The trials and adventures of heroes are seldom beautiful. Often, these escapades include deceit, blood, death, madness, and destruction. All of which, are ugly. One may argue, that the triumph and glory at the end of these adventures represent a beauty that negates the prior ugliness. But, at what cost? Perhaps, the “victory” is pyrrhic, and the “beauty” is ephemeral. Now, apply this structure to war. Victory is sweet, but those burials are sorrowful. Between 3,250,000 and 6,500,000 million people died during the Napoleonic Wars. Anna Barbauld, probably wishes that number was curbed. Even more, she tried. Barbauld’s poem, Eighteen Hundred and Eleven, imagines a future England and London in ruins, visited by travelers from across the Atlantic eager to see the remains of a once-thriving and dominant culture. Through her poem, Barbauld warns that the pursuit of beauty inflicts violence upon the very beauty that is sought after.
Barbauld’s poem is written in heroic couplets, which are used to talk about the adventures of heroes in epics. Although, this style of poetry reached the acme of its popularity in the 17th and 18th century, Barbauld incorporates them in her poem—written in the 19th century. Why would Barbould utilize such an antiquated style? Perhaps, she wants to animate just how destructive the Napoleonic Wars are. For example, consider her depictions of the wreckage of war:
Man calls to Famine, nor invokes in vain/Disease and Rapine follow in her train/The tramp of
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the
Generals Die in Bed certainly demonstrates that war is futile and the soldiers suffer both emotionally and physically. Charles Yale Harrison presents a distressing account of the soldiers fighting in the Western front, constantly suffering and eventually abandoning hope for an end to the horrors that they experience daily. The ‘boys’ who went to war became ‘sunk in misery’. We view the war from the perspective of a young soldier who remains nameless. The narrator’s experience displays the futility and horror of war and the despair the soldiers suffered. There is no glory in
People both today and back then have been traumatized by war’s brutal combat, fallen victim to cruel soldiers, and had war cause sorrow and grief to them. Through characters seeing death, characters that are soldiers, and characters that are not in combat, Anthony Doerr’s All the Light We Cannot See demonstrates that war affects individuals negatively, even if they are extremely
The topic of war is hard to imagine from the perspective of one who hasn't experienced it. Literature makes it accessible for the reader to explore the themes of war. Owen and Remarque both dipcik what war was like for one who has never gone through it. Men in both All Quiet on the Western Front and “Dulce Et Decorum” experience betrayal of youth, horrors of war and feelings of camaraderie.
how beautiful ideals were painted for our boys who were sent out to die. In War is a Racket, the
“The Death of the Ball Turret Gunner” by Randall Jarrell is able to accomplish so many thing with so little lines-mainly through the use of metaphor and diction. It explains the terrors of wars in gruesome detail and explains the ways in which wars, in a sense “breed” and “birth” death. To some, this poem is seen as the ultimate poem of war, and rightly
In the incredible book, All Quiet on the Western Front written by Erich Maria Remarque, the reader follows Paul Baumer, a young man who enlisted in the war. The reader goes on a journey and watches Paul and his comrades face the sheer brutality of war. In this novel, the author tries to convey the fact that war should not be glorified. Through bombardment, gunfire, and the gruesome images painted by the author, one can really understand what it would have been like to serve on the front lines in the Great War. The sheer brutality of the war can be portrayed through literary devices such as personification, similes, and metaphors.
Often times war is depicted in a victorious, triumphant manner when in reality war is chaotic; full of destruction and death. In Stephen Crane’s “A Mystery of Heroism” and Ambrose Bierce’s “An Occurrence At Owl Creek Bridge,” we witness the harsh reality of the war and the common human reaction to the havoc. Fred Collins simply wants water, but the well is on the other side of the battlefield. Peyton Farquhar, a loyal civilian to the South, just wanted to help in the war but instead was hanged for his good-intentioned attempt to destroy the bridge to help the Confederates. Ambrose Bierce and Stephen Crane wrote “An Occurrence At Owl Creek Bridge” and “A Mystery of Heroism” to show the natural human condition in adverse situations.
Since the beginning of time, humans have sought after power and control. It is human instinct to desire to be the undisputed champion, but when does it become a problem? Warfare has been practiced throughout civilization as a way to justify power. Though the orders come directly from one man, thousands of men and women pay the ultimate sacrifice. In Randall Jerrell’s “The Death of a Ball Turret Gunner”, Jarrell is commenting on the brutality of warfare. Not only does Jarrell address the tragedies of war, he also blames politics, war leaders, and the soldier’s acknowledgement of his duties. (Hill 6) With only five lines of text, his poems allows the reader to understand what a soldier can go through. With the use of Jerrell’s poem, The Vietnam War, and Brian Turner’s “Ameriki Jundee”, the truth of combat will be revealed.
In “September, 1918”, Amy Lowell shows her readers an interesting and illuminating poem. That war can be an ugly time and the people that experience it often seems to live in a “broken world” (19). To fight an evil, sometimes war is needed, nonetheless it is still costly to the people living through the war. Some in a literal sense, like soldiers fighting in a war, while some in a physical sense by the world that they now see and live in. I find the poem truly interesting though, in how the author shows that even in war we can still hold onto hope for more promising days. Lowell portrays a melancholy mood throughout her poem that makes her readers thinking about war but also the hope of it being over.
Throughout human existence war has been a glorified way of settling disputes and asserting dominance, a place where powerful men have proven themselves, a place where glory and honor were achieved and a place where noble heroes died. Continuously through history humans looked past the horrors of war and misleadingly saw it as a glorious manner. This glorious view on war went unchallenged for centuries when finally the general William Tecumseh Sherman spoke out about the horrors of war and famously quoted that “war is hell”. In All Quiet On The Western Front William Tecumseh Sherman’s words can been seen in Remarque’s portrayal of the First World War by making display of the close similarities that war and hell have. Remarque exposes how truly horrendous the conditions at the front were displaying similarities between the conditions at war and to conditions described of hell. Remarque shows how the weapons used in the war turned man into ashes and countrysides into dead zones creating a real hell like environment. Lastly Remarque manifests that the horrors that war brought were so deep that the suffering would become eternal just as the suffering of hell. Therefore in the novel All Quiet On The Western Front Remarque brings life to William Tecumseh Sherman's famous quote “War is hell” by exposing how alike war and hell are by virtue of their similarities: How the conditions at the front were so horrendous they resembled conditions of hell; How new warfare technology turned
Since the emergence of written history, many fables regarding war have encompassed a significant portion of prosodic literature. Two of the foremost war poets of the 19th and 20th century—Emily Dickinson and Rupert Brooke—have both written about profound implications of war on society and also upon the human spirit albeit in two very different styles. The book, Catcher in the Rye by J.D Salinger, theorizes through Allie, that Emily Dickinson was indubitably the superior war poet. Furthermore, when we analyze their works as well, we realize the invariable fact that Dickinson’s work delves into war with a much more holistic approach as well. She not only honours the soldiers for their valiant efforts, but also deftly weaves notions of liberty and civilian duty in regards to war as well as compared to Rupert Brooke who carried a romanticized imagery of martyrs within his poetry. In summation, Emily Dickinson is a superior war poet for her incisive analysis of death, and human nature in correspondence to war as compared to the patriotic salvos of Rupert Brooke’s poetry.
In the words of Otto Von Bismarck, “Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.” Many of the preceding war novels to All Quiet on the Western Front, misrepresented or overlooked the anguish of war, in favor of more resplendent ideals such as glory, honor, or nationalism. The predominant issue of All Quiet on the Western Front is the terrible atrocities of war. The reality that is portrayed in the novel is that there was no glory or honor in this war, only a fierce barbarity that actually transformed the nature of human existence into irreparable, endless affliction, destroying the soldiers long before their deaths.
A Great and Terrible Beauty is about Gemma Doyle who is living in a village in India with her mother. On Gemma’s sixteenth birthday, Gemma ran away because she wants to live in London. While she is running away, she suddenly has a vision of strange shadows and of her mother taking her own life. Thinking that this cannot be real, she runs back to her mother, only to find that her vision had been real. Two months later, Gemma’s wish to go to London comes true. At London, Gemma is sent to Spence, a finishing school. When Gemma arrived at Spence she was treated as an outcast along with Ann, Gemma’s roommate, by Felicity and Pippa. One day, Gemma found Felicity with a Gypsy. Knowing that it would ruin Felicity, Felicity begged Gemma to keep it
Each poet chooses the theme of nature’s generative abilities to portray man’s disillusion about what war truly has a lasting effect on. Each author’s poem reads as a metaphorical opinion about war and the existence of humans within the natural environment; as well as the physical history of war that is left behind. Sara Teasdale and Carl Sandberg also both seem to agree that the damages and carnage of war have no permanency on nature’s ability to carry on in spite of human atrocities. Both poems also highlight nature’s physical capabilities to dispose of the bodies left behind and ignore what was torn apart as a result of