Secondary Characters In Hamlet

Through Shakespeare’s use of minor characters in his play, Hamlet, the playwright was able to subtly develop Hamlet’s character. In using minor characters, Shakespeare emphasized certain traits which the main character held. These minor character also personify the motifs of contrast between a sickly interior versus healthy exterior and contrasting life and death; the minor characters’ embodiment of these motifs further establish for the audience the importance of these motifs within the play.

Loyalty is a significant theme in ‘Hamlet’ because Hamlet himself judges people by their loyalty or disloyalty-his mother, Ophelia, Rosencrantz and Guildenstern, Horatio and he acts accordingly. The significance of the betrayal theme is that many of the major events in the play result from the betrayal of one character by another.

The final way that Laertes acts as a foil to Hamlet occurs once again when Claudius and Laertes are discussing Laertes’ actions to achieve his vengeance. Claudius gives Laertes advice saying, “That we would do/ we should do when we would; for this ‘would’/ changes” (4.7.134-136). Claudius is warning Laertes that if he waits long enough, he will probably end up not doing anything at all and will not achieve his goal of vengeance. This quote spoken by Claudius is quite similar to when King Hamlet’s ghost meets with Hamlet earlier in the play to warn him about how he was killed by Claudius and that he must get revenge. King Hamlet’s ghost also warns Hamlet saying, “Taint not thy mind” (1.5.92), telling him to not over think his plan because otherwise he will not pursue his vengeance. After Claudius warns Laertes to not get side tracked, the audience is reminded of King Hamlet’s ghost telling Hamlet to not over think because then their plans will not be pursued. This scene acts as a foil towards Hamlet because soon after the conversation, Laertes does pursue his plan of seeking vengeance, whereas Hamlet has been working on his plan the whole play, and has still not started to execute it.

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

Hamlet proves himself a temperamental, twisted character in William Shakespeare’s play, Hamlet. The Prince of Denmark conveys his facetious demeanor with his behavior and sharp tongue, especially in scenes with Ophelia and Gertrude. Although Hamlet’s situation is difficult and easily sympathized by viewers, his aggression should ultimately be focused on his murderous uncle.

In the conclusion of Shakespeare’s Hamlet, the audience gains an understanding of the importance of Justice to each character. In the final act both Hamlet and Laertes seek to find justice for the wrongs committed against them and their families. This leaves both men trying to identify how to right these misdeeds

These acts show the trust that everyone holds for each other. Hamlet doesn't trust his mother, or Claudius, while at the same time Claudius doesn't trust him. At the end of Act 2 the reader can start to see a heavy theme of treachery.

The play, Hamlet by William Shakespeare, surrounds the central idea of revenge and betrayal. Revenge drives the characters and determines their actions throughout the play, which results in several instances of betrayal. With revenge, the friendship and loyalty of characters are tested and conflicts are established between characters. Hamlet’s father, the king of Denmark, was helplessly poisoned by his own brother, Claudius. Hamlet, the protagonist, becomes aware of his father’s death and finds himself seeking revenge and starting a cycle of hatred. Hamlet embarks on his journey for revenge by displaying an act of craziness. Throughout the play, there were several moments where Hamlet’s actions caused confusion and made it difficult for

Hamlet’s character drastically develops over the first four acts of Hamlet, and his character development is most evident through the soliloquys he delivers throughout the play. The most character development can be seen from the first soliloquy, to the second, the third, the sixth, and the seventh and final soliloquy. Hamlet’s inner conflict with his thoughts and his actions are well analyzed in his soliloquys, as well as his struggles with life and death, and his very own existence. He begins the play wondering what purpose he has in life now that his father is dead and his mother has remarried to his uncle. After finding out foul play was involved in his father’s death, he is motivated by revenge. Finally, he wonders how he can enact his revenge while continuously overthinking and overanalyzing his actions.

Will Hamlet accept the new changes in his life? What is he capable of to be happy? After his father’s death, Hamlet will have to face the new changes in his hometown, Denmark. Shakespeare develops Hamlet’s character in relation to other characters in these soliloquies.

Lastly, Horatio, above all, is Hamlet’s only true and loyal friend. As part of their close relationship, Horatio makes it clear when Hamlet

What would a play be if the main character were to talk on and on without giving other characters time to speak or what would a play be if the main character had no enemies or friends? The obvious answer is boring, so Shakespeare as a playwright, writing to make money, added secondary characters to develop Hamlet as a character, give the audience a break, entertain the audience, and provide external conflict. The secondary characters allow us to know the context of the character's actions and to better connect with the character.

Many times, minor characters go overlooked, their persona is goes undiscovered and their impact on plot and character development is greatly under appreciated. It is crucial for readers to explore the identity of minor characters and what kind of impact they have on character development, especially in William Shakespeare’s Hamlet. The minor characters play a key role in character development for the main characters. Rosencrantz and Guildenstern offer Hamlet a chance to display not only his kindness and ability to sense something is wrong, but as well as his ruthlessness when people attempt to cross his path. The relationship that Hamlet and Horatio share on the other hand, is pure loyalty and trust. We see Hamlet’s intellect come out once he is around Horatio, and where Horatio is just as much as an intellectual as Hamlet, he his not as ignorant as Hamlet. Polonius is not nearly as intelligent as Hamlet, which Hamlet uses to create comic relief, making Polonius the butt of his joke. And finally, Ophelia. Ophelia is submissive and allows us to see how Hamlet would act with his “perfect” mistress and how Polonius would treat his dutiful daughter. In William Shakespeare’s Hamlet, minor characters are the foundation of the major characters in the play.

Shakespeare writes in a way that is difficult to understand for anyone that speaks the modern language. His story Hamlet is understood through the emotions felt by his characters. Hamlet is the main character who is conflicted with revenge and conspiring friendships. Hamlet returns home from Germany for his father’s funeral only to find far more troubling things. Hamlet is a conflicted character but that doesn’t stop him from knowing what he wants. Revenge is the main cause of his confliction but with great reason, which is important to understand about this play because it helps explain all the betrayal and tragedy.

One will be hard-pressed to find true friendship and loyalty in Shakespeare’s masterpieces, especially in his tragedies. Various characters seem to be close friends with the main character in the beginning of plays but usually reveal their true opinions on them or disappear because of their lack of loyalty. The friendship between Horatio and Hamlet lasts longer because the two of them love each other in accordance with their merit.