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Sylvia Plath Poetry Analysis

Decent Essays

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth, …show more content…

This simile is a representation of the egocentric attitude of the poet, as the birth of her child is simply a reminder of her disintegrating life. While Wright and Plath both convey views on the beginning life, Wright focuses on how it is natural and beautiful, while Plath considers birth to be a burden. After birth follows life, as expressed by Dickenson and Wright.

Through structure, Dickenson and Wright express their holistic views through both critiquing and celebrating life. Dickenson’s poem, ‘187’, reflects the life of a domesticated woman. The poet directly addresses the audience when she suggests, “Stroke the cool forehead – hot so often”. Through inclusive language, in addition to hyphenation, the audience are made to feel involved, hence understand how the woman is now at peace after having worked laboriously her whole life. The last line of the poem, “Indolent Housewife – in Daisies – lain!”, further enforces that the woman is at peace through the personification of daisies and the exclamation mark emphasising that her life was so hard-working that in death she can finally relax. Wright also employs a similar idea in her poem, ‘Metho-Drinker’. Like Dickenson, Wright utilises personification when she states, “who cried to Nothing and the terrible night”. Through personifying “Nothing” the audience understands that this man’s life was lonely and hopeless, hence through death, he became “safe in the house of Nothing”. A gentle

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