Celtic Christianity and The Secret Rose
In William Butler Yeats' The Secret Rose, the author develops his theme through choice of diction, imagery, symbolism, and scansion. Yeats' Irish background is an influential factor in terms of the tone with which he addresses religious beliefs, and an acceptable interpretation of The Secret Rose depends on one's knowledge of Celtic history and tradition.
Throughout his poem, Yeats uses a great deal of symbolism in describing the well-known events that surround the crucifixion of Jesus Christ. Every line is significant in terms of how one understands the statements (and questions) Yeats is posing. The Secret Rose is in itself, a noteworthy title, because it sums up the fixation of the
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Yeats' style is quite prayerful- his voice at first resembles an aged person who is seeking comfort as he reaches his final days on Earth. At the end of the poem, Yeats' voice has become one of assurance and anticipation. This change in voice is quite effective in developing the idea that living is a circular event, and death is certainly not a final destination. Furthermore, this belief is consistent with the Celtic conviction that death must come before birth in the circle of life because there must be room for new growth before it can occur.
The meter and rhyme scheme of Yeats' poem are similarly structured to coincide with the belief that life is an unending cycle. The poem is written in iambic pentameter, in pairs of rhyming couplets, and the first rhyming couplet rhymes with the final couplet as well. In returning to the original rhyme, Yeats' reinforces the belief that life will continue in a non-terminal circle.
The theme of Yeats' poem deals with the anticipation of the Second Coming of Christ, a very Christian viewpoint. However, in his writing Yeats incorporates an important part of his heritage: the Druids, an ancient order of priests that played a pivotal part in the growth of Christianity in Ireland. "In Druid vapour and make the torches dim; / Till vain frenzy awoke and he died; and him /
Consequently, “Who Goes with Fergus?” is a very complex poem. It presents a stimulus for the young people to give up on their political struggle and instead find the mysteries of nature: “Who will go with Fergus now,/ And pierce the deep wood’s woven shade,/ And dance upon the level shore?”. Moreover, the poem also represents the poet’s own frustration over his own lapsed romance. He is decided to leave his love behind and try to amend his situation by following Fergus: “And no more turn aside and brood/ Upon love’s bitter mystery;”. But more than anything, as was stated above, this poem symbolizes an analogy in order to stimulate the young into fighting for a better Ireland – showing in this poem, once again, Yeats’ own sense of nationalism.
William Butler Yeats Irish identity shaped his poetry by focusing on subjects that are related to Ireland and its people. Yeats is considered as not only the most important Irish poet, but also as one of the most important English language poets, of the 20th century. He was a very important person in the Irish Cultural Revival, his later poems made a significant influence to Modernism, and he was awarded the Nobel Prize for Literature in 1923. William Butler Yeats poems are a reflection of his life, as they tell love and patriotism for Ireland.
While both Keats and Longfellow often reflect on their own unfulfilled dreams and impending deaths, the poems however contrast on their own dispositions towards death and the future. Here, Keats expresses a fear of not having enough time to accomplish all that he believes he is capable of doing, but as he recognizes the enormity of the world and his own limitations of life, he realizes that his own mortal goals are meaningless in the long run of things. On the other hand, Longfellow speaks of a regret towards his inaction for allowing time to slip away from him in his past and is at a crossroads for the ominous future that looms ahead of him. Through the use of light and dark imagery, and personification, Keats and Longfellow similarly yet also differently, reflect on their own ideas for death and the futures that lay ahead of them.
The poem is separated into two parts, each with sixteen lines, and is loosely based on an iambic pentameter metre. The rhyme scheme is ABAB throughout the poem, with the noticeable exception of the last four lines of part II, in which it changes to
The last three lines of the poem, "And all their eyes still fixed, hoping to find once more, /Being by Calvary’s turbulence unsatisfied, / The uncontrollable mystery on the bestial floor," are the strongest. Yeats is saying that, although they are unhappy with their lives, they have not given up hope. They still feel that they can find perfect happiness. They realize that this happiness cannot be found in the lives they are currently living. Yeats often used the image of the cross or of Christ’s crucifixion to symbolize things such as "discord, incompleteness, opposition, mortality, temporality" (Ellmann and O'Clair, 135). With this line, he is saying that these people have given up hope that they will ever be happy in their hectic, strife-filled, material worlds. They are now turning to God in order to find some sense of peace and fulfillment in their lives. The
William Butler Yeats is one of the most esteemed poets in 20th century literature and is well known for his Irish poetry. While Yeats was born in Ireland, he spent most of his adolescent years in London with his family. It wasn’t until he was a teenager that he later moved back to Ireland. He attended the Metropolitan School of Art in Dublin and joined the Theosophical Society soon after moving back. He was surrounded by Irish influences most of his life, but it was his commitment to those influences and his heritage that truly affected his poetry. William Butler Yeats’s poetry exemplifies how an author’s Irish identity can help create and influence his work.
Yeats works drew heavily on Irish mythology and history, he never fully embraced his Protestant past nor joined the majority or Ireland Roman Catholics but he devoted much of his life to the study in myriad other subjects. The Irish writer’s James O’ Grady and Sir William Ferguson were the most influential. Through his writing Yeats found his voice to speak up against the harsh nationalist policies of the time, his early dramatic works conveyed his respect for Irish legend and fascination with occult. Yeats mother was the first introduce him and his sisters to the Irish folktales he grew to love so much but little did you know that his brother jack and father was also an accomplished artist and they both helped William in his writing and it's the reason he found his own interest in the wonderful arts as he called them. In 1894 Yeats met friend and patron Lady Augusta Gregory and thus began their involvement with The Irish Literary Theatre which was founded in 1899 in Dublin. Along with literature, he also loved the theater and wrote several plays. He collaborated with the likes of Lady Gregory, Edward Martyn and George Moore to establish the Irish Literary Theatre for the purpose of performing Irish and Celtic plays. As a dramatist, his successful works included ‘The Countess Cathleen’ (1892), ‘The Land of Heart’s Desire’ (1894) and ‘The King’s Threshold’
The theme of Dylan Thomas and W.B Yeats poems are about death. In Do Not Go “Gentle Into The Good Night” the author is telling his father not to die and to stay strong. He does this by repeating ”Do not go gentle into that good night. Rage, rage against the dying of the light.” In ” When You Are Old “The narrator said” And pace upon the mountain overhead And his face amid a crowd of stars.” The narrator is looking down on her from when he passed away.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not
In the poem “The Second Coming”, by William Butler Yeats. He writes this poem after World War I, around 1919. Yeats is a Irish poet, who came from Protestant parentage. The over all theme of the poem is that God will come back again. There are many versions to how God will appear, but in this poem bad things happen first in order for God to come. In “The Second Coming,” Yeats uses symbolism to unfold the meaning of the poem.
The poems share commonalities in their beginnings illuminating both Keats and Longfellow’s resent over death. In Keats’s poem, his first line illuminates the whole focus of fear of death when he states, “I may cease to be.” Keats’s quote parallels Longfellow’s first line, “half of my life is gone.” Keats then uses “before” as a metaphorical anaphora to emphasize the idea that he will die before he accomplishes all that he
Yeats was a confessional poet - that is to say, that he wrote his poetry directly from his own experiences. He was an idealist, with a purpose. This was to create Art for his own people - the Irish. But in so doing, he experienced considerable frustration and disillusionment. The tension between this ideal, and the reality is the basis of much of his writing. One central theme of his earlier poetry is the contrast
Yeats wrote this poem in respect of Major Robert Gregory, who died in the War. An Irish Airman Foresees His Death is written in the background of the Easter 1916 when the Irish people have demanded the independence from Britain. This poem was written for Gregory’s devoted duty for his countrymen by joining in the British Royal Flying Company (Walsh, 2012). In Easter 1916, Yeats proposed that Ireland had to confirm its independence and states identity through rebellion and the affectionate discovery of change. So, the unwanted bloodshed and sacrifice perpetually change the state of the
Mr. Yeats relates his vision, either real or imagined, concerning prophesies of the days of the Second coming. The writer uses the Holy Bible scripture text for his guide for because no one could explain this period of time without referring to the Holy Bible. He has chosen to present it in the form of a poem, somewhat like the quatrains of Nostradamus. The poem does not cover all the details of this event, but does give the beginning of the powerful messages, and a dark look at those ominous days surrounding the Second Coming of The Lord Jesus Christ. Perhaps he is trying in his own words to warn everyone about the end time days.
Whilst reading the poem one is able to notice the effect the rhyme scheme and structure plays on the delivery of the message that nature is powerful in the poem. The rhyme scheme is an ABAB rhyme scheme for majority of the poem, and the structure is a consistent four line a stanza for the entire of the poem. The rhyme scheme changes from an ABAB one to an ABBA one for the last stanza,