Masculinity Essay

ideologies of masculinity as it is socially understood. Historically, the traditional male-male relationships have adhered to the traditional formula of masculinity, defined by men who strived for sexual conquests and sought power within social hierarchy while remaining emotionally inexpressive. While these are all ideologies of homosocial relations and are present in some aspects of Entourage, the relationships between the characters of Entourage represent a new type of masculinity all together.

Hofstede uses the words masculinity and femininity to refer to the degree to which masculine or feminine traits are valued and revealed. Steven Hawking and his colleague contend that just as models are used in science, people construct “mental models in order to interpret and understand the everyday world” and the resulting perceptions are subjectively influenced because they are “shaped by a kind of lens, the interpretive structure of hour human brains.” In the movie “The Avengers” the director

This dissertation explores an emerging masculinity with an unlikely genesis stemming from a television program called My Little Pony: Friendship is Magic. I call this developing form of masculinity “concordant masculinity” which defines itself through harmony by means of collaboration and agreement without coercion or appropriation. This form of masculinity varies from other structures of the term in that it allows for greater gender fluidity and a wider array of gender performances while further

Masculinity, a seemingly simple concept. Yet, when examined more closely, it is clear that masculinity is constantly changing in its definition as well as in its most basic essence. Throughout the years, one can see this evolution firsthand by looking back at the men who have been portrayed in popular media in the United States of America. From the suave Don Draper types of the 1950s to the more casual, educated, and easygoing men- with perfectly chiseled abs, of course- that are portrayed in media

Critical Film Analysis of Susan Jeffords (1993) article “Can Masculinity be Terminated?” in the Terminator (1984) and Terminator 2 (1991) Summary: Susan Jeffords (1993) article “Can Masculinity be Terminated?” defines the alteration of cinematic “masculinity” that occurs in the presentation of the male body in the Terminator film franchise of the 1980s and 1990s. This transformation of masculinity presents the “externalization” of masculinity in films, such as the Terminator (1984), through the male

in both genders. The identity of “man” has been lost in the midsts of redefining masculinity, and the two have been mistakenly associated with each other. As Kosofsky-Sedgwick emphasizes in Constructing Masculinity, “when something is about masculinity, it is not always ‘about men’”. In previous class discussion regarding Beowulf, translated by Seamus Heaney, characters of both genders define the norms of masculinity as needing to prove oneself, being valorous in the eyes of other men, assuming and

Masculine, having qualities or appearance traditionally associated with men, especially strength and aggressiveness. In the novel, Things Fall Apart, Chinua Achebe writes about a man whose driven by fear and anger, he does all of this to show his masculinity in hopes to prove his worth to his village members. Success is highly valued in Ibo culture and it is endorsed usually on the men, an example would be the character Okonkwo who rose from poverty to being a man of high social status all by committing

Over the course of film history, the traditional alpha male stereotype has generally been without a doubt the most prominent cliché effectively used to represent masculinity in men through numerous films. The film The Great Escape (1963) is no exception, directed by John Sturges, portrays the character Robert Hendley (James Garner) as a gentlemanly masculine character who is a manipulative, charismatic and courageous alpha male. Hendley demonstrates his charisma through confidence in speaking his

of “rules” established through a few common phrases which measure masculinity. This is important because it shows how masculinity is a constant test that men are trying to pass. It adds pressure to their identities and how they are perceived in society. Overall, this point was helpful in showing that men feel the need to have power in multiple ways, otherwise they are anything but masculine. The second point is that masculinity is fragile and heavily relies on the approval of other men. On pg

The key issues surrounding the code of the street are earning respect and masculinity. Those involved out in the street demand respect to be given to them. It is important for them to be seen as a man. In this case, masculinity and respect come hand in hand. You are only seen as a “real” man if you get physical or “get in someone’s face.” Anderson (1999) explains, “For many young men, the operating assumption is that a man, especially a ‘real’ man, knows what other men know- the code of the street”