The Madness of Hamlet and Ophelia
Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse. As demonstrated throughout the play, Hamlet’s madness is evident whether real or fake. In his own words, “I am mad but north-north-west: / When the wind southerly, I know a hawk from a handsaw” (II. ii. 377-78). Hamlet is claiming that he is frequently seen as crazy. However, he claims that he can choose the moments to be mad. Hamlet is speaking to Rosencrantz and Guildenstern stating that Hamlet knows what Rosencrantz and Guildenstern plan to do. The reader is again asked to consider whether Hamlet is faking his madness or whether he is, in fact, mad. In a monologue, he says, “How strange or odd some’er I bear / myself / As I perchance hereafter shall think / meet / To pit an antic disposition on” (I. V. 190- 92). The death of Hamlet’s father is something Hamlet cannot
Hamlet’s madness is questioned by many readers. The truth is that Hamlet portrayed madness before he came up with the plan of acting madness. This madness is an important characteristic in the play with Hamlet’s actions revolving primarily around the idea he has because of his madness. There are several occasions further in the play when the audience sees Hamlet acting mad even though there is no one else in the room that he was aware of. In act three, scene four, when Hamlet is in his mother’s chamber and hears a noise behind the arras the rash decision to stab the noise behind the curtain shows exactly how erratic and unstable Hamlet is. His rash behaviour to kill without seeing what he is doing shows that his madness is real and not something he is faking to have revenge for his father. In act five scene two, Hamlet announces that he has switched the letter that ordered Hamlet to be killed in England; instead writing that Rosencrantz and Guildenstern are to be killed. This is perhaps because he thought they were the ones who ordered his death when in fact they were just following Claudius’ instructions. Rosencrantz and Guildenstern were Hamlet’s friends which show that he was perhaps paranoid in his madness. They were there to help yet his rash character after seeing the Ghost has yet again ended people’s lives. It is important to consider that in the Elizabethan era madness was defined differently than what the
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.
Over the course of Shakespeare’s play, Hamlet, Hamlet begins to act strange. He not only acts strange, but he begins to act like a madman. Therefore, many question his sanity after reading the play. There are many examples and hints throughout the play that leads one to believe that Hamlet has slowly gone mad after losing his father. It is noticeable that Hamlet is mad when he enters Ophelia’s room, sees the Ghost, and talks to Rosencrantz and Guildenstern.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.
Hamlet’s sanity has made many people question him. “Hamlet certainly displays a high degree of mania and instability throughout much of the play, but his “madness” is perhaps too purposeful and pointed
Hamlet is a young man who has become crazy from his trials and tribulations in life. He lost his father due to his uncle murdering them and then had to watch his mother marry the killer. Hamlets insanity can be demonstrated by his crude language and disregard for the well being of his mother. It can also be shown by his depression, which causes him to second guess everything including his life and finally his love, Ophelia helps to justify his absurdness by acting as a mirror. His foolish behavior worries many in the kingdom and creates a hostile and paranoid environment for those around. While some in the castle may believe that Hamlet is putting on an act, he proves that he is mad through his violet actions, his mental health and Ophelia.
In the play Hamlet by William Shakespeare, there were many important characters just like Hamlet who show up in more than three-fourths of the play; but there are also characters that don’t necessarily show up as much but still have a strong role. One of the characters that didn’t get as much screen time but was still important was Ophelia. Ophelia was a sister, girlfriend, and daughter that so many people loved. Therefore, Despite the lack of presence of Ophelia, she ultimately played a big role in the lives of a lot of the characters.
Great authors can develop the same idea in different ways. Shakespeare introduces the characters of Hamlet and Ophelia to mental illness throughout “Hamlet”. Hamlet a, Depressed and Monomaniacal Psychopath, runs off of the vengeance of his father to kill his uncle, King Claudius. Ophelia A victim of, hysteria and depression, cannot function without the support of her father and lover without this support she can loses the will to live. Shakespeare uses metaphors, gender, tone, and word choice to develop the progression of mental illness in his characters throughout “Hamlet”.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full
A theme of ‘madness’ is carefully and creatively manifested within Hamlet. A question that I intend to get out of the way fairly quickly would be the decision of Hamlet’s mental state. There is much controversy surrounding the idea of Hamlet’s madness, and textual evidence can support either side of the argument. However, madness is still at the heart of this play, whether it be real or feigned. Since we cannot prove Hamlet’s sanity, we may still act under the assumption that he has lost his hold on reality. In the case of Ophelia, there is no doubt clouding the decision of her mental state. She is, indeed, insane. In order to examine these cases of insanity, we will not only find differences between Hamlet and Ophelia’s loss of sanity,
Although Hamlet portrays himself as deranged to the public, it’s a façade; he is actually sane. He relies on this act to achieve his ultimate goal: to seek revenge on behalf of his father’s, King Hamlet’s, assassination by Claudius, his very own brother. For instance, while Hamlet is in discussion with Rosencrantz, Guildenstern, and Polonius, he mentions, “I am but mad north-north-west. When the wind is southerly, I know a hawk from a handsaw” (II.ii.). The constant front of madness deceives everyone around and creates a rumor that Hamlet has actually gone insane. Upon his insanity, Hamlet is able to successfully con his peers in order to avenge his father’s murder. In addition, while Polonius tries to snoop and persuade Hamlet into sharing
Shakespeare’s play Hamlet is one of the most important works of literature ever published, evidenced by the fact that it explores several themes still relevant almost 400 years later—namely the affect insanity can have; not only on one person, but everyone involved in that person’s life. The play takes place shortly after the death of Denmark’s former king, King Hamlet, and follows his son, Prince Hamlet, as he attempts to avenge his father’s death. Although early in the play Hamlet tells his friends, Horatio and Marcellus, that he is going to assume an “antic disposition,” it is commonly debated as to whether or not Hamlet actually delves into madness (1.5.192). Hamlet’s display of control over both his thoughts and his actions, coupled with the fact that many other characters doubt his madness, makes it evident that Hamlet never does descend into true madness.