Boyle Heights Essay

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

A misperception of the global community is that countries are comprised of a single culture. In this compartmentalized worldview, a country has the same food, ideas, and traditions as if our national borders are the only aspect to define us. However, Mexico is far from a homogenized culture or identity; there is a myriad of differences within present day Mexico and the Mexican-American Community. In Chicago, the Westside neighborhood of Pilsen showcases the rich diversity of Mexican culture. Pilsen has changed hands as many immigrants thrived in its streets throughout the century and is now predominantly Latino/Mexican. The small neighborhood’s vibrant culture is encapsulated in the brilliantly colored painted murals featured on many building,

There are three iconic symbols of the presence of Mexican Americans in the history of the United States: The role of Mexican Americans in the WWII, the Bracero movement, and the Zoot Suit Riot. All three moments provide insight on the participation of Hispanics in the construction of the American society and more importantly, on the way the Mexican American identity has been constructed and on the ways this community has been considered, in general terms, a group of domestic aliens. As a consequence, Mexican Americans have been segregated and denied equal opportunity historically. However, they are here to stay, an Anglos better learn to deal with their presence.

In the reading, “Political Roots of Chicano Discourse” by Silvio Torres-Saillant mentions an important key leader of the Chicano Movement, this key leader is Rodolfo ‘‘Corky’’ Gonzales. He is famous for writing the poem I Am Joaquin in 1967 that was written for the Chicano Movement. Rodolfo Gonzales had many passions in his life, he was enrolled in college but wasn’t able to continue his education so he went on to work on other things. Silvio Torres-Saillant mentions, “he founded Denver’s Crusade for Justice, an organization dedicated to ‘providing social services, cultural programs, and leadership

Oakland fell into the Alternative Education Law program. Students worked at their own pace and speed to complete school. Oakland High School generally graduated between 15-20 students a year. Several smaller programs existed within the school, such as Region 5, or ALC (Alternative Learning Center) program or Lincoln Tree Farm. Region 5 were for student who were in transition from just being released from either Echo Glenn or Green hill youth jail facilities. They worked with a JRA representatives and would complete school work and prepare to reenter the comprehensive high school setting. They would have no contact with the remainder of the building and programs. This program ended during the 2007-2008 school year.

‘Pleasantville’ is a satirical movie about two siblings who are high school seniors. They get transported into the 1950’s black and white television show ‘Pleasantville’. In the show, the sister, Jennifer, starts to become bored with how life was back then. She decides to take action. Introducing all her newly made friends to some of the pleasures of the 90’s may have been fun, but it came with a cost. Many people of the town started to become coloured instead of black and white. While Jennifer is enjoying her new and exciting life, her brother Daniel is worrying about how they are going to get home. What he doesn’t realize is that the changes to the townsfolk aren’t all Jennifer’s fault. He has also influenced Bill, the soda shop owner, by encouraging him to start work by himself, and stop relying on other people. These changes to the script caused many citizens to change colour, but those who remained colourless went on a rampage. In the scene I have chosen, the colourless have started a gargantuan bonfire of all the books. Hoping that if they

In George J. Sanchez’s, Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles 1900-1945, Sanchez brings forth a new understanding of Mexican-American culture through the presentation of how the culture made substantial adaptations under limited economic and social mobility (Sanchez 13). Unlike other historians who studies the variations of Mexican American cultural identity from a national prospective , Sanchez creatively selects Los Angeles as his site of research because, not only is the city home to the largest Mexican population in the United States, but also because Latinos play a profound role in shaping the city’s culture. Growing up in an immigrant family himself, Sanchez undoubtedly has many personal

In the novel Grand Avenue. Greg Sarris uses the theme thread of poison to connect all of his separate stories about the Toms’, a Pomo Indian family. He proves that the roots of a family are the basis which gives the family its structure, even if those roots are bad. In the Toms’ family they’re roots were poisoned from the very founding of the family starting with Sam Toms’. His poison was not the fact that he tried to steal a married woman away, but that he was filled with secrets, deceptions, and self hatred. His family was founded on these poisened roots and passes the poisen down generation after gerneration. The only way to stop the poison, or inner self hatred taken out in other forms, was to let go of past and

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

     Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater good. Judith F. Baca, a Hispanic-American woman and artist- activist has contributed an unaccountable amount to the mural movement in Los Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a respect for their ethnic identity, and from the many walks of life that continue to view her

The 1940’s inevitably signaled the beginning of the Mexican American civil rights era in the west as Mexican Americans rose to immeasurable heights in an attempt to terminate the de jure segregation they were unwillingly victims of. Their notable attempts to prove that they were worthy of the natural rights granted by the founding fathers brought light to the intense hatred shown towards Mexican Americans that was centralized in Los Angeles, California as

It shows the struggle and emotions of the Chicanos. Some of the murals like the mural of Mexican history and an unknown really shows all the aspect of their history. It shows the natives, women, men, revolutionaries and the major figures in Mexican history. The home page shows a drawing that represents the mixture of race which makes up the Chicano identity, the Native, Spaniard, and mestizo. This is a very visual history and one can pick some of the emotions and struggle through the paintings but one needs to understand the written history in order to appreciate it better because it makes it easier to identify especially with the major figures. Michelle Rosado makes an interesting point about the murals in the Chicano web site, when she mentions that "one may think that this is the history of all Mexican-Americans, but it is not. The effect of certain events that occurred in Mexican-American history on this community and California, such as the Chicano Civil Rights Movement and the Chicano Moratorium march against the Vietnam war, is addressed. The major outcome of these events emphasized by the web site is the influence it had on art in the Mexican-American culture. However, the history and other effects on all Mexican-Americans throughout the United states is not discussed". I agre with Michelle Rosado that "similar to the web site it [the documentary] does not talk about the very beggining of the Mexican-American

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

Depicted on the cover of Quixote’s Soldiers is a group of Mexican- American men and women in protest formation. They carry with them signs that say “Justice for La Raza,” “Ando sangrando igual que tu,” and “Cops out of our communities!” David Montejano argues that Mexican- American reform groups are often left out of the Civil Rights Movement taught in a classroom. San Antonio was the birthplace of the Chicano movement. Here, various organizations were formed to encourage the government to increase Mexican- Americans opportunities in the educational field as well as in the work field. The Brown Power movement campaigned for Mexican- Americans to reject assimilation into the American mainstream society, and celebrate their Chicano history.

Similarly to William Johnson, Manuel Ramos takes this photograph to visually reflect a lesser class in Mexico city though use of location and amount of people. Prisons have a negative connotation in people’s minds because of why and who is sent there. Our society views prison as a place where bad people who did bad things are forced to go. Thus, we view the people who are in prison or around the prison as bad people, which causes us to view them as inferiors, instead of equals. Since Ramos took the photo of large amount of people outside a prison, we unconsciously transfer that negative connotation onto the people in the photograph. Furthermore, the majority is dressed in dark clothing. This is significant because just like how we relate prisons to bad things, we associate dark clothing to bad things as well.