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The Seventeenth Century

Decent Essays

Towards the beginning of the seventeenth century, interior designs were plain. The focus was on practical living—financial restrictions limited the attainability of a flashy household. When describing a 17th century household, Wayne Craven wrote, “the rooms had low ceilings with exposed beams, plastered or occasionally paneled walls, and floors laid with broad planks,” (Craven, 35). Living quarters were plain and primarily filled with only the essentials for living. Craven also wrote that “the usual complement of furnishings in the hall included a table, chairs, and stools, a chest, a carved wooden Bible box, and possibly even a small bed,” (Craven 35). Furniture often became functioning “art pieces” because decorative furniture consumed too …show more content…

“Inside colonial households, British imported goods were abundant. The goods—textiles, furniture, and even table forks—made the possible pursuit of an ideal refinement and an appearance of gentility in the colonists’ everyday lives,” (Jaffee). The eighteenth century brought with it a revolution in colonists’ consumer habits. They desired more elegant decorative arts than what the seventeenth century offered. The Southern United States were especially fond of the revolution in decorative arts. Jaffee wrote that “In the South, sprawling plantation homes were filled with both American-made and imported furniture, decorative arts,” (Jaffee). Imported goods brought the colonists the most current decorative effects. Interior decorations were no longer strictly foreign-influenced. American artists worked to grow in popularity, alongside internationally known decorative artists. Amidst the eighteenth century, a new style of interior design developed. It was called Queen Anne style and was influenced by Queen Anne, queen of England. Queen Anne style was recognizable because of its furniture and metalwork. Craven wrote that “the Queen Anne chair is a symphony of gentle, related curves in the back, the legs, and the rounded shape of the seat,” (Craven, 63). Before Queen Anne style, chairs had been blockish and rectangular, constructed with harsh ninety-degree angles. The carpenters, upholsterers, and designers evolved their crafts through the Queen Anne style. One area on the chair by which the creators showcased their talent was the knees of the chair. Craven wrote that “on the knees of the settee, the decorative carving of the scallop shell—a favorite motif—is typical of the tasteful but sparing use of ornament in the Queen Anne style,” (Craven, 63). Classical designs from England were used less throughout the eighteenth century, as artists were inspired by international influences. China was a

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