Compare And Contrast Tell Tale Heart And The Cask Of Amontillado

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

Edgar Allen Poe was a great author in the 18th century. He is the author of both The Tell-Tale Heart and The Cask of Amontillado. Both of these stories show the dark and mysterious ways of the narrator. Well, these stories have been written by the same author. Hence, they have some similarities and differences. Poe is a great writer who can describe a scene in one paragraph. The stories have the right tone and a gloomy mood. Edgar Allen Poe being the author of The Tell-Tale Heart and The Cask of Amontillado, he shows some similarities like the mood of the narrators though there is a difference in the characteristics of the narrators. The narrators have similar motives and mental states though their plans of action and the outcomes of their crimes are different.

Edgar Allan Poe is known for some of the most horrifying stories ever written through out time. He worked with the natural world, animals, and weather to create chilling literature. Two most notable thrillers are “The Cask of Amontillado” and “The Tell-Tale Heart”. Poe was infatuated with death, disfigurement, and dark characteristics of the world. He could mix characters, setting, theme,and mood in a way that readers are automatically drawn into reading. Both of these short stories have the same major aspects in common.

The two short stories “The Tell-Tale Heart” and “The Cask of Amontillado” share similar and different characteristics. Both written by Edgar Allen Poe, these stories involve murder, possibly insane narrators, and weak victims. They both also contain the theory of madness and obsession. Although these stories share many similar aspects, they differ in murder justification, murder execution, and final outcome of each situation.

A type of dramatic irony in the story can be seen in Fortunato’s attire at the carnival. Fortunato was dressed as a jester, though it was actually Montresor who was laughed at and ridiculed. Professor Charles N. Nevi, of the department of English in Medford, Oregon, writes about the irony in Fortunato’s dress when he says, “Fotunato’s dress is ironic, for a jester is not just a man to be laughed at; he is a man who makes others laugh by being aware of the frailties of mankind and then ridiculing them, but Fortunato is aware of very little and who ridicules nothing. It is Montresor who came closer to the role of jester,” (Nevi par.8). Here Professor Nevi suggests that Montresor is the one who is actually ridiculed and should be a better fit in the jester dress. These examples demonstrate Fortunato’s ironic misfortunes that lead to his eventual death.

Irony occurs when the reader becomes painfully aware of what will become of Fortunato, even though he continues his descent into the catacombs in pursuit of the wine. Poe also adds to this effect, by calling the man Fortunato, who is anything but fortunate, and has him dressed in a clown's costume, which portrays him as a fool. While the settings in the two stories are very different, the different settings create the elements to the stories.

In “The Cask of Amontillado,” Edgar Allen Poe uses several examples of verbal irony. Verbal irony is when one character says something but actually means something different. One example is on page 288 when Montresor says “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day.” This is verbal irony because he does not really mean that he is looking well, and this sentence starts the ensuing parts of Montresor luring the intoxicated Fortunato into the catacombs, which begins the start of the suspenseful reader waiting to see if Montresor will fulfill his mission.. Another example in the story of verbal irony is on page 289 when Fortunato has the cough, and Montresor insists on going back, saying that his health is precious, when he really means that he wants his health to decline and for him to die. “We will go back; your health is

There are many uses of irony throughout “The Cask of Amontillado.” One example that Poe includes states, “I drink,” he said, “to the buried that repose around us. “And I to your long life.” (passage 3) This statement shows a use of dramatic irony because the reader knows that the narrator, Montresor, has no intention of cheering the life of Fortunato and has a careful plan to murder him. This quote also demonstrates dramatic irony because it shows how Fortunato genuinely believed in the good intentions of Montresor, which would eventually result in his demise. This use of irony helps build up the rising action and suspense of the story leaving the reader wondering when the narrator is going to strike and kill Fortunato. Overall this use of

In the Cask of Amontillado, Edgar Allen Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe does this all throughout the story like when Montroso and Fortunato first meet. Montroso says, “‘My dear Fortunato, you are luckily met’” even though it is not lucky they met at the carnival because Montroso plans to kill Fortunato. Another way Poe uses verbal irony is, ‘"And the motto?" "Nemo me impune lacessit." "Good!" he said.”’ The motto Montroso uses means no one attacks me with impunity and in the beginning Montroso says that Fortunato insulted him so Fortunato just clapped to the saying that will be implemented on him by

“The Raven” by Edgar Allen Poe the student becomes obsessively pushing his need for self-torture to the extreme. To become more sorrow, he calls for the bird to hear only one response to become morself-tortured.

The story “The cask of Amontillado” by Edgar Allan Poe already starts with irony in the first sentence; “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge”. By using irony the author allows readers to have different interpretations of his story; for example Poe’s antagonist characters has the name of Fortunado. He is the one that is murdered in the end, thus demonstrating that he is not as fortunate as his name seems to indicate. Bella Wang and Amelia Tibbett exemplify this by saying, in her analysis of Poe’s story; “Poe gives the victim the name of Fortunato, which may mean "fortunate" in Italian, but adds an extra element of cynical humor to Fortunato 's jovial and unsuspecting character.” (Wang) and also “the word "luckily" also recalls the meaning of Fortunato 's name and is thus entirely unfitting for Fortunato 's fate.” (Wang). Moreover, in her analysis of the text, Amelia Tibbett confirms the fact that the reader has a kind of freedom in interoperating the story; Poe cleverly weaves this story so that he has perfect control over the narrative, all the while allowing the reader some freedom in their own interpretations. (Tibbett).

The first case in which he uses irony is when Montresor comes in contact with Fortunato at the Carnival. In this meeting Montresor says, “My dear Fortunato, you are luckily met." (Poe 80) This is an example of dramatic irony. Although the readers know of Montresor’s plans for revenge, Fortunato has no idea how truly unlucky he is to have come into contact with Montresor at that

Feuds and arguments between individuals who may disagree with or dislike one another are a common occurrence in everyday life, often varying in degrees of intensity, but rarely reaching a point of extremity. However, in Edgar Allan Poe’s short story “The Cask of Amontillado”, This threshold of extremity is reached by the narrator of the story, Montresor, who explains that his acquaintance, Fortunato, has repeatedly and irreparably insulted him over the course of years, and uses it as justification to take justice into his own hands and seek retribution through murder, despite there being no proof of Fortunato's guilt other than Montresor’s claims. His motive for murdering Fortunato can be attributed to his state of mind, as Montresor’s lack of guilt, empathy, or remorse highlights him as a character with psychopathic tendencies. As the story progresses, Montresor’s cold and calculating nature leaves the audience full of dread and suspense while he lures the oblivious Fortunato towards his inevitable demise. The employment of rhetorical devices such as irony, theme, and structure builds the suspense for the ultimate climax of Poe’s gothic masterpiece.

Edgar Allan Poe is a prominent writer who wrote many peculiar and uncanny short stories and poems. One of the stories Poe wrote, “The Tell Tale Heart,” published in 1843, is about a narrator who is paranoid about an old man’s eye, so he decides to eradicate it. Another story by Poe, “The Cask of Amontillado,” published in 1846, is about a narrator who seeks revenge on his friend because, in the past, he was insulted by him. Both stories contain narrators, which are mentally unstable, but the narrator’s traits, their motives for the murder, and how their guilt is exhibited differ.

Dramatic irony can be seen in Poe’s work in many ways. First, the name “Fortunato” (deriving from fortune in English) is a clear example of irony, since the character appears to have everything except fortune. He is heading to his death from the beginning of the story. Professor Nevi, from the Department of English in Oregon, referred to Fortunato’s name when he says, “Although it would help, a student don’t need be versed in a foreign languages to notice that Fortunato’s name is ironic. He is definitively not the fortune one ”(Nevi 462). In this statement, Professor Nevi is clearly affirming how easily it is to determine that Fortunato’s name represent an irony. Furthermore, the way that Poe describes Fortunate as dressed like a court jester