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The Chimney Sweeper

Decent Essays

In 1817 a report from the parliamentary committee on the employment of child sweeps - also known as ‘climbing boys’- declared that there were children as young as four years old working arduous hours in chimneys barely seven inches wide. Due to familial poverty, children were sold by their parents or recruited from workhouses. Parents would often lie about the age of their child in an effort to sell them to master-sweeps. To increase speed the master sweep would employ physical punishment; pins and lighted straw were ‘forced into their feet’ by the boy climbing behind them. As a result of being shut up in an enclosed space for six hours or more and being required to carry bags of soot weighing up to 30lbs many of the boys suffered ‘deformity of the spine, legs and arms’ (Aspinall, 1959, pp. 742-45) or contracted testicular cancer.

William Blake’s “The Chimney Sweeper” in Songs of Innocence opens in a dramatic monologue spoken by a young chimney sweep barely able to enunciate the word ‘sweep’ the child cries out “’weep! ‘weep! ‘weep! ‘weep!’. The simplistic language, use of rhyming couplets and direct, matter of fact account of the parliamentary report is Blake’s effort to awaken social consciousness. He implicates the reader in the exploitation: ‘So your chimneys I sweep’, ‘your’ implies the complicity of the nineteenth century reader. The poem’s central theme is the duality between the macabre reality and the promised liberty through death illustrated in Tom Dacre’s

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