The Turning Point For A Woman In The 1900's The Awakening

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

As Edna becomes her own person, she also becomes a better artist. Being an artist comes with responsibility in the novel. Prior to her awakening, she does not consider herself as an artist. The novel states, “Mrs. Pontellier had brought her sketching materials, which she sometimes she dabbled. She liked the dabbling” (13). After she awakens however, her artistic abilities increase and she begins to sell her artwork. Ironically, Edna and Mademoiselle Reisz have similar characteristics. Mademoiselle Reisz is Edna’s spiritual mother in a way, and the two have a love hate relationship. Mademoiselle Reisz is a key factor in Edna’s awakening, and she encourages her as she goes towards her heart’s desires. She knows that Edna does not want to answer to her husband or always watch after her children, and the best way to do so is to be like Mademoiselle Reisz.

Edna’s artistic pursuits are very different than Madame Ratignolle’s. Edna’s art represents her quest for individuality (Boren 181). Her form of art does not provide pleasure or enrichment to her household. Instead, it takes her away from her family and her domestic duties (Dyer 87). Edna paints in her “atelier” (Chopin 579). Mr. Pontellier chides Edna for spending too much time in her atelier; he says that she would “be better employed contriving for the comfort of her family” (Chopin (579). Edna makes good progress in her painting; she dreams of “becoming an artist” (Chopin 584). However, her devotion to art is contrasted to that of novel’s true artist.

Edna’s suicide was victory of self-expression. Edna undergoes a gradual awakening process in which portrays not to only her newly established independence from the constraints of her husband, but also her ability to go against the social norms of society in order to individually express herself. Her suicide encompases the question and critique of living life through the perspective of society such as being responsible for taking care of the kids, cleaning the house, and entertaining any guests that the husband may have over anytime. In the first couple of capters, the novel is quick to emphasize the gerneralized roles kthat are placed onto females, making it apparent that fe,ales are expected to successfully fulfil these roles. For example, Leonce enters home after being out and stated one of the kids had a fever. Edna was certain the child had no fever but Leonce belittles her capability as a mother for indifference with him. “If it was not a mother’s place to look after the children, whose on earth was it?” (27capac).

The Awakening’s protagonist is Edna Pontellier; She is a twenty-eight years old mother of two. Consequently, her appearance is slight that of what a mother should look like, she possesses "quick and bright" eyes, which compliment her thick, wavy, yellowish brown hair" (9); While Edna 's physique is "poise and movement" (27). Despite this, Edna does not want to assume the role of a mother; Edna wants to be free from social assumptions of what a lady and even mother should be during the 1800’s. Independence is her goal, and she is not letting anything, or anyone gets in her way. This is why she has an affair with Robert Lebrun. Edna is symbolized in the story through multiple birds, which in the end tell a story in and of itself

After returning from vacation, Edna is a changed woman. When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions.

She is moved by music. During that summer Edna sketches to find an artistic side to herself. She needs an outlet to express who she is. Edna feels that art is important and adds meaning to her life. After the summer is over and they are back to the city and Edna is a changed woman. She makes many steps towards independence. She stops holding "Tuesday socials", she sends her children to live in the country with their grandparents, she refuses to travel abroad with her husband, she moves out of the Lebrun house on Esplanade Street, and to earn money, she starts selling her sketches and betting the horses. She also starts a relationship with another man Alcee Arobin. He meant nothing to her emotionally but she used him for sexual pleasure. Edna evolved above her peers she did not believe that sexuality and motherhood had to be linked. The last step of her "awakening" is the realization that she can not fulfill her life in a society that will not allow her to be a person and a mother. Edna commits suicide in the ocean at Grand Isle.

Constant struggle for power, control, and self direction is experienced by every human being at some point in their life time. In some desperate cases this struggle can lead someone to do something momentous. In Kate Chopin’s The Awakening, the lead character, Edna, faces extreme sexism in a time where women were expected to act only as a primal caretaker. Edna’s search for self empowerment in a time where men were the primary decision makers causes her to make crucial sacrifices only to find out that there is no way she can truly control her life.

As Edna awakens, she becomes more and more dissatisfied with the role that is expected of her in her household; she wants to be free, like an artist such as Mademoiselle Reisz. Though she declares herself independent from her husband, even Robert will not join her in straying off the path society has laid out.

In The Awakening, Kate Chopin describes the tale and life of Edna, now in her late twenties, as she coming to the realization that she is not entirely pleased with her current life and is not particularly excited to see where it’s going. She’s aware that will never attain a future that will ease her of her sadness and make her life feel significant in any way. She is very much aware that she is filling a role that society expects of her and feels that she is losing her own independence, or at least what was there to begin with. Edna is a wife and mother of two. She spends most of her time with her friend Adele who is constantly reminding her of her duties and expectations as a mother and wife.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Mademoiselle is a very independent female in the novel, The Awakening. She shows Edna that she can live a life without being “owned” by a man or her husband because Mademoiselle lives without a man in her life. Throughout this novel, Edna expresses and shows she wants rights as a woman. She also grows as a woman in the novel showing and expressing how women should have their own rights. It is stated “She wanted to destroy

The Awakening was a very exciting and motivating story. It contains some of the key motivational themes that launched the women’s movement. It was incredible to see how women were not only oppressed, but how they had become so accustomed to it, that they were nearly oblivious to the oppression. The one woman, Edna Pontellier, who dared to have her own feelings was looked upon as being mentally ill. The pressure was so great, that in the end, the only way that she felt she could be truly free was to take her own life.  In this paper I am going to concentrate on the characters central in Edna’s life and her relationships with them.

Edna realizes that the patriarchal society is quick to condemn particularly a freedom-seeking woman who neglects her children since she is “intended by nature” to take care of them (Dyer 126). She is "uneven and impulsive" in her affections for her children. When they leave to visit their grandmother, she is relieved because she is not suited to the responsibilities of motherhood. Edna’s mind was at rest concerning the present material needs of her children:

In the novel The Awakening, by Kate Chopin the critical approach feminism is a major aspect of the novel. According to dictionary.reference.com the word feminism means, “The doctrine advocating social, political, and all other rights of women equal to those of men.” The Awakening takes place during the late eighteen hundreds to early nineteen hundreds, in New Orleans. The novel is about Edna Pontellier and her family on a summer vacation. Edna, who is a wife and mother, is inferior to her husband, Leonce, and must live by her husband’s desires. While on vacation Edna becomes close friends with Adele Ratignolle, who helps Edna discover she must be “awakened”. Adele is a character who represents the ideal woman. She is loving,