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Response to Rain, Steam and Speed by Joseph Mallord William Turner

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Response to Rain, Steam and Speed by Joseph Mallord William Turner

Turner has out-prodiged almost all former prodigies. He has made a picture with real rain, behind which is real sunshine, and you expect a rainbow every minute. Meanwhile, there comes a train down upon you, really moving at the rate of fifty miles a hour, and which the reader had best make haste to see, lest it should dash out of the picture....as for the manner in which 'Speed' is done, of that the less is said the better, -only it is a positive fact that there is a steam coach going fifty miles and hour. The world has never seen anything like this picture .

This was Thackeray's response to Turner's Rain, Steam and Speed upon seeing it at the Royal Academy …show more content…

Gerald Finley says that for those who considered these new developments in a positive light it was reassuring that the "laws of science and technology were, after all rooted in nature and these developments seemed to promise widespread economic and social improvement.'; At the same time there were detractors and this was because of the perceived threat of further encroachment on what some considered to be the 'natural order of things'. Railroads struck many at this time as the seminal achievement of the industrial age, so it is not surprising that public ambivalence extended to the steam locomotive and rail travel as well. It signified to many the destruction of the countryside and a change in the old agrarian based social order. In conjunction with this shift, which was really a shift to a capitalist economy, the steam revolution fundamentally changed the fabric of peoples lives, it changed the way people experienced time and space, it shrunk the boundaries of their world and changed their imagined geographies. This had implications for the way people perceived the world at large and also imaged the nation.
The subject matter of Rain, Steam and Speed is the Maidenhead railway crossing of the Thames. A golden brown landscape punctuated by the river to the left takes up the bottom portion of the painting. The top half is tinged by a blue sky that is marked by swirls of gold and white,

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