A Cream Cracker Under the Settee. Alan Bennett

Sometimes we heard moans from the back room and I helped wring out cloths and Doris brought water in a glass held to her mother’s lips (17-22)” it is the first time we see the children in a serious manner as they take care of Doris’s mother. While the war may be a faraway thought, Doris’s mother having cancer directly affects the children and they have to deal with reality for a short time.

Porter's "The Jilting of Granny Weatherall" depicts the story of a dying woman's life. Throughout her eighty years of life Mrs. Weatherall has had her fair share of disappointments, heartaches, and unfavorable outcomes. This short story is written in a manner that allows the reader to get an outside view looking in; similar to looking at the story through a window as if being acted out in front of you in the theater. The story is eloquently written and leaves the reader with a sense of familiarity towards the family. The populations of readers who have had the pleasure of experiencing this pathetic story have come to relate their own experiences and disappointments towards the story and have empathetic feelings towards the main

There comes a point in one’s life when they must recognize the hardships placed upon them, and instead of being ignorant of those hardships, they must confront them head-on. In “Marigolds”, a short story by Eugenia Collier, the main protagonist, Lizabeth, encounters various struggles that come with living in a poor town in rural Maryland during the Depression, allowing her to learn more about growing up and accepting reality with all its flaws. Lizabeth is a 14-year-old girl who feels a conflict between her inner child and her inner woman, as she is unable to do anything that satisfies both sides of her. She feels too old to be a child, yet too young to be a

The reader is almost forced to look at the actions of the grandmother as being similar to that of a young child. There's not a quiet moment with her around and she never sits still. The reader tends to have a negative perception of the grandmother due to these personality traits. However, these traits are expressed in a comical way causing the reader to be annoyed by the grandmother, but also entertained.

The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.

When Doris was a young woman her thoughts where all about money, live well and easy. Doris concept of life was not valuable, to her a minimum wage job was not good enough to live, the reason why she was a drug dealer. Now after many years, Doris changes the way she views life, to her now integrity and moral values are important. She shows those values serving to her community and teaching her children that they must avoid the drugs. However, she still thinks that was a victim of age and her hippie-ish culture.

The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in

By constantly moving around, Jeanette’s childhood was characterized by its instability and her own dependence on herself in order to survive the negligence of her parents. The glass castle symbolized a place where the Walls’ family would finally settle and become free of governmental intervention, however, it was through Jeanette’s realization that individualism was the underlying issue to her family’s problems, that she became aware of the impracticalness of being self-reliant. While Jeanette did have faith in her parents, her father’s continual inability to support his family and her mother’s own carelessness for her children, eroded all of Jeanette’s confidence. Jeanette’s decision to move to New York was not fueled by a need for individualism, however, it was in fact her desire to return to society and reintegrate into a world where she would be able to interact with other people. Thus, Jeanette's return to society signified her dependence of others and shows how individualism can never solve all of people's

But both Doris and Irene have people who do you look out for them like

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The novel was published in the year 1937. It is a depiction of a woman, whose life itself is an endeavour to oppose patriarchy. The protagonist show case great characteristic traits of representing the spirit of change. She breaks the norms that are posed by the male chauvinistic people around her. As the novel begins it is evident that Janie is suppressed by her own grandmother. This is the first level of suppression she undergoes. Here, a woman is suppressed by another woman of her own family, who has a mind that is glutted with the notions of patriarchy. The grandmother in Their Eyes Were Watching God though understands the sufferings of Janie, believes that it is her duty to get Janie married to the much older rich man. She believes that only a male support can make her life secured and happy. Here the grandmother represents the familial violence that is meted out to young women by people with patriarchal ideologies. According to her, a man is superior to a woman. She believes that only a man can give life and protection to a woman. The grandmother sticks to the old beliefs about marriage. This is one of the notorious notions that the patriarchal society hold on to. She fails to understand that women can live a secured life without even getting married. However, Janie is suppressed here. Janie is unable to protest against her much beloved grandmother. She becomes Logan’s

In Kate Chopin’s “The Story of an Hour”, Louise Mallard is caught in a cold marriage and a constrictive house. The same goes for Sarah Penn in Mary Wilkins Freeman “The Revolt of “Mother.’” Despite the fact that both stories share the topics of imprisonment and control, physically and inwardly, the ladies in the stories have diverse responses to their circumstances. Sarah battles the confinements without holding back, taking her opportunity, while Mrs. Mallard adopts a motionless strategy and is just liberated through the death of Mr. Mallard.

creates an optimistic atmosphere for the old lady believes in him and wants to help him to become a better person. On the other hand, the nihilism of the Misfit depletes the optimism for pessimism occupies his

Two minor characters in this novel also decide to live depressing lifestyles after losing their loved ones. They are Mr. Black in the apartment above Oskar and Ruth Black in the Empire State building. These two feel they cannot function anymore and hid from the world. Mr. Black has not left his apartment in “twenty-four years” because “there hasn’t been any reason too” now that his wife died (162.) He turned off his hearing aids “a long, long time ago…[to] save batteries” (165.) Oskar finds tree stumps in his bed that contain nails representing each day his wife had been dead. The man is over 100 years old and has been through so much in his life. He explains that for most of it he was at ward and “treated [his wife] as though she didn’t matter.” The bed was “the first thing [he] got her when he came back”(161.) As Mr. Black continues to put nails in it and shut the world out, he is always thinking of his wife. He no longer explores or interacts because she is not there.

Claudia expresses again and again how marginalized she and her sister perceived themselves to be, "Adults do not talk to us - they give us directions" (10). When Claudia thinks back to a childhood illness she suffered, she remembers her mother's irritation at finding her sick in bed. Claudia questions the reliability of her perceptions of pain and confusion, "But was it really like that? As painful as I remember? Only mildly. Love...eased up into that cracked window" (12). Claudia's mother's irritation is tempered with compassion; she coats Claudia's phlegmy chest with salve and "hands repinned the flannel, readjusted the