The Color White Analysis

In Elie Wiesel’s Night and Richard Motley’s “The Almost White Boy”, the authors both reveal that hatred for others exists because one is taught to hate. The two narratives are similar because people were discouraged and unwelcomed based on the race they are. Each piece is unique because in the narrative Night, you are punished for who you are; even if you are a citizen to the country you live in. Throughout the narrative, the Holocaust is taking place, tons of jews are being killed or worked like animals. The powerful leader known as Adolf Hitler was responsible for the traumatic event that took place from 1933 to 1945. However in the narrative “The Almost White Boy” if your race is hated, you are unwelcomed and treated as if you are

Recently the class and I read a short story called Blue Against White, which focuses on the importance of memories during childhood and how it affects one's life. Jeannette C. Armstrong the author, uses writing techniques like symbolism through common motifs to aid the reader to have a better understanding of the the hidden morals within the story.  Literary elements that were applied in the story includes plot and character which also had immense connections towards the author itself. This can be shown through the word choice and the placement of the setting, which displayed a large significance in assisting the reader through imagery. The fact that Jeannette C. Armstrong developed such a self-discovery story helps bring attention

White companies and white faces with white products…white. With the population of America containing thirty-seven million African and African-Americans, racism is not only discriminatory but also is socially submerged within the terms of “beauty” (Bureau of labor statistics). Women in history have been seen as inferior to men; now, in the twenty-first century, women have been subcategorized in racial boundaries including color being the most prominent divider. As the famous Shakespeare said, “Beauty is in the eye of the beholder.” In most 21st century companies the owners of major cosmetic brands such as Too Faced and Benefit are owned and founded by white individuals, which makes sense because the promotional models are mostly white.

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

The purpose of our project in the form of a drawing is to represent the life of Janie Mae Crawford. The image of the world shaped like a heart has both a light side and a dark side. In general, the world is in the shape of a heart to show how Janie views her world: completely involved in the concept of love. Janie, constantly encompassed within goals of finding and understanding love, views the world as a giant melting pot of love, and all she has to do is travel the planet to find it. The light side of the planet demonstrates her hopes and dreams of finding her true love, searching for it with optimism and joy in believing that her love is out there somewhere, and it will satisfy her. However, the shaded, dark side of the planet represents

man, her family cuts all ties with her and sit shiva, to prove that Ruth is no longer

Neda Maghbouleh’s The Limits of Whiteness: Iranian Americans and the Everyday Politics of Race is a book that demonstrates the harsh and often complex reality of being an Iranian in America. By law, Iranians are classified as white and at home, this classification is supported by the “Aryan Myth” that Iranians are white. To support her idea that there are limitations of whiteness, Maghbouleh cites past court cases as well as case studies of several Iranian Americans who experience racism in their everyday lives. Based on the information provided by the book, I will argue that the laws that classify whiteness and its effect on Iranian Americans is a main factor in why Iranians are treated like outsiders. I will also argue that the way whiteness is perceived by American society also contributes to how limiting it is to be classified as white.

Matthew Frye Jacobson’s Whiteness of a Different Color offers innovative insight into the concept of “race” and the evolution of “whiteness” throughout American history. Jacobson focuses his analysis on the instability of racial identification over time and how race has been created and perceived throughout different stages of history. He states in his introduction that “one of the tasks before the historian is to discover which racial categories are useful to whom at a given moment, and why” (p.9) and while he is successful in some respects, his analysis is somewhat incomplete in providing a full scope of the power relations that created, altered and maintained racial identities in the United States. While Jacobson offers a detailed

Working Towards Whiteness is about immigrants who are coming to the United States during the twentieth century and struggling to become white. This is because America has this identity of being white and the new immigrants are facing the problem of fitting in based on their race and class. The states have applied restriction so that they can preserve the population to be more white. In Roediger historical studies he brings these practices to light and his goals to draw attention to the biased white supremacist policy of the government in the regulations of immigration. Roediger most evident strength would be that he has the adaptation of the “in-between” status of the new immigrants coming in, which they are neither accepted as white neither can they be able to identify themselves as their pre-existing background.

Malala Yousafzai once stated, “Let us remember: One book, one pen, one child, and one teacher can change the world”. In one’s life, there is always someone or something steering them in a direction. It can be as complex as an intervention held for someone, or as simple as a small talk with someone that is idolized. In the short memoir, The Color of Water, by James McBride, James takes the simple route. He is portrayed as a young careless boy throughout the story and starts going into a downward spiral after death approaches those around him. Due to all of his bad habits such as drugs and cutting class, he is sent to other family members and connects with a strange man on the street corner. This man turns out to play a huge role in shaping what james will become. Throughout James McBride’s life, the most influential person on his identity was Chicken Man.

White represents cleanliness, holiness, and purity which are all components to not only the actors the but the community in which they are a part of. To add on this the actors were barefoot which is a very unique and distinct aspect of the play. This also has more symbolism than what meets the eye. As a society, we attribute, or connect, the appearance of barefeet with poverty, sorrow and primitivity. Once again, the play turns this stigma on its head as showing this society as an “ideal” and as one that even the antagonists coveted and wanted to take by force. Speaking of the antagonists, the “evil” actors of the play would be the doctors. It is inferred that the antagonists are doctors since they wore green lab clothing save a lab coat. The apparel of the doctors were even accompanied by face masks. The doctors and their clothing are also good symbols in this play, but unlike the barefeet symbol, doctors are seen as something positive in today’s society-a necessity. However, in the play, the doctors are coming to not only bring destruction to the utopia but also to take whatever they please by force. The doctors also represent something more realistic in the play, the evil of knowledge. In our society knowledge is something that people either covet or regret, and in this play it’s obvious that knowledge is something that the doctors covet. This conclusion is reached by the fact that the color of the doctors’ apparel was green.

The connotation of the colour white is used in this chapter too. Nicole wears a white blouse during this chapter, showing her purity. After the incident with Larry, the story shows 'Her white blouse torn and one hand clutching the front of her blouse to hold it together'. From the links that have been used in the story for the colour white indicating purity, this implies that Larry has taken her innocence away from her, making her a woman like she wanted to be – just too early.

Rather than merely examining the affects of racism on people of color, the book turns its attention to whiteness and how a system of white privilege, supported and perpetuated by whites, also damages whites by inhibiting them from making meaningful connections with other human beings. Until I almost reached the end of this book I was uncomfortable and disturbed by the way the book made me feel. As a white male, I am aware of the pain that my ancestors have created for others to advance the free world. I have pain for those who suffered and disagree with actions that were taken by my white predecessors. But I believed that we are now in a much more advanced world where we have chosen the first black president and equality was a focus of most Americans. Identifying with my culture as currently being a white supremacist society is something I have never considered, or would not want to consider. In Neuliep, within the Coudon and Yousef’s Value orientations, we perceive the human nature orientation within the United States with people being essentially rational. This term, rational, can be somewhat subjective. And if we continue with the same value system, and look from ‘the self’ values, we foster our self-identities from the influence of our culture’s values. If we are to reflect truthfully to how our country evolved and what we ‘had to do’ to create our freedom by limiting the freedom of other, how would we then perceive

Daisy and Jordan are wearing white dresses the first time Nick sees them, which suggest that they are innocent, almost angelic women. Throughout the book, certain events question whether or not the two women are as pure as their white dresses. Daisy’s innocence is especially questioned. The fact that she considers leaving Tom for Gatsby is one instance which suggests that Daisy is not so innocent after all. Perhaps the author is trying to suggest that even the most innocent people can be corrupted. In the end, Daisy does not leave Tom, which suggests that maybe she really does still have a hint of innocence in her. White symbolizes the theme of

, once acquired comes with the consequence of being objectified under the red light to the master’s male gaze. Hence referring back to Kong who mentions the power these women gain is ironic. Their victory is the attention of the master’s affection for one night. This further emphasizes the lack of power and importance women have under the Confucian ideologies. Perhaps the red tones