In reaction to the power the bourgeoisie have over the proletariat, the narrator uses her defense mechanism of acting out to get power over herself back. Acting out involves preforming external actions that mirror how one is internally feeling. This can be seen when the narrator breaks a rule in the manual, and seeks affection from her window friend in the male shelter. As she states, “Tonight, his light isn’t on and so we don’t wave, but still, I undress in front of my lit window. I can’t know if he’s watching from the darkness, or who else is watching, for that matter”(Cook 50). By undressing in the window, the narrator is showing the bourgeoisie that she is in control of her actions. Moreover, by changing her physical appearance, the narrator gains more control over her body. As she states, “For a couple of weeks I allow myself a little moment. I scrape other woman’s leftovers onto my plate. I eat the treats my old floor still sends, even though I don’t like them” (Cook 53). By increasing her food consumption, the narrator is making her self less desirable in the bourgeois lens; consequently limiting her chances of getting chosen by a wealthy person. Since she is in control of her desirability, this shows the narrators success in gaining power over her body and where she chooses to belong. Ultimately, through her defense mechanism of acting out, the narrator gains power over her actions and body back from the bourgeoisie. Furthermore, the narrator uses her defense
This oppressive nature results in an inferiority complex being developed by the narrator. The narrator is unable to express her opinion
The women of the story are not treated with the respect, which reflects their social standings. The first image of the women that the reader gets is a typical housewife. They are imaged as “wearing faded house dresses and
Despite being looked at in a certain way, Women are being portrayed as “going exactly where their mothers and grandmothers have already ‘been’: into sexual bondage at the hands of a male ‘Friend’” (Christle 1). This is showing how even though women are changing the way society works, some people still want it to be the same. In the story Connie’s mom wanted Connie to be like her and her sister, just the average, not overly pretty looking lady. Some people think that “women have been silenced,” (Spelman and Lugones 574) but Connie had other ideas, she wanted to be different from them. She was constantly looking at herself in the mirror and thinking about what others were thinking about her. When she went out, she would always wear nice clothes that would get her noticed. Looking through a feminist lens one can conclude that Connie’s family sees women now as they always were.
In Sheila Fitzpatrick’s essay, The Bolshevik Invention of Class: Marxist Theory and the Making of “Class Consciousness” in Soviet Society, she discusses the Bolsheviks view and struggle with class. It seems as though the thesis for this paper is stated right away, when the author notes that
The bourgeoisie consisted of middle class Frenchman. These people had voted and supported Napoleon through his decade of being in charge. If I had been a member of the bourgeoisie, I would've been satisfied with Napoleons actions. I feel this way because Napoleon had led his empire through many victories. He had also shown a great deal leadership and respect toward his people. Napoleon created multiple uniform policies to help his empire be successful and grow. His tax collection and banking systems were a great strategy because they helped support his army and government. By using this strategy, it helped create peace and order. Napoleon cared about eliminating corruption within his government, so through his special schools, lycees, he was
You can imply that the narrator is trying to break free from oppression from her husband and
When the narrator was confined to her room, she also physically suffered. The room that she inhabited was both simple and dull with not much furniture and nothing to pass the time. The narrator had a clear lack of power and control as she
In Perkins’s short story, the narrator is denied basic freedoms because of her state of mind. In the beginning of the story the narrator speaks about her nervous depression and how certain things she does have to be run by her husband. She explains how the activities that do not do her well according to her husband, she actually enjoys. The narrator enjoys writing but she hates having to be so hidden about it because of the criticism she receives from her family. She believes her husband is watching out for her by prohibiting certain things, but this also shows how she is unable to make her own decisions.She also states that a change would do her well, but she really is not in a position to go against her husband. The narrator follows her husband’s instructions because he has authority over her. The narrator explains that her family is not supportive of her writing when she states,”I did write for a while in spite of them; but it does exhaust me a good deal- having to be so sly about it, or else meet with heavy
The narrator looking out the window can reminded her of the freedom she does not have. All of the creeping women the narrator sees represents all of the women in society stuck in her same position and cannot do anything about
Almost every American adults in the United States of America has to fill out a tax return to see if those still owe the government some money, or if those will get some back from the government. A recurring thought in the mind of many of these adults is,” How can my taxes be this high”. The middle class is supposed to be living comfortably and not have to live their lives worrying about money. But, in today’s United States the middle class has to worry about money every single day. The upper class is almost being penalized for earning too much money based on the percentages that they have to hand over to the government. The businesses that once were able to create jobs are now having to cut jobs because of the astronomical percentages
In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, the story revolves around a woman who is presumably sick. Her illness is an obvious reason for her containment, and her daily interactions are limited to a few people who take care of her. Given this kind of environment, our protagonist proceeds to find a way to escape. She does not want to be locked in. She does not want to be confined.
G. William Domhoff is by trade a psychologist and sociologist and is the author of several books on the theory of power and class structure. In his book, Who rules America Now? Domhoff provides an in depth analysis of the structure of wealth and power in America. He asserts the existence of an institutional upper class in America that is able to dictate/direct the politics, economy and government by virtue of its wealth and power. I contend that Domhoff through his analysis of the wealth and power structure of the American upper class can be considered as a lay cultural theorist. This is based upon his identification of the cultural processes of the upper class - those learned shared patterns of behaviors and interactions that allow them
Why we don’t tolerate capitalism and the state? Why the rich and the petty bourgeoisie tolerate the system? Why no revolution has succeeded yet? What the future is storing for us?
Inequality in the society has been an issue since the history of the universe and as we think we are bridging the gap between the rich and the poor we always find out that it is as a wide as it was. The poor will always exist in the society as the inferior group while the rich are the superiors who control various aspects and sectors of the society.
There is a distinct contrast between appearance and reality, which works to reinforce the idea of confining individualistic behaviours to retain the ‘pattern’ of society. In stanza two, she says that “tripping by in high-heeled, ribboned shoes/ (there is) not a softness anywhere about (her)” (lines 16 and 17) when she’s wearing “only whalebone and brocade” (line 18.) The term ‘whalebone’ refers to a whalebone corset, which is a very hard material that is restrictive to movement. By describing her actions as ‘tripping,’ a modern day feminist reader is reinforced that she is not coping in her current lifestyle where she is limited to living in a strict manner. In the next stanza, she says that “underneath (her) stiffened gown/ Is the softness of a woman” (lines 32 and 33.) This develops the idea that the way she dresses is a deceiving appearance, because she is not as stiff and stable on the inside as she comes across on the outside. Deep down she is soft and sad, in mourning of the loss of her lover, yet she cannot express these emotions due to the expectations and restrictions of women during the Victorian era.