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The Strange Case Of Dr. Jekyll And Mr. Hyde

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Written in 1886 Robert Louis Stevenson’s “The Strange Case of Dr Jekyll and Mr Hyde,” shocked Victorian audiences with its complex themes of the division of human nature. Inspiring a flourishing Irish writer, Oscar Wilde, who himself was struggling with an internal division, “The Portrait of Dorian Gray,” (1891) was conceived. Both novels explore the motif of a split existence with notable differentiations yet each produces a substantial investigation into what it means to have a dual personality. The notion, to be a gentlemen was one of the upmost importance, even so that when the time came that Wilde was revising and preparing his novel for publication he abruptly changed the name of the picture framer that is called to Dorian, the rendition of the name from Ashton to Hubbard was due to Wilde’s perception that Hubbard is very much a tradesman’s name and that a picture framer is not to be anointed a gentleman’s name such as Ashton. Oscar Wilde, a “gentleman” made mockery of his society, indubitably knew what this title meant and was preservative over his right to such a term. Acquitted with a double first from Oxford University, residing in London’s most fashionable district and attending to various gentlemen’s clubs Wilde was the archetype of the cognomen. The gravity about the concept of being a gentleman is made evident when Basil Hallward terms that “every gentleman is interested in his good name,” (Chapter XII): correspondingly to Dorian, Wilde himself had

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