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The Great Train Robbery And Edwin Porter

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In this essay I will be discussing five key points throughout Post Production history between the 1900s-1960s. Post Production is seen as a vital component in the cinematic industry as it essentially finalises the final products. Techniques that have been developed over the years are incredibly important, but they all have an origin. Although these techniques started out without overwhelming effect, they are now unbelievably crucial to how films are constructed. The five points I wish to discuss go as follows: The Great Train Robbery and Edwin Porter himself, D.W. Griffith and his overwhelming influence on editing, The Jazz Singer, the Kuleshov Effect and finally, 2001: A Space Odyssey. As well as discussing these key factors, this essay will take into consideration secondary material. In the early years of post production, there was a distinct lack of editing within the film industry. Everything filmed was for the most part one continuous shot and lacking too much creativity in the post production region. Edwin Porter was one of the key founders that changed the way post production was addressed. Although he originally filmed following what is referred to as Aristotelian construction (Musser, 1991, p167) he began paying closer attention to how a story could be told more effectively through visual representation. Edwin began straying away from Aristotelian construction and instead opted to use cutting to help him create the story he wished to create. Whilst this was not an

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