The motion picture, Crash, highlights different issues about race, gender and class through a series of interwoven stories in a Los Angeles setting. For instance, the appearance of cars, highways, intersections and cul-de-sacs function as a trope within the movie. The many different street functions not only serve as a trope, but are a sign of the times. The cars, highways, intersections and cul-de-sacs also work to characterize the interactions among diverse figures within the film. Amongst these varying analysis of street functions and metaphors in the movie, there is also imagery in the film that conveys an impression of social relations in the twenty-first century. From the chosen title of the movie, Crash, I can gather that there is a …show more content…
One example that showed that characterize the interactions amongst diverse figures within the movie was the major car crash scene on a highway. In this scene we see a bigoted police officer, Officer Ryan, patrolling along a highway in Los Angeles when he comes across a large-scale car crash. Upon closer inspection he can see that a primary cause of the accident was a flipped over car. He suspects the car and realizes that a woman is barely conscious and trapped within the vehicle. However, Officer Ryan, recognizes the woman, Christine as a women who he assaulted just the night prior. When he attempts to liberate Christine from the car she also recognizes Officer Ryan and does not allow him to touch her. The situation becomes graver when gasoline begins to drip from the car; when a fire spreads to the car Officer Ryan goes back into the now burning car and gets Christine out, essentially saving her life. Here we can see that both diverse figures come across a crossroads in their interaction with each other. Due to the fact that Officer Ryan had just recently assaulted Christine the night prior to this accident, it makes it harder for Officer Ryan to rescue Christine from her vehicle. In that dire situation Christine had to put her trust in someone who had just recently oppressed her, in order to …show more content…
A prime example of twenty-first century social interaction are the two interactions between Officer Ryan and Shaniqua Johnson. The two first interact when Officer Ryan calls the doctor’s office in reference to his dad’s difficulty to sleep at night due to pain. Unfortunately, the woman he called could not help him any further which leads to Ryan spewing racial slurs essentially ending the call with Shaniqua. Within the next few days Ryan makes a visit to the office to ask Shaniqua once again for extra and better care for his father. However, this interaction, at first, is handled in a more civilized fashion. The difference between these two scenes is the setting. In the first, more hostile, interaction the cinematography shows the two characters behind glass, Ryan in a diner and Shaniqua in her office. In the second, more civil, interaction the cinematography shows that the characters face-to-face without glass separating them. The imagery in the film communicates that in social interaction in the twenty-first century is made impersonal due to the technology we now
Paul Haggis directed an Oscar winning film in 2004 called “Crash”, this movie basically talks about racism and the impact it has on the lives of people in Los Angeles. This movie got a good response from the viewers, as it concentrated on some real harsh realities of racism and asked some hard questions which are generally avoided in movies. This movie clearly promotes the a very delicate issue, and hence requires some detailed assessment. I personally feel the movie was good and it portrayed some very common events of racism, I think “Crash” shows realities, but in a not-so-realistic way.
This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well
The aim of this paper is to study the interpersonal communication taking place in a cultured shocked neighborhood. The findings of these studies are applied to the film Grand Torino. In addition, this study will discuss the communication styles applied by the characters of the movie. I believe they are essential to understanding the reasons why in general individuals are racists, stereotypical and unable to adapt to different cultures as well as living with those who are different to us. We will first examine how Walt’s character adapts to the cultural
Communication is important in our lives as it enables us to interact with one another, and allows us to form and build upon relationships with other people. However, when communication is not effective or colored by personal biases, it may lead to conflict. In the movie Crash, the characters are faced with a number of social issues, born from their inability to communicate with one another as well as their perceived notions of racial and cultural biases. Through the interactions between the characters this film allows us to understand how interpersonal communication affects individuals be it with strangers, friends, or family.
Racism, and ethnocentrism can be a significant factor in determining if an individual can maintain a healthy interpersonal relationship. Both racism and ethnocentrism can be barriers that affect competent cross- cultural communication. Crash (Schulman & Haggis, 2004) is a film that has characters of very different natures. The characters may be involved in conflicts due to the differences in genders, cultures and races. As these strangers in the film crash into each other, you may notice that racism and ethnocentrism can really affect the way the characters are able to build a strong and healthy interpersonal relationship. In Crash (Schulman & Haggis, 2004) the character Officer Ryan is constantly in conflict with others due to racism and ethnocentrism. He has been an officer and with the force for 17 years. However, he seems to be extremely racist when he encounters African Americans. Officer Ryan is a typical looking American male, the movie portrayed him to be “tall, dark and handsome.” However, he is also out-spoken and seemingly arrogant. Ryan seems to have that “better than the rest” attitude, it is evident through the way he portrays himself in the movie. If he overcomes these barriers he would be able to establish some positive relationships. Officer Ryan also seems to have accumulated anger and false assumption about those around him. For example, when he pulled over Director Cam and his wife Christine, he was angry with their racial difference and made false
In the film ‘Crash’ directed by Paul Haggis in 2004, several lives cross paths because of an adage, ‘it’s a small world’. The characters come from different backgrounds and social class, consequence, the underlying tone of race is presented in a facet which is a cause for concern. In today’s current tension infested race topic, stereotypes tend to push the notion that one’s perception of race, gender and class must be reality. The question becomes, where does an individual develop these notion and perception and does the blame belong to media and film. Looking at the movie ‘Crash’, it was nominated for over 100 awards and won 3 Oscars; impeccably depicted the intertwining of gender, race and social class that one would assume that the movie’s a depiction of reality. One may conclude that movies are responsible for the perpetual class and virtue given to the middle and upper classes only. Although Parenti’s belief that Hollywood films always attach virtue to the well-off middle and upper classes this is not always the class. Hollywood media and films are guilty of assigning privilege to some and strife to others, however the characters in the movie Crash, Brenden Fraser, Chris Bridges and Thandie Newton all form different economical classes display different types of class and virtue.
While the film “Crash” has several complex characters with storylines that all become interconnected in various ways, the movie is predominantly about how prejudice plays into people’s everyday lives and how such prejudice usually has negative implications. The characters in the film all had their own prejudices, or attitudes judging others in negative ways, which set the stage for discrimination, stereotypes, racism, and scapegoats. Thus, one can see how prejudice plays such a pivotal role in people’s relations with each other. As a result, it is best to analyze this film from a symbolic interactionism point of view by analyzing how the labels the characters encounter in this film affect their perception and in turn create prejudice
The movie “Crash”, by Director and Writer Paul Haggis, follows 8 ethnically diverse families/ individuals facing the struggle of modern day racism and stereotypes created and faced in modern Los Angeles, California. These individuals take the roles of individuals living their daily lives within Los Angeles, California while facing stereotypes. The cast portrays: 2 caucasian white male police officers, an African American director and his wife, a white district attorney and his wife, a Persian immigrant family, and a Hispanic father whose occupation is a locksmith. The scene chosen from this film involves the police officers (Officer Ryan and Officer Hanson) pulling over the African American Director (Cameron Thayer) and his wife (Christine Thayer) at a traffic stop. This scene establishes two different types of theoretic sociological concepts of Thomas Theorem and cognitive dissonance.
The film examines systemic and institutional racism in the police station when Hansen talks to his superior officer about switching partners; his superior, Lieutenant Dixon, is a black officer and says that reporting Officer Tom Hansen as a racist could cost all of them their jobs, especially in the LAPD. Dixon suggests transferring to a one-man car and mockingly suggests Hansen explain his request by claiming to have “uncontrollable flatulence” rather than say his partner is racist. We also see instances of where racism is not race against race, it also portrays race against gender and race against class as two major forms of racism conflict in the movie.
The film encompasses a variety of different themes as well. The issues are all connected to the different prejudices that are found in today’s society. Racism is the most dominant theme that is found in the film. Stereotyping is another theme that is viewed throughout this film. An example of this being when Daniel the Hispanic locksmith was changing the locks for the Caucasian District Attorney and his wife. Jean (the wife) assumes that Daniel is a no good gang banger based on the fact that he has tattoos, a shaved head, and is Hispanic. The film
In life, you never know if you can see the person you may see on the sidewalk or even across the stress. But, in all realities, that person may have a connection to your life. They can be your future spouse, boss, or the murder who may kill your loved ones. In the movie Crash, everyone has connected to each other in a different or common way. The film takes place in Los Angeles, where minorities are dealing with racial tensions while living in the city. The film broadcasts live of many individuals from different socio-economic classes, which they have life-changing experiences during challenges with prejudices and stereotypes. The film shows interpersonal communication which is “The ability to process and gain information between two or many people” (William 20). The film follows the lives of many resides of different races, social class, careers. The group main character in these groups is John Ryan and Tom Hasen who are Caucasian LAPD police officers. Cameron and Christine Thayer who are a young African American couple. Peter and Anthony who are young adults African- American car thief’s. Farhad who’s an Prussian business owner. Daniel who’s an Latin American locksmith. Lastly, Shaniqua Johnson who an African American administrator.
In the 1967 film, Guess Who’s Coming to Dinner, the main characters bring home controversy when they surprise their parents and friends with the news of their soon to be interracial marriage. Each character brings a unique perspectives to the film, which in turn brings to light several different issues. Throughout the film, there are many different ways in which communication is ineffective and could have been improved. First, this paper will discuss examples of stereotypes presented in the film. Next, it will explain complications in listening styles and how it affects communication between characters. Finally, this paper will analyze process of conflict and how the prior points influence the process.
The character I have chosen to analyse is Ryan who is a white police officer that has been working for the LAPD for over 15 years. From the beginning of the movie officer, Ryan represents the common stereotype of an arrogant white racist male. An example of how officer Ryan represents this stereotype is when he pulls over a coloured married couple, Cameron and Christine. Cameron completely cooperates with Ryan in fear of getting arrested or possibly shot. Christine was intoxicated at the time and was less cooperative, she begins to questions Officer Ryan for suspecting her husband of drinking and driving without any probable cause. This clearly upsets Ryan so he decides to demonstrate his power over the couple He tells Christine to put her hands on the van and proceeds to touch her in a sexual and inappropriate way as her husband has to watch.
Throughout the movie showed a sociological concept known as ethnocentrism. Ethnocentrism is the means that we judge other cultures by the standards of our own and that we also believe that our own culture is better than everyone else's. For example in the movie Graham and his Latina girlfriend fight and he pokes fun at her culture by calling her Mexican even though she isn't. Ultimately Graham was mock his Latina girlfriend, assuming the superiority of his own culture. Another example would be when Officer Ryan makes a joke about the name Shaniqua which is more of a known name from the African American culture. (The Movie Crash and the Concepts of Sociology - Yahoo Voices - voices.yahoo.com. (n.d.). Retrieved from http://voices.yahoo.com/the-movie-crash-concepts-sociology-437437.html). The movie also showed elements of Microaggression which is the idea that specific interactions between those of different races, cultures, or genders can be interpreted as small acts of mostly non-physical aggression; the term was coined by Chester M. Pierce[1] in 1970.In Crash the film director gave examples of subtle insults which would be him people telling him the film wasn’t black enough or the he advises him to tell the black characters to make his movie sound more “blacker”. These would be
upon each other based on social group. The group identity tends to dwindle as the movie