The Slopes Of War By. Perez

To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who

In “War and Massacre” by Thomas Nagel, Nagel argues that there are limits on what can be done to an enemy even its for the sake of overall good. He believes that such an idea is grounded on the principles of Absolutism, where morality is determined by the action itself (deontology). This is contrary to the view of Utilitarianism, which relies on the premise that Morality is determined by its consequences (Consequentialism). Although could one in fact generate such a moral structure around war? Do the ends justify the means in War? Through identifying with a real-life example, I will look to expand on Nagel’s account where an action taken by a country in war would be prohibited even if it were for the overall good.

"Battleground America," written by Jill Lepore, provides a strong history of guns and the way they have changed in the eyes of the American through the years. She proves her point with strong evidence throughout her article, sprinkling it with opinion and argument that is strongly supported. She presents her argument to convince her audience that the open availability of guns allows citizens to undeservingly purchase them by displaying the credibility in her sources, using negative connotations in her speech, and the strength and objectivity only a strong logos appeal can provide.

“If I truly believe the war is wrong, is it then also wrong to go off and kill people? If I do that, what will happen to my soul?” (pg 60). Tim O 'Brien is an American man who was drafted into the Vietnam War. O 'Brien is not a violent man and struggles because he believes that the war is wrong. He debates whether or not he should go to war or move to Canada to avoid the draft. Tim O 'Brien decides to join the army. O 'Brien uses his personal experiences as a foot soldier in the Vietnam War to convey his possible bias perspective that the Vietnam War was a waste of people 's lives and a shameful venture for the United States.

In war, both violence and fear revokes a soldier’s humanity. These elements of war cause a person to shut down their emotional instincts, which causes the soldiers to mature rapidly by taking innocence along with joy and happiness in life. Through the experiences that the soldiers encounter, their humanity is compromised. Thus, as war strips soldiers of their innocence, they start to become disconnected from themselves and others. In All Quiet on the Western Front, Erich Maria Remarque illustrates the negative effects war has on a soldier’s humanity, through his use of Paul’s books and the potato pancakes by revealing the soldiers loss of emotion that causes them to become detached from society. Through these symbols they deepen the theme by visually depicting war’s impact on Paul. Paul’s books helps the theme by depicting how the war locked his heart to old values by taking his innocence. Likewise the potato pancakes reveal Paul’s emotional state damaged by the war with his lack of happiness and gratitude.

The non-fiction article, “Children of War” by Arthur Brice is about four children who were forced to flee war and relocate to the U.S. First off, children in warzones are not a big part of what caused the wars, but are still heavily, negatively affected. For many, life was great and jolly for children before times of war, but when war came about it changed their lives, they lived in fear and terror. They lost family, money, and most devastating, their homes. So they were forced to flee, to many countries around the world, but ultimately they came to the United States. At first life was tricky in the U.S, they struggled with language, culture, and homesickness. Although these teens are living in the U.S today, they hope to go back to their

Drew Gilpin Faust’s This Republic of Suffering: Death and The American Civil War tackles a subject that is not widely written about: the ways of death of the American Civil War generation. She demonstrates how the unprecedented carnage, both military and civilian, caused by the Civil War forever changed American assumptions of death and dying, and how the nation and its people struggled to come to terms with death on an unimaginable scale. The war created a veritable “republic of suffering” and Faust vividly portrays the United States’ ordeal, transformation, and

To the United States, World War II is believed to be a good war, and why wouldn’t it be considered as such? During World War II, in addition to stopping mass genocide and stopping the spread of Nazism and Fascism, the United States beat Japan after their attack on Pearl Harbor. As a result, the U.S. was no longer in the Depression and the United States became a world power. However, in “The Best War Ever,” Michael C.C. Adams argues that as a result of Hollywood’s glamorization of the war, government propaganda/censorship, and the widespread of economic prosperity, Americans were kept in the dark about the truth regarding World War II resulting in the popular belief and myth that World War II was a good war.

Over 150 years, the Civil War had been the bloodiest war in the American history, also known as “The War Between the States” or “Brother Against Brother”, it was fought between the Union or the United States of America and the Confederate States of America. The war lasted four years from 1861 to 1865. What motivated these men to fight and what is the cause of the Civil War is a subject that many historians tried to find out.

John Keegan describes his book, The Face of Battle, as "a personal attempt to catch a glimpse of the face of battle." This personal aspect that Keegan mentions is essential to his book and is excellently articulated, driving home his point. Keegan, who taught at Royal Military Academy Sandhurst for over 25 years, begins by acknowledging his uneasiness with the fact that even though he taught British cadets military history, "I have not been in a battle; not near one, nor heard one from afar, nor seen the aftermath . . . And I grow increasingly convinced that I have very little idea of what a battle can be like." Keegan is clear to state his proposition that almost all military history has functioned simply as a “battle piece” description in which one can see all the larger moving aspects followed by the outcome. However, this sort of recounting fails to acknowledge the personal side of war, the experience of battle. What really ensues when a cavalry unit meets an infantry unit? What are the vital features in determining whether soldiers stand and fight or turn and run?

Death; destruction; crawling, bloody men without jaws; and a child in the middle of it is just a glimpse of the grotesque short narrative “Chickamauga” by Ambrose Bierce. Chickamauga Creek is an area near Chattanooga, Tennessee and northwestern Georgia, plagued by war, suffering, and bloodshed from the Civil War (Bohannon). Bierce served in the Union Army during the American Civil War (Campbell). Many Americans then, and today, romanticize war with glory, heroism, and patriotism. Bierce defied literary status quo, creating graphic accounts of war, in an age of sentimentalism and melodrama (Morris). Lesser publicized were the perspectives, thoughts, and realities of the soldiers after serving and surviving in the civil

The Forever War by Joe Haldeman is a classic work of military science fiction depicting a war between the human race and an unfamiliar alien entity known as the Taurans. The overall plot line follows a fairly typical path, but Haldeman’s real genius is realized through the interactions that take place between the protagonist, William Mandella, and the Earth he returns to between military operations. Developing beneath the ever-present war of the two species lies a much subtler conflict between generations of human thought and culture. Brought about by the way troops are transported in space, time dilation creates an interesting dichotomy between the early soldiers of the war and the rapid evolution of human society and culture remaining on Earth. The Forever War questions the stability of human nature by creating a scenario where its fluidity is exposed through an invariable link to time. The expression of human nature changes as cultural and personal identities adapt to new situations; viewing these changes through Mandella, we begin to see how different expressions of human nature can impact human nature itself.

The wartime lives of the soldiers who fought in the war were in a state of mind of mixed feelings. Happiness and devastating are two adjectives that can describe the soldier’s feelings in the war because at one second they can be happy that they succeeded on a mission, but on the other hand, it can be very devastating because one of their own soldiers could have been killed during the war. Aside from physical danger losing one of your own soldiers or having your family worry about you every day and night are some negatives and unpleasant parts about fighting in a war. For example, soldiers loved ones worried each day, and hoped that they would not get a knock on their door by someone who was going to tell them that their fathers, husbands, sons, or brothers have died in the war.

The mental implications of war on the soldiers challenged the way they functioned day to day. In the ‘Next War’ Owen demonstrates the mental implications through personifying death and engaging the responder with sensory imagery.

The Civil War (1861-1865) took the lives of hundreds of thousands of people, more than any other American conflict. More than 100,000 died from disease, rather than from combat. The graphic novel Battle Lines, by Jonathon Fetter-Vorm and Ari Kelman, contains fifteen chapters, each one concerning itself on a specific object or a particular source from the Civil War. For example, there is a chapter focusing on a pair of opera glasses at the Battle of Bull Run/Manassas, and another featuring a diary at an Andersonville prison. These objects or sources serve as the focus of narration and artistic presentation throughout the novel. The novel does not simply gloss over the brutalities, fatalities and realities of the war, but delves deeper into