continued to remain a strong influential social impact. Hip-hop created a way for many individuals to express themselves on controversial issues seen throughout society.

Hip-hop is a cultured style that started in the 1970’s. Majority of different funk groups began playing disco music at that time it was popular. During this time funk music was technology driven more electronic sounds were being used on the drum machines. Funk was the new dance in the early 70’s. This particular style of singing in which was being used is called rapping, this begun in African American, Urban Areas, Jamaican American, Latino American and many others cities of the United States. The group of artist or singer say words with a rhythm that rhymes. Some hip-hop music lyrics are about violence and illegal drugs. Often time lyrics are about the life of urban people who stay in big cities. Other styles that hip-hop uses come from

The misunderstood subculture of music that many have come to know as “hip-hop” is given a critical examination by James McBride in his essay Hip-Hop Planet. McBride provides the reader with direct insight into the influence that hip-hop music has played in his life, as well as the lives of the American society. From the capitalist freedom that hip-hop music embodies to the disjointed families that plague this country, McBride explains that hip-hop music has a place for everyone. The implications that he presents in this essay about hip-hop music suggest that this movement symbolizes and encapsulates the struggle of various individual on

The information that has been provided about the subcultures of Hip Hop and Punk shows there are many differences between Hip Hop and Punk and several contributing factors that shape these subcultures but ultimately each one’s existence serves a similar purpose: a form of escape and expression. Prior to research, I was an outsider looking in on the two subcultures. Assumed no similarity at all, but I learned, when you take a deeper look and explore the pages they are different books carrying the same message.

Hip Hop was birthed in the neighborhood, where young people gathered in parks, on playgrounds, and neighborhood street corners, to verbalize poetry over spontaneous sounds and adopted melodies. Hip Hop was not just the music; it was also a way for the young to show their skills in break dancing, gymnastic dance style that was valued, and athleticism over choreographed fluidity. Hip hop was also fashion such as: hats, jackets, gold chains, and name-brand sneakers. Hip Hop was a form of graffiti, to a new way of expression that engaged spray paint on the subway walls as the canvas. In addition, today’s hip hop have changed as where the DJ was once is now the producer as the key music maker, and the park is now a studio.

In this article, the speaker must be an expert in politics, ethnicity and the music industry. There is a linkage between the above fields hence the speaker must have had a superlative background on these issues. The audience targeted by this literature were seemingly music enthusiasts to be educated on understanding what Hip-Hop entails and hoped to achieve this as it was established. The subject was Hip-Hop as a music genre that was largely developed by African American men to express their plight on injustice and oppression. The principal issue was how Hip-Hop has been used as a form of resistance and need for deliverance of the African Americans.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

The attitude common in the subculture is the resistance to selling out, which means abandoning one’s values and changing in musical style toward pop to embrace anything that’s mainstream capitalist culture in the exchange for money, status, or power. Punk rocks’ common thinking wasn’t only anti-authoritarism, and not selling out but also non-conformity, direct action, and a DIY ethic. The DIY attitude was pointed towards stepping forward and speaking without any restraint. To fight with warrior qualities to achieve what you were striving for. The kind of thinking and motives for punk rock subjects was to not settle for what society made acceptable and standard but to think and work outside of the box that was holding them in.

Hip hop and rap as a musical genre is a very controversial subject for nearly everyone. Its influences are powerful, both positive and negative. There are many positive influences of hip hop, and a few examples are the breaking down of cultural barriers, the economic impact, and political awareness of pressing and urgent issues. Though there are many positive influences, there are many negative influences as well. Some of the more heated debates of the negative influences of hip hop are that it glorifies violence, and the fact that the music sexualizes women and degrades them as well. Attached to the negative outlook on hip hop, there are also many stereotypes assumed by society towards this type of culture

Throughout the entire world, music is one thing that is a constant. From Africa to Antarctica, music can be found. There are literally millions of types of music out there: Rock, Rap, Pop, EMO, Hard-core, Ska, Latin, Classical. The list goes on and on. But one form of music has had one of the most significant histories of them all: Punk rock. A look into the history of this type of music will help us understand why punk rock sounds and feels the way it does. It is necessary to look at the types of dancing, different types of punk rock, and the reasons behind it to understand how and why this type of music formed.

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age

With the economic decline and availability of jobs with upward movement, a culture of youths formed in Britain that challenged the ideals and cultural norms of the generations that came before them. A consistent movement from traditional society through youth subcultures brings light through the eyes of the musicians that describe their generation’s feelings of homelessness in an era filled with unemployment, low wages, and violence. The insurgence of the counterculture movement, poor economic conditions, and the commercialization of previous Rock and Roll music in Britain directly led to the punk subculture because it allowed youths to speak up about their conditions and frustrations through an easily understood and accessible medium while maintaining a different stance than their predecessors.

In both the United States and Great Britain, a genre of music, now known as punk rock was developing in the late 1960s and 1970s that would provide an outlet for the emotions young adults were feeling at that time. For the purpose of this paper, I will focus on the development of punk in the United States, however punk rock “arose at the same time” in both the US and Great Britain, “and had what one might describe as a symbiotic, yet adversarial relationship” (Stalcup). Therefore, one cannot completely disregard the development of punk rock in Great Britain while discussing the development of punk rock in America. In the US, punk rock arose on the east coast, mostly

By examining the song lyrics of the Sex Pistols’ song “God Save the Queen,” the power of words become evident. For example, the lead singer John Lyndon, also known as Johnny Rotten sang “God save the queen/ The fascist regime/They made you a moron/Potential H-bomb/God save the queen/She ain't no human being/There is no future/In England's dreaming/Don't be told what you want/Don't be told what you need/There's no future, no future,/No future for you” . According to these song lyrics, the words “England” and “queen” symbolizes authority. By verbally proclaiming that the “queen” is not a human suggests that the British government purposefully abused the economic and political welfare of Britain. Additionally, the ability “to feel” empathy towards corrupt situations is as social and biological trait that connects all of humanity. Therefore, not being able “to feel” symbolizes a non-humanistic quality. Stating that “there is no future” represents that the

Punk is a genre that was typically aimed towards the angry middle-class white male. But today there is a wider acceptance towards women in the punk scene. As Lauren Langman, in her paper presents, “angrier working-class youth were more likely to wear black